A Clockwork Orange, by Stanley Kubrick

The use of the phrase “viddy him swim in his own blood while we counted the takings”, shows how criminals such as Alex and his “droogs”, can get away with such vicious acts of crime so often that it has become a hobby for them as they take so much enjoyment from the acts. Also the casual tone depicted from the text suggests the careless nature that Alex has towards the vulgar acts. These combined together add to the theme of corruption in society in ‘A Clockwork Orange’.

A Clockwork Orange, by Anthony Burgess, develops a fictional account of a violent futuristic society, while integrating commentary on  current political and social issues.

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess

A Clockwork Orange Journal 1: pages 3- 56 I found the first section of the novel, A Clockwork Orange by Anthony Burgess to be confusing, but at the same time interesting. Burgess’ ideas were organized and thorough in each chapter. The use of foreshadowing was used at the end of the first chapter implying violent acts throughout the rest of the section. The constant use of slang called, “Nadsat” threw off my focus while reading due to the distraction of flipping back and forth from the glossary back to the novel.

“A Clockwork Orange” starts with Alex posing the question: “what’s it going to be then, eh?”. Burgess begins the story by demonstrating that Alex

Character in both novels use unsuccessful escape methods to cope with their loss of identity. Alex, the protagonist in A Clockwork Orange, turns to classical music such as Beethoven when his gang members question his hierarchy within the group. Alex describes his bedroom where he goes after an argument with his gang members : "the little speakers of my stereo were all arranged round the room, on ceiling, walls, floor, so, lying on my bed slooshying the music, I was like netted and meshed in the orchestra." (Burgess. 37). We see Alex return to his bedroom many times after confrontations where his identity is disputed. Eventually, Alex is conditioned to feel sick whenever he hears classical music so Alex loses this escape method as he can no longer listen to classical music. Also, Alex relies heavily on the use of drugs when he is unable to deal with his loss of identity, " officially sanctioned "milk bars" that serve a variety of drug tonics to send one off on incoherent fantasies" (Gottlieb). These "milk bars" are locations where young

As time progresses in the novel “A Clockwork orange” written by Anthony Burgess, the theme is slowly unveiled. In the second part of the novel, Alex decides to break into an elderly lady’s’ house with intentions of raping her and stealing her most valuable possession’s. This here allows the reader to infer that the theme of the story consists of the fact that uncontrolled individual power can become overwhelming and can get out of hand very quickly. This specific event soon turns in the opposite direction concluding in Alex being recklessly abused in the police station by the police officers.

Clockwork Orange critique Clockwork orange is a book that talks about a young man named Alex and his gang that just go around committing one crime after the other in their community. Alex later on in the story got set up by his gang members and got arrested for all the crimes that he committed including killing people. Alex was then sentenced to fourteen years in prison and during his time in prison; Alex got recruited for an experiment that the government is working on to be the first prisoner to take part in this experiment. At the end of it all, Alex went through the experiment and just like everything else has side effects, Alex went through the experiment's effect with the consequences of the actions that send him there in the first place. Apart from the language being hard to understand, clockwork orange is a very interesting book.

Burgess' A Clockwork Orange, a critically acclaimed masterstroke on the horrors of conditioning, is unfairly attacked for apparently gratuitous violence while it merely uses brutality, as well as linguistics and a contentious dénouement, as a vehicle for deeper themes.

A difference and slight similarity between Kubrick’s Film and Burgess’ novella is the narration. In both, Alex is the narrator and uses Nadsat vocabulary to describe his acts of violence, however, the film narrative is perceived as less powerful as the novella. In the book, Alex’s narration accentuates his cruelty, pleasure, and lack of remorse. His pleasure is highlighted in the book displaying his dark thoughts, making the novella A Clockwork Orange appear to be a more grotesque piece in language than the film. This is evident in an act of violence, the raping of two ten-year-old girls. In the film, Alex has what appears to be consensual sex with two women around or a few youngers than himself, that the met in a record store. In the novel, he meets two ten-year-old girls instead and purchases them some food in addition. He then convinces them to come with him where they become intoxicated and he rapes them. Alex in the novella narrates the aftermath,

Discussions about literature and their adaptions, what they are and how they relate to tradition and society prompts the question, how does the ultra-violence fit in? In A Clockwork Orange, ultra-violence plays a key role in the overarching theme and tension within the novel and its Stanley Kubrick’s 1972 adaptation of the same name. The act of violence is paired with use of classical music which incorporates happiness and pleasure with the act of evil. The use music to create tension within A Clockwork Orange translates into tradition and modern society. Every part of the world has its own literary traditions as well as the norm of their society.

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

In the year 1962, there was a boy by the name of Alex DeLarge, and he was the leader of a gang called the “droogs.” He has three best friends named Georgie, Dim, and Pete who also make up the entirety of the gang along with Alex. One night, the boys decide to get very drunk on milk laced with drugs, and go out on a streak of horrible violent acts. They beat an elderly lady, fight a rival gang, steal a car, almost kill a man named Mr. Alexander, and rape his wife. After the next day, the droogs gang confronts Alex wanting more high-rewarding crimes. He beats his friends to a pulp just to show them he is the boss. Just after this they break into a rich lady’s home where Alex kills the

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through compliance to a group’s style of violence or through failure to embrace the similarity of group actions associated with violence. As the movie progresses, musical imagery follows the exit and return of his personal identity as a role of his

The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess's futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or "proper" method of vernacular in certain situations, while uses his own inventive slang-language called "Nadsat" for others. Many