A common technique used by authors throughout literature is the growth of the main character into their own. From the maturation of a selfish soul into a triumphant hero, or the rise of a shunned underdog into a loved champion, authors have create situations for their characters that teach readers a significant life lesson about the world we live in. For example, John Updike’s Sammy from A&P and Flannery O’Connor’s Grandmother from A Good Man is Hard to Find both receive wake up calls from the respective antagonists of their stories. They are put in high-stress situations where their morals and beliefs are pushed to the limit. Both O’Connor and Updike utilized the high-stress situations to make the reader question their own beliefs; therefore, causing the readers to empathize with the main characters. Sammy and the Grandmother experience unique situations that force them to question their way of thinking; however, those lessons are not restricted to them, but also lessons everyone has to learn. John Updike does a great job of creating a character in Sammy that young boys are able to relate to, and then making him mature due to a shocking realization about the real world. Like most teenage boys, he is sarcastic and opinionated, but Sammy sets himself apart by being oddly observant. The mundane routine of his boring bag boy job is turned upside down when the three girls around his age walk in. He immediately takes notice and starts to pick apart every detail about the trio.
His tone, descriptions, and actions all make him a more reliable. The tone in “A&P” is much more humorous and the subject is more light compared to “The Cask of Amontillado”, which makes Sammy’s actions have less weight to them and thus less reason to contort his own view. The story being less about what he’s doing and more about what he’s seeing allows Sammy to describe the world around him (albeit in a typical teenager way) in a more distant way. He puts a lot of focus on the three girls, describing their flaws, such as calling one “chunky” and the other that had “a chin that was too long” (pg.123), he even mentions the over stretched neck that Queenie has. It shows how reliable a storyteller he is because he is able to put their flaws on display even when infatuated. When Sammy quit he was originally confident in his decision even though the girls left before he could find them, but when he looked back at the store he “felt how hard the world was going to be to [him] hereafter” (pg.127), which shows that he became aware of his actions and consequences that come after. Sammy being able to show that he might have been wrong is a strong indicator of a reliable
In almost all stories, the main character or characters usually have many personal experiences that change their views in one way or another. Three good examples of this are Abuela Invents the Zero ,Little Women ,and Home .One of these stories has one major experience that quickly affects that character's views. Another story includes many small events and moments that in the end affect a certain character's views and habits. The last story shows how previous life experiences turnout to not only not benefit but actually hurt. Notice that there can be many different kinds of situations that have an influence on a character and can change a character for better or for worse.
People change and grow through their experiences and conflicts. For example, just 2 years ago I was a sixth grader. There was a lot more homework than I ever had in my non-accelerated / magnet elementary school. I had to work harder and for longer hours, but as a result, I was much more mature and knowledgeable. I improved my work habits and increased my concentration. In Judith Ortiz Cofer’s “First Love”, a 14 year old girl is in love with a high school senior. She does everything she can to try to see him more often. At the end, she thinks she learns the true meaning of love. In Richard Wright’s “The Street”, a boy has to go shopping for food, but he is constantly stopped by a gang who beats him up. At the end, he beats up the gang with a stick his mother gave him because he had to to return home. In both “The Street” by Richard Wright and “First Love” by Judith Ortiz Cofer, the characters start out as shy and naive, but end up as aware and wiser as a result of their respective conflicts.
