A Comparative Analysis of the Concepts of Science and Nature in Nathaniel Hawthorne's 'The Birthmark' and 'Rappaccini's Daughter'

Aylmer was a man knowledgeable scientist had an obsession for perfection in all aspects of life. Aylmer also viewed his wife as being flawless, except for the hand-like birth-mark that appeared on Georgiana’s left cheek. One day, Aylmer sits looking at his wife with many thoughts wondering throughout his mind, "Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?" "No, indeed," said she, smiling;

The Birthmark is the story set in the late 18th century, it tells about the scientist named Aylmer who wants to remove the birthmark from his wife’s cheek as he believes it makes her imperfect. Also, he sees it as a sign of Georgiana’s «liability to sin, sorrow, decay, and death». He is sure that it needs to be removed. Aylmer succeeds in his attempt to remove the birthmark, but destroying the original design of Nature, he also destroys his wife. She eventually becomes perfect and

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Aylmer is an opposite representation of C. JoyBell’s quote because he loses sight of his love of Georgiana for scientific perfection, without any self reflection upon the matter. Moreover, Aylmer’s want to dispel Georgiana's birthmark produces a change in his feelings toward her. When discussing the birthmark and a possible removal with Georgiana, Aylmer said, “‘you [Georgiana] came so nearly perfect from the hand of Nature… as being the visible mark of earthly

He must have known this at a basic level because he had given up his original lab “to the care of an assistant” (Hawthorne 398) and Aminadab “executed all the details of his master’s experiments” (Hawthorne 402). Aylmer’s experiments presented in the story are always a failure, which foreshadows that his attempts at removal of the birthmark will also fail. The Birthmark becomes a symbol of his ineptitude as a scientist as he continually fails to address and overcome the birthmark. It is strange to think that he never considers the possible correct coarse of action is to consult a surgeon or some other medical professional. This lack of clarity and self-awareness strongly points to Aylmer’s inability to understand his strengths and weakness in his abilities and further reinforces his “unwilling recognition of the truth … that our great creative Mother … is yet severely careful to keep her own secrets” (Hawthorne

Upon realizing just how much his wife’s birthmark bothered him, Aylmer made it his goal to do whatever was necessary to rid Georgiana of her only “imperfection”. While this story is a work of fiction, the way of thinking is anything but fictional. With the gender dynamic in this story in very centered around the man. The man is the one who makes the decisions, and the woman is expected to go along with them. If the man wants something of the wife, she is expected to do everything in her power to satisfy him. The woman, on the other hand, is often heavily pressured into submitting to this kind of unhealthy relationship. Whether she is blinded by love, afraid of what

Although love is at often times a great thing, it can blind people and misguide them. The relationship between Aylmer and Georgiana is a scenario of misguided love gone wrong. In “The Birthmark”, by Nathaniel Hawthorne, Aylmer expresses his love of science much more than he expresses his love for his wife, Georgiana. This happens despite the extreme love his wife shows him, and her obedience and trust towards him. He ends up ruining her life when turning her into a scientific experiment. His love for science consumes his brain and he is unable to think about the human part of his life and thus, ends up losing it.

In “The Birth-Mark,” Aylmer, a natural philosopher, became obsessed with a hand shaped birthmark on his wife’s face. Being completely consumed by the notion of imperfection that graced the face of his wife, Georgiana, he attempted to remove the mark which resulted in her death. Aylmer views Georgiana’s birthmark as something more than a

In his 1843 didactic short story "The Birthmark," Nathaniel Hawthorne writes about the shortcomings and negligence of those who seek perfection throughout their lives. Aylmer, mad scientist and main character, is greatly encouraged by a romantic reverie to seek the removal of an aggravating birthmark from his wife Georgiana's face. Aylmer becomes trapped in a trance by his aspirations to the point where "he had not been aware of the tyrannizing influence acquired by one idea over his mind, and of the lengths which he might find in his heart to go for the sake of giving himself peace" (Hawthorne 74). Similarity, in the short story "Editha," William Howells portrays how romantic ideals instill false confidence and support an unrealistic perception of the outside world. The powerful persuasion by an unrealistic psyche is illustrated through the phrase "pocket providence", showing to be nothing more than a contagion, creating uncertainty and untenable expectations in all that encounter it.

Nathaniel Hawthorne's short stories “Dr. Heidegger’s Experiment,” “Rappaccini’s Daughter,” and “The Birthmark,” reflect Hawthorne's beliefs of playing God and changing natural events. In these short stories, these scientists take the experiments too far. Taking these experiments too far would be to lose characters or consequently have the character die. The scientists Dr. Heidegger from “Dr. Heidegger’s Experiment,” Rappaccini from “Rappaccini’s Daughter,” and Aylmer from “The Birthmark” change natural events which lead to the loss of a character.

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

Nathaniel Hawthorne wrote a time of great change in America. In the mid-nineteenth century, Americans began to experience a shift in focus from the once stringent religious outlook to a more scientific view of the world and its natural wonders. Americans, however, did look at these new scientific discoveries with much hesitation, questioning their long-term effects on society as a whole. Hawthorne’ s work, “The Birth Mark echoes these sentiments and combine natural faith with a confidence in science to make a very interesting tale. This tale and its morality convey a message to the reader that there is a price for tampering with the natural order of things.

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.

Such arrogance is the reason why the romance became in tragedy. Aylmer as devote scientist had been influenced by discoveries of the 19th century. For him the nature can be modified through science, nature is flawed and man can improve it. In a deeper sense, human life is imperfect because of the death, also the sin, imperfection is a symbol of the mortal life and one of the purposes of science is prolonging life; so perfection is seen as eternity, symbol of immortality. In the case of Aylmer he is married with a woman he considers almost perfect, according to him she is so perfect that is insupportable see in her the birth-mark in her check, because that just emphasizes just a small imperfection that damages the beauty of a perfect work of art, something that recalled the mortal condition of Aylmer’s wife as the life of any other human, a fact that made of ​​the birthmark a nightmare for the couple as describes the story:

Although “The Birthmark” by Nathaniel Hawthorne was written in the mid-1800s, its themes and ideas are still a part of society today. The 19th century was a time of change, just as this, the millennium, is a time of great change. Hawthorne’s ideas about science, beauty, and life still play a major part in our lives, despite many improvements. Even today, people try to play “God” and change things that nature has put in place. It’s human curiosity; how much can be changed, how many things can be perfected? The themes in this short story-- religion, gender, and science--were relevant in Hawthorne’s day, and still are many years later. The theme of religion is hidden in the desire to erase