A Comparison Of David Hockney And Christopher Isherwood

“At the beginning of the twentieth century, a homosexual subculture, uniquely Afro-American in substance, began to take shape in New York’s Harlem. Throughout the so- called Harlem Renaissance period, roughly 1920 to 1935, black lesbians and gay men were meeting each other [on] street corners, socializing in cabarets and rent parties, and worshiping in church on Sundays, creating a language, a social structure, and a complex network of institutions.” Richard Bruce Nugent, who was considered the “perfumed orchid of the New Negro Movement” said, “You did what you wanted to. Nobody was in the closet. There wasn’t any closet.”

In the 1980’s and 1990’s, society wasn’t the most accepting of places for people who were different from the “social norms”. Now I know, people today still struggle with trying to fit in and be “normal” but it was different. Being a gay man living in San Fransisco at the time, which had a large gay population, Richard Rodriguez had a hard time dealing with the discrimination he faced. Richard Rodriguez was an American journalist who wrote and published a memoir about his life as a gay man. In October of 1990, Rodriguez published his memoir “Late Victorians” in Harper’s Magazine, a critically acclaimed publication of the time. In his memoir, Rodriguez describes what it was like to realize he was gay and watch as the country changed to become a more accepting place. He does this by setting up how things can change and then explaining the actual ways things change for the gay population.

Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their

Art is able to transport its viewer through time and connect us as a community. Audiences are able to infer the content and context of the artwork. Art displayed through different mediums and about different topics can share many similarities and draw connections between one another. Exodus, created by Shelby Lechman (2015), uses oil paint on canvas to depict a young boy and father in a train car, leaving their home in Hungary during the time of the Hungarian Revolution (fig.1). Back into the Earth: Creation and the Interpretation of Meaning, created by Tamara Himmelspach (2015) is a series of 11 prints and a physical dress displaying the designer in a jingle dress representing the traditions of the Ojibwa culture

This investigation assesses the New York City Stonewall Riots of 1969, concerning their influence on the rise of the modern gay rights movement, specifically regarding political emergence, social unity, and demographic shifts. The investigation will attempt to answer the following question: To what extent were the Stonewall Riots of 1969 a catalyst for the LGBT social movement in America?

The present essay aims to analyse and discuss how social actions related to gender and sexuality have given rise to social change. Particular attention will be given to how views and opinions on gender and sexuality have positively evolved throughout the years as a result of decades of social activism led by the members and allies of the LGBT community. In order to do so, the current paper will firstly provide a concise account of how gender and sexuality were seen in the former times, which will be then compared to more current perspectives. Secondly, the paper will present a brief overview of the history of the LGBT movement, and highlight its main milestones. Significant emphasis will be given to how these salient occurrences have significantly affected today’s perception and attitudes towards the LGBT community in the majority of the world countries. In conclusion, the current essay will introduce and explore the recent ongoing activism that has been occurring globally within the LGBT community.

Even though Sullivan and Rodriguez have different backgrounds, their families support them both. Andrew Sullivan proved that his family was more than willing to accept his love for another man by saying, “And when we finally got married, a few years later and our mothers walked us down the makeshift garden aisle, and my sister gave the reading through tears […] “my father put his arms around me and hugged, I did not hear civilization crumble.” (254) When Sullivan’s parents showed they were proud and happy for him, it was all he needed. This proved to me that there are parents out there who continue to support their child even when others believe that homosexuals should not have the right to love. Similarly, Rodriguez believed his parents showed acceptance when he says, “My mother has seen me and she waves me in. […] (Have they, after all, known my secret for years and kept it, out of embarrassment, not knowing what to say?) Families accept often by silence. My father opens the door to welcome me in. Even though Rodriguez’ family is more conservative; they also accepted his sexuality. I believe this similarity is important because it gives relief to young adults who are thinking

“Sex was something mysterious which happened to married couples and Homosexuality was never mentioned; my mother told me my father did not believe it existed at all ‘until he joined the army’. As a child, I was warned about talking to ‘strange men’, without any real idea what this meant. I was left to find out for myself what it was all about.” Mike Newman, who was a child during the 1950s America recalls how homosexuality was perceived during the post-World War II era (F). This sexual oppression was not only in Newman’s household, but in almost everyone’s. While the civil rights movement began in the mid-1950s and ended late 1960s, the LGBT community started to come out of the closet slowly. The gay rights movement stemmed from the civil rights movement

During the late twentieth century, the AIDS epidemic became one of the biggest issues to plague the gay community and is often referred to as an event that helped the community come together as a whole, but in Ceremonies Essex Hemphill writes about the community as fractured and divided. Discussions of race, as well as sexuality, are common topics he discusses in the essays and poetry that make up the book. In one of the essays in the book, “Does your Mama Know?”, Hemphill writes about the gay black man’s role, or lack of a subjective role, in the gay community and discusses the idea of what “home” is for someone that doesn’t quite seem to have a place in any community. It is a topic that

Two Diaries, Donald Vining’s A Gay Diary Vol. Two and Martin Duberman’s Gay in the Fifties look into the everyday life of gay males in the post-World War II Era. While World War II increased freedom for men to sexually explore within the male community, post-World War II extended the freedom of exploration but also created a subsequent backlash against homosexual practices. Vining and Duberman’s diaries document an extension of gay freedoms in the post-World War II period. Although Vining and Duberman give contrasting accounts of their lives as gay males in the postwar period, common themes could be drawn in the form of friendships, sexual activity, relationships, and backlash by heteronormative society.

“[W]orking-classes people in the capital of black America were stunningly open about their homosexuality” as it was “evident in urban blues lyrics of the time,” but it was not accepted in the middle-class and upper-class communities (Russell 103, 105). Some influential, elite/upper- or middle-class people during the Harlem Renaissance, such as Claude McKay, George Chauncey, Alain Locke, and others were “extraordinarily open about homosexuality and about the repressive nature of heterosexual norms” (103). Even James Baldwin was open about his sexuality and “claimed to have felt accepted as a homosexual” in Harlem (108). However, this did not stop the elitists, middle- and upper-class individuals, and the media from having their say. Under government policy, “President Eisenhower banned homosexuals from federal jobs, prospective employees were required to undergo screenings of their sexual histories,

George Chauncey’s Gay New York Gender, Urban Culture, and the Making of the Gay Male World 1890-1940, goes where no other historian had gone before, and that is into the world of homosexuality before World War II. Chauncey’s 1994 critically acclaimed book was a gender history breakthrough that gave light to a homosexual subculture in New York City. The author