Title: The Inalienability of Free Will in Stanley Kubrick’s ‘A Clockwork Orange’
Name: Nicholas Pearson-Buffoni
Course: BAEN
Lecturer: Thomas Birkett
Date: 07 October 2017
In this Essay I will examine the theme of the inalienability of free will in Stanley Kubrick’s screenplay adaptation of Anthony Burgess’ ‘A Clockwork Orange’. This essay will argue that the above text stresses that free will is a necessity for all of humanity, whether that free will be used for benevolent or malevolent means. As free will is that which makes us as humans and separates humanity from simple inanimate objects or wild animals. This essay will demonstrate that even when an inherently evil character such as Alex who uses his free will to commit extremely vile
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Although warned by his post corrective advisor Mr. Deltoid that his actions will end with him being incarcerated, Alex continues to use his free will to perform these horrific acts, showing just how arrogant he truly is. Alex, in the beginning due to his actions is, to most of society find Alex completely unrelatable and is hated by the audience. However, this opinion becomes obscured when Alex is inevitably caught, incarcerated and unknowingly volunteers to have his free will stripped from him by the character of The Minister and his scientists. The audience sees him ‘Bound up in a straight-jacket and my gulliver was strapped to a headrest’ and sees that ‘They clamped like lidlocks on my eyes so I could not shut them no matter how hard I tried’. Seeing another human being treated in such a manner, worse than an animal in captivity, no matter how devious that person is, evokes a sympathy in some form for Alex from the …show more content…
Alexander puts it ‘A little machine’, for the person, whomever they are, in this case Alex, ceases to be human and has no autonomy, only capable of performing acts which others deem suitable. Alex’s response to having his free will taken from him speaks for itself, as the audience sees that Alex and most likely many others would rather be dead than have no control over their actions. Although Alex was an extremely evil character in the beginning of the film, he used his free will to be evil and that free will made him what he was. While some may argue that if someone uses their free will to be evil should not have it in the first place, but to take that free will away from someone dehumanises them and dehumanising someone is, in itself evil. The film shows that without free will humans are nothing and while that may be used for malevolent means, without it cannot be used for benevolent means either. Without free will humans are no different from things, simply being used for a
A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess
Fite, S. 1997. Analysis and interpretation of Anthony Burgess a clockwork orange. http://www.beaconlc.org/ctech/stuwork/interp.htm Date of access: 16 Oct. 2015.
In one point of the movie Alex gang member get into a fight with the group comes across a rival gang in a warehouse. “Billyboy, the leader, and his five droogs are raping a young devotchka (girl), and Alex's crew attacks them, beating them back until the millicents (police) arrive” (Wilson line 19-21). This contains the power of free will to accept Alex’s leadership. In order to remain his priority to his leadership he replied them daringly through defeating them in a fight. His fight was not to protect the girl but it was to prove his dignity and the power of his free will. In this part the girl was a used a territory which Alex wanted to rape and get the pleasure. “The themes of free-will, good vs. evil, and violence are seen throughout A
The film, Fatal Attraction is a clear depiction of the psychopathology showcased by the character, Alex. Alex becomes a stalker following her one-night-strand with a successfully married businessman, Dan. Following the affair, Alex vowed to make Dan quit his family by doing everything within her reach. First she attempted suicide as we see she cut her wrist to bar Dan from going to his family. However, when Dan finally rejects her opinion, she advances fierce threats to Dan including kidnapping Dan’s daughter, Ellen. Alex would never stop as she even waited Alex at his office to apologize and further extend her invitation to the opera, Madama Butterfly but she is again turned down raises her rage. Further, she calls Dan’s office stalking Dan’s
In Depth Character Analysis on Alex Besides the protagonist in A Clockwork Orange, who is Alex? Many times we only look at main characters with an outsiders perspective. The characteristics of a character are important, but the main characters are often made to be so much more in the inside by the author. Most simply, from an outward perspective, who is Alex? What shaped Alex to be violent?
The grace of evil in A Clockwork Orange is a recurring paradox throughout the novel and also implies a deep religious connotation. The main foci are the several aspects of evil, violence, and sexual acts committed by Alex and his gang members. However, Anthony Burgess has cleverly incorporated similar paradoxes to that of grace and evil, along with a different dialect to aid in masking the true harshness that lies underneath the violence. The other paradoxes include the extremes of night and day, good and bad, and black and white.