There is a sudden change in Sammy's attitude toward the girls throughout the story. At first, Sammy and his friend's he work
As the story progresses, the theme changes from being comical to being violent. Also, the reader's perception of the grandmother becomes more intense . As O'Connor said, "[t]here is a change of tension from the first part of the story to the second where the Misfit enters, but this is no lessening of reality" ("On" 176). The presence of the Misfit causes the story to become more of a mystery; therefore, the actions of the grandmother also become a mystery because the reader doesn't know what to expect from her. It is a surprise to the reader to find the grandmother become so sincere. The grandmother tries many traditional methods to keep the Misfit from killing
The development of characters transpire as a result of significant events in their lives. Events such as learning a new skill have the ability to transform a character’s life. Estrella in Helena Maria Viramontes’ novel Under the Feet of Jesus flourishes into an individual who once got upset over skills she did not have and was upset at the process of learning, but now understands how vital education is. Estrella was infuriated by her lack of understanding about the Perfecto’s tools and the letters on the chalkboard. She was especially agitated when the educators would not give her the answer right away The selection of detail shows the connection between two things she overcame. The tone and figurative language shows more detail about Estrella’s transformation.
“A Good Man Is Hard to Find,” one of O’Connor’s best works, describes a family on a trip to Florida and their encounter with an escaped prisoner, The Misfit. Although “A Good Man Is Hard to Find” is an early work in O’Connor’s career, it contains many of the elements which are used in the majority of her short stories. The grandmother, a selfish and deceitful woman, is a recipient of a moment of grace, despite her many flaws and sins. A moment of grace is a revelation of truth. When the grandmother calls The Misfit her child and reaches out to touch him, the grandmother has a moment of grace that enabled her to see The Misfit as a suffering human being who she is obligated to love. The grandmother realizes that nothing will stop The Misfit from killing her but she reaches out to him despite this. The Misfit rejects her love and kills her anyway. This moment of grace is very important
To begin with, Sammy shows a rude attitude through the story. He indicates little regard for other people’s age or knowledge. To illustrate, Sammy asserts the old aged customer, who reprimands Sammy for scanning her item two times while he is gawking at the girls, is “a witch about fifty … [who] would have burned her over in Salem” (Updike 320). Sammy’s despise toward this old lady—in fact shoppers—is perceptible. Also, when Sammy quits A&P, he talks discourteously to his manager Lengel. The readers soom comes to discover that Lengel is a friend of Sammy’s parents. Lengel attempts persude Sammy from making his rash decision, pointing out that he does not want to do to this to his
The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in
When Sammy sees the store manager, Lengel, embarrass the girls, not only does Sammy see the ability to look heroic in front of his three mystery girls, like an "unsuspected hero" (Updike 618), he also sees the ability to get out of his boring nine to five job. Partially, because he is only nineteen and very immature in the way he views the world, he may have thought the girls would find him heroic. However, as soon as he quits his job
To Dessner ,critic of Updike's “A & P,” Sammy is naive to an outrageous extent but also ambitious in morals while also believing that Sammy has no care for the circumstances of his actions (315, 316). To some extent Dessner is correct about Sammy having ambitious morals, on page 413 in the Norton Intro to Literature shows how Sammy's morals are about treating people right even if they break the unwritten rules of a public place, yet his
Often in literature, character relationships change and evolve because of conflict. In Amy Tan’s “Two Kinds,” Jing-mei, a young Asian girl, and her mother go through a series of conflicts. After a careful analysis of the story, the reader understands how Jing-mei’s feelings change towards her mother, why her feelings changed, and how this change affects the story as a whole. Throughout the story, Jing-Mei’s feelings towards her mother change in important ways.
Updike places his character in a typical setting and allows the readers to view the events of the story from the perspective of a teen. By doing this, he makes it simple for readers to relate with Sammy and his experiences. In reflection
In most young adult books, the parent- child relationship lacks due to the relationships among brothers and sisters. Sibling-relationships have an essential role in the development for young adult readers as individuals and bring out as much emotions of joy, rage, pain, frustration and pleasure. It is often insinuated by critics that a great narrative is one which the characters undergo growth and/or change. From the Mix-up Files of Mrs. Basil E. Frankweiler and One Crazy Summer’s protagonist experiences a tremendous amount of growth in balancing their youth and expectations as the oldest
At this point, the narrator finally discovers what the realities of life are. She also discovers deep within herself the reason for her feelings toward her parents at the funeral of Steve Gauley.