Essay about A Child's Struggle in Alice's Adventures in Wonderland

In 1862, floating upon the river Isis, Charles Dodgson narrated for Alice Liddell and a few others in company his original tale of Alice’s Adventures in Wonderland. Gliding along underneath the blue sky, Dodgson wove his words into one of the most classic children stories of all time. Thesis: Although Carroll’s Alice’s Adventures in Wonderland may have only begun as a children’s story, many adults have sought to discover the “true meaning” of the novel. Curiosity has led to years of searching and interpretation of the origins of Carroll’s novels, and the symbols inside, developing into theories ranging from practical to nearly impossible, eventually evolving into their own stories in the film industry.

Carroll uses the food and drinks as a way of representing Alice’s curious appetite for growing up in her societal role. As she wanders around Wonderland, her curiosity often leads to her eating or drinking an object in order to satisfy her curiosity. When she drinks the “Drink Me” substance she says, “Curiouser and curiouser! Cried Alice she was so much surprised, that for the moment she quite forgot how to speak good English” (Carroll 6). Many times throughout the novel, Alice adventures revolve around food and drinks such as sweet baked snacks, potions and tea to appease her curiosity. Alice begins to lose control of her eating and drinking habits of Wonderland which demonstrates her maturity as she looks towards adulthood in the reality world. The more food and drinks Alice applies to herself, Carroll establishes the metaphor of growing up results in unpredictable events and changes that are irreversible. Alice stumbles across the Cheshire Cat who portrays the opposite of growing up as he believes taking short cuts are better than asking for advice. The Chesire cat exclaims to Alice, “Then it doesn’t matter which way you go” (Carroll 49). The metaphor from the Cheshire Cat resulted from Alice asking about visiting the Mad Hatter. In this case, The Cheshire Cat is a representation of taking the easy route and not visiting the mad hatter,

From the moment she sees the White Rabbit taking his watch from his waistcoat pocket, Alice tries to understand the logic of Wonderland. None of the rules that she has been taught seem to apply in Wonderland. The characters in Wonderland have no sense of manners and respond to her questions with answers that make no sense. For example, the Mad Hatter asks the questions, “Why is a raven like a writing desk?” (Alice 51). Alice assumes he is asking a riddle and she begins to try to answer it, thinking the Hatter would not ask a riddle without knowing the answer. When Alice is unable to figure out the riddle, the Hatter explains that there is no answer. He does not explain why he asked the riddle, he simply says, “I haven’t the slightest idea” (Alice 53). In which Alice replies, “I think you might do something better with the time, than waste it in asking riddles that have no answers” (Alice 53). The Hatter then responds with a lecture on Time, which he depicts as a person. Time being depicted as a person makes no logical sense to Alice. In the end, Alice rebels during the trial scene when the King said “Rule Forty-two. All persons more than a mile high to leave the court” (Alice 88). Alice objects to the absurd nature of the trial saying, “Who cares for you? You’re nothing but a pack of cards!” (Alice 91). This final scene is the end of her dream, and she wakes up with her head in her sister’s lap.

Many themes are explored when reading Lewis Carrol’s, Alice in Wonderland. Themes of childhood innocence, child abuse, dream, and others. Reading the story, it was quite clear to see one particular theme portrayed through out the book: child to adult progression. Alice in Wonderland is full of experiences that lead Alice to becoming more of herself and that help her grow up. It’s a story of trial, confusion, understanding, and success. And more confusion. Though others might argue that the story was distinctly made for children just to get joy out of funny words, and odd circumstances, the tale has obvious dynamics that confirm the fact of it being a coming of age story.

Alice in Wonderland by Charles L Dodgeson (Lewis Carrol) is a classic masterpiece and example of great literature. Many people know of this book as merely a child’s tale or a Disney movie. As both were adopted from the book, many of the ideas were not. I have my own feelings and opinions of this book. Remarkable use of words and an originally creative theme and plot structure are both used in this book. The author of this novel used many hidden meanings, symbolism, and ambiguous terms to greatly describe the actual nature of the story. Many people have different views as to the type of book it is and the novel’s actual meaning. Although this book inspires many people to laugh, it also inspires them think.

Lewis Carroll's use of puns and riddles in Alice in Wonderland help set the theme and tone. He uses word play in the book to show a world of warped reality and massive confusion. He uses such play on words to reveal the underlying theme of ‘growing up', but with such an unusual setting and ridiculous characters, there is need for some deep analyzing to show this theme. The book contains many examples of assonance and alliteration to add humor. Carroll also adds strange diction and extraordinary syntax to support the theme.

In particular, Alice’s fluctuating size and “opening out like” (Carroll 11) a telescope parallel with a child’s seemingly spontaneous growth spurts, which occur frequently and most noticeably during pre-adolescent and adolescent years. In fact, Alice Liddell, the inspiration for the original tale, was ten when Lewis Carroll (the pen name of Charles Dodgson) first told the tale (Vallone 245). In addition, Alice’s Adventures in Wonderland began as tale about the adventures of seven year-old Alice Liddell (Vallone 245). In reality, most children like Alice Liddell grow, but in Wonderland, Alice changed drastically and symbolically. Physically Alice’s growth correlates in many instances with her behavior. For instance, prior to drinking the mysterious liquid, Alice ponders on the substance’s toxicity, however, she fails to consider possible outcomes while forgetting the golden key. Consequently, Alice grew smaller as her behavior was incongruous to a practical and experienced adult. In contrast prior to consuming the cookie, Alice muses “‘if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door so either way I’ll get into the garden’” (Carroll 9). Hence, Alice exemplifies problem

Alice's Adventures in Wonderland shows us how a child's innocence can create an imaginative world that would be considered abnormal and insane through the eyes of an adult. Alice dreams of creatures and animals that have the ability to talk, and she constantly shifts in shape and size, perverting the proportions of Wonderland around her. She also has conversations with other characters that the are full of nonsense and odd remarks. Perhaps Alice's irrational personality is best displayed during the scene "A Mad Tea-Party" when Alice encounters a Hatter, March Hare and Dormouse sitting down for teatime. She walks up to the crew nonchalantly and sits down to join them. Immediately, the Hatter begins to make remarks about Alice's appearance and her manners. He is rude and snappy, having a criticism for everything that Alice

Alice can be very childish, but throughout the story, she encounters many animals with human qualities that make her change her perspective of the world she lives in. The main obstacle in Alice's life is growing up. As she grows up, she looks at situations in a very distinctive way, such as the moment when alice meets the March Hare, The Mad Hatter, and the Dormouse. By the time the story is over, Alice is already a grown up because of all the experiences she confronted such as, the mad tea party, the encounter with the caterpillar smoking a hookah pipe, also Alice's encounter with the Red Queen during the croquet game and the trial.

Carroll creates a world where Alice is allowed to be very curious and free; he “elaborates a view of a composite reality that allows one to function safely in this curious and potentially destructive world” (Reichertz 7). Alice also displays good manners that were clearly taught well by her guardians even know she has little guidance from them in the novel. Alice is also inclined to learn from the animals in the novel, for learning is a distinctive trait of the rational

Alice in Wonderland by Lewis Carroll endures as one of the most iconic children 's books of all time. It remains one of the most ambiguous texts to decipher as Alice 's adventures in Wonderland have created endless critical debate as to whether we can deduce any true literary meaning, or moral implication from her journey down the rabbit hole. Alice 's station as a seven year old Victorian child creates an interesting construct within the novel as she attempts to navigate this magical parallel plain, yet retain her Victorian sensibilities and learn from experience as she encounters new creatures and life lessons. Therefore, this essay will focus on the debate as to whether Alice is the imaginatively playful child envisaged by the Romantics, or a Victorian child whose imagination has been stunted by her education and upbringing.

The Victorian Era was a time where not many ethical ideals and moral standards were sustained. Yet, it is also an Era in which modern society uses to make advancements in both humanity, and philosophy. Lewis Carroll, author of Alice in Wonderland, was a novelist who wrote pass his time. He wrote further in the future of the "common" Victorian Era. The ideology he presents in Alice in Wonderland is conducive to an individual attempting to bring attention to the deteriorating mental health and humane conditions in Victorian-Era England. Alice is representative of a normal child in everyday-Victorian England. This child, Alice, has not been exposed to the likes of diversity, but instead solidarity. The type of solidarity that is all too prevalent throughout the Victorian Era, primarily in the upbringing of children during this time. Children in Victorian Era England were taught to be followers of the norms already established by adults, and to ask no questions. These types of parameters placed restraints on children growing-up during this time; not only physical restraints, but also mental restraints, such as their imaginations'. Carroll was no stranger to this ideal or the likes of this concept; In fact, he constructed Alice in The Wonderland with this in mind, to defy the imaginative 'norm' of Victorian-Era England. He created a character that dreamt of falling down a rabbit hole into another universe. This dream or imagination becomes so vivid in his novel that the

Alice begins by startling at the sight of the Cat sitting on a tree bough, while the Cat only grins at Alice. As dear Alice asks for advice on which way she ought to continue, the Cat claims, “if you do not know where you want to end up, then surely it does not matter which way you go” (Carroll 49). This simplistic view of decision making plays on the complexity that humans weave into simple decisions of everyday life. Alice’s confusion is spotlighted by this overtly simple take on decisions, and her confusion can then be tied to the absence of a concrete identity. The Cat proceeds to reveal that in Wonderland, “we’re all mad here. I’m mad. You’re mad,” and this awareness and acceptance of “the fury” within himself further serves to bold Alice’s insecurity (Carroll 49). Perhaps, if Alice knew who she was to others – and to herself – in Wonderland, she would not deny the madness of Wonderlands creatures, including

Based on the children’s literary work written by Lewis Carroll, Alice in Wonderland is a fictional film that was directed by Tim Burton.  The film is set in Wonderland inside of Alice’s dream, so viewers are able to recognize the lack of order and the fantasies of children.  One of the major themes seen in the movie is childhood, specifically the development into adulthood, which is depicted in other characters besides Alice.  Alice, however, is used as the primary symbol for what children in the Victorian Age should not ideally act like, since they were expected to dress properly and attain a certain level of education.  Furthermore, Sigmund Freud’s dream theory and tripartite give further insight into the characters and what they represented during the Victorian Age. The id, ego, and the superego are applied to the unconscious and conscious mind states, and how the unconscious state is still somewhat available during a conscious state.  In Alice in Wonderland, psychoanalysis is used to portray the Red Queen as the id, the Absolem

In Wonderland the creatures and characters show Alice how the real world is but in hidden ways that she will not understand until she gets a little older. When Alice first encounters the Duchess, the Duchess is caring for a baby. Franticly the Duchess basically throws the baby into Alice’s arms, and Alice unsure of what to do, goes on a walk with the baby through the woods. Slowly Alice begins to realize that the baby she was carrying, was slowly beginning to transform into a pig (47-48). This symbolism that Carroll illustrates shows Alice how babies are going to change. By turning the baby into a loud messy animal, it demonstrates how babies will drastically change, and are handful. Since Alice is only a child, she has never had to deal with a baby from an adult perspective, until doing it unknowingly in Wonderland.