A Clear Midnight By Walt Whitman

The experience of darkness is both individual and universal. Within Emily Dickinson’s “We grow accustomed to the Dark” and Robert Frost’s “Acquainted with the Night,” the speakers engage in an understanding of darkness and night as much greater than themselves. Every individual has an experience of the isolation of the night, as chronicled in Frost’s poem, yet it is a global experience that everyone must face, on which Dickinson’s poem elaborates. Through the use of rhythm, point of view, imagery, and mood, each poet makes clear the fact that there is no single darkness that is too difficult to overcome.

On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to

In Whitman 's works ideas about naturality that clearing the person accepted space character; any person and any things are apprehended sacred against infinite in time and space of evolution of the Universe. The feeling of relationship with all people and all phenomena of the world is expressed by means of transformation of the lyrical hero into other people and inanimate objects. In his works we can see how humans distinguish from the animals and can find that Whitman is on the side of the animals.

The soul is also mentioned earlier in the poem as beautiful, despite the faces he sees which are at most "despising," (Whitman, `Faces'). Whitman was apparently very much intrigued by the soul, he tried to find a "path," to the soul even though he admits that he was not sure what the soul was. However, he was determined he would find a "path between reality and their souls," (Allen, 192). Like most of the pantheists of his time he wanted to connect many things, reality and the soul; even individualism and the nation. Whitman quoted, "The empowerments of each element of the country individually but at the same time their merger in the collective empowerment of the nation

Whitman is encouraging the reader to accept evil and doubt as a part of nature and something we cannot avoid. “Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east, Others will see the islands large and small;” and this part of the poem portrayed the outlook is different. He uses repeat imagery refers to mankind’s existence being mechanical and has no destination such as “Closer yet I approach you,/What thought you

Also included in the poem is the image of a young child being embraced by their elders. This shows the gap in life and the aging process that we go through. When we are young we are carefree, but as we age we hold on to the ones we love because of the knowledge that we will one day have to make our departure. Out of this idea of death, Whitman shows that this is a natural part of life and

& nbsp;Divinity, Sexuality and the Self in Whitman’s Song of Myself       Through his poetry, Whitman's "Song of Myself" makes the soul sensual and makes divine the flesh.  In Whitman's time, the dichotomy between the soul and the body had been clearly defined by centuries of Western philosophy and theology.  Today, the goodness of the soul and the badness of the flesh still remain a significant notion in contemporary thought.  Even Whitman's literary predecessor, Emerson, chose to distinctly differentiate the soul from all nature.  Whitman, however, chooses to reevaluate that relationship.

As the speaker sits in an auditorium, they observe the lecturer’s many notes, “When the proofs, the figures, were ranged in columns before me, / When I was shown the charts and diagrams, to add, divide, and measure them,” (lines 2-3). This line provides strong visual imagery of complex investigations in astronomy, and a reader can easily imagine a full lecture room with endless notes and charts which aids in providing the mind-numbing mood of the experience. Moreover, the repetitions of what are essentially synonyms in this context make these lines sound like the rambles of the astronomer, contributing to the tone. As the speaker tires of the lecture, he leaves the room and “In the mystical moist night-air, and from time to time, / Look'd up in perfect silence at the stars” (lines 8-9). Here Whitman again employs imagery to make the night seem appealing and

Whitman's poetic soul, like the spider, stands isolated at the center of all things. If it is to take on meaning, it must... come to a realization of itself... The poet then, like the spider is complete in himself-a seer and a "kosmos" - constantly "musing, venturing, throwing, seeking" in an effort to create his own order by forming a union with the whole (Eckley 20).

Robert Frost 's “Acquainted with the Night” is about a man who frequently journeys out at night and roams about the city alone. He is familiar with the atmosphere around him and it’s apparent he has wandered far beyond the city. Throughout the poem the speaker does not communicate with anyone and a sense of silence and suspense pervade his walks. It is understood that the speaker is very lonely on his walks and often finds himself hoping someone would call out to him. As the speaker strolls through the dark city streets midst the night, it’s evident that he is deeply troubled and dismal as the poem develops a gloomy, dejected tone.

Whitman begins by creating a contradictory image of himself. On one hand he relays an egotistical representation by alluding that he is the center of the universe, "a kosmos, of Manhattan the son," almost a deistic type of character. Whitman also describes himself as not being above any one person, woman or man, an obvious contradiction to his previous representation. His God-like persona is depicted in human terms, physical qualities that all humans possess. Whitman creates this contradiction to show his belief that he is everything, but is only this way because everything is a part of him. He represents himself as part of a whole&emdash;nature, mankind, and the universe are all a part of him. By being everything in nature and nature being a part of him, Whitman has the power to become the voice of nature as a whole. He speaks for nature and mankind when they do not possess the power to do so. Whitman is the voice of all.

At the same time, perhaps the clock could also be a literal clock and describing its height as “unearthly” an example of hyperbole. When the narrator examines the clock as it proclaims the time, he states that “the time was neither right nor wrong” (line 13). Through this diction, Frost creates a sense of ambiguity about the nature of time and the narrator’s feelings about his life choices. Concluding the poem with the line “I have been one acquainted with the night,” Frost indicates that understanding “the night” seems to be the poet’s destination on his

"Why should I pray? Why should I venerate and be ceremonious?……I find no sweeter fat than sticks to my own bones." (pg 40)Nature and all of her wondrous facets, especially the human body, was Whitman's religion. Walt Whitman was indeed an intensely spiritual man in his own unconventional way. His epic classic "Song of Myself" demonstrates these attitudes of his, and in his view how the proverbial "poet" of his America should believe. Humanity yearns for spiritual fulfillment and Whitman believed that everything around us and even ourselves were walking testaments to what true ethereal life is.

Whitman writes that he, as a poet, represents the body and that he is "the poet of the soul" (Lauter, p.2759). In other words, his poetry represents the body and the soul, but since we are more interested in the soul, we will focus on that. Remember, also, Whitman's poetry is often contradictory. He says in the following lines, "The pleasures of heaven are with me, and the pains of hell are with me" (Lauter, p. 2759). I believe what Whitman is saying here is that his soul includes both pleasure and pain. But, in the very next line he says that he has brought pleasure on himself and the pain he feels he "translates into a new tongue" (Lauter, p. 2759). The tongue refers to here is his poetry. To tie this altogether, his poetry represents the soul, particularly pleasure and pain. He takes the pain from his soul and translates it into poetry. Therefore, his poetry represents his soul.

Whitman is known for being revolutionary for his use of free form verse in the nineteenth century. This style is evident throughout Song of Myself which aids in his descriptions and devices used to get his meaning across. His grouping of three lines per stanza for this section is common for the entirety of “Song of Myself”, which has variations of three line to occasionally five line stanzas. His freedom in his poem’s style and lack of rhyme scheme allow him to fully showcase his thoughts in a new way for this time period. An overall summary of the poem is Whitman’s pondering of himself and the world in behavior and personality to him being fully confident in himself with no existential crisis. For the first half of section 20, Whitman’s character of himself questions everything beyond the ownership of himself. He questions the integrity of other people’s identities and characters as well as ignoring social norms involving manners and religious behavior. The declaration of a lack of manners and questioning the church would have been scandalous to