In a society where raping, murdering, and robbing happens very often, it is hard to determine what the best method is to lower the crime rates. Alex, one of the many teens who commit violence on a regular basis, has done many crimes. Five different methods have been used on Alex and each has its own benefits and drawbacks. “Clockwork Orange” argues that letting him be is the best method for Alex because he starts to get tired of violence, wants to start a family, and learns to show genuine care for others with nothing in return. However, too much free will is unreasonable and will not allow Alex to realize violence is bad.
“What’s it going to be then, eh?” is the signature question in Anthony Burgess’s novel, A Clockwork Novel that not only resonates with the moral identity of the anti-heroic protagonist, Alex, but also signifies the essential choice between free will that perpetrates evil and deterministic goodness that is forced and unreal. The prison chaplain and the writer F. Alexander voice the most controversial idea in the novel: man becomes ‘a clockwork orange’ when robbed of free will and tuned into a deterministic mechanism.
Through processes of rehabilitation, hypnosis and propaganda the government creates a society conditioned for manipulation. In particular, both novels exist to manipulate information of their own people as an advantage to keep their citizens under their complete control. Prior to Alex’s attempt for suicide in A Clockwork Orange, the government composes an article addressing the prevailing success the Ludovico Technique has achieved. The government subsequently restores Alex back to his old self in order to protect itself from blame on his attempted suicide. Knowingly still a threat to the government, Alex is ultimately released back into a society once again as a consequence of the government's inaccuracy and guilt. In an attempt for innovation,
In the movie, Alex goes through this procedure, watching video of violence and rape, and is later shown to be incapable of assaulting a man who belittles him and is violently
If free will and choice are taken away to create a uniform society, is it morally right? This question is often posed in dystopian novels which usually point out the dehumanization that this control creates. But many people have different opinions on the extent of government control. “People decide according to their personal preferences. Some, whenever they see any good to be done, or evil to be remedied, would willingly instigate the government to undertake the business; while others prefer to bear almost any amount of social evil, rather than add one to the departments of human interests amenable to governmental control (Mill 13).” This theme is present in A Clockwork Orange by Anthony Burgess because of the government attempting to take
The psychodynamic approach can be used to explain the moral conflict on why Alex did not bring up his concerns for Ada. Freud (1923) psychoanalytic theory would explain this as having an internal conflict with his id, ego, and superego. According to Freud the id is based on the selfish principal who seeks instant gratifications of its desires. The superego is based on the moral principal concerned with social acceptable principles and values. The ego is the executive part of the personality involved in planning and rationalisation and is the logical aspect of the mind. (Gross 2005).
As both the protagonist and narrator of Anthony Burgess' A Clockwork Orange, the character of Alex is an intriguing study from start to finish. Specifically, in comparing part one and part three of the novel, Alex's world, internally and externally, his characterization and travails are shown to be mirror images of each other, both identical and reversed. Where Alex was the soulless victimizer in part one, he finds himself repeatedly a victim in part three. Where he was once welcome at the story's start, he is cast out at the close. What gives him pleasure at the beginning, in part three gives him pain. This neat symmetrical structure clearly and symbolically portrays how much Alex
In the novel A Clockwork Orange, the freedom to choose is shown to be a vital, recurring theme that gradually evolves as the novel progresses. Throughout the first six chapters of the novel, Alex asserts his free will by choosing a course of wickedness. He is subsequently arrested in chapter 7 of part one of the novel, when he is caught red-handed in the middle of committing a crime and is taken to prison. In prison, Alex learns about the Ludovico's Technique, a method that robs the subject of his/her will to choose but grants the subject's release and freedom. Alex's one and only friend in prison, the chaplain, cautions Alex of the treatment, emphasizing the fact that he will "Never again ... have the desire to commit acts of violence or to
Though our human nature is to be good, Alex is the complete opposite. Alex is suddenly backstabbed by his companions while robbing a woman’s house, who he murdered that night. Alex was sent to Jail and sentenced to 4 years in prison. He soon found out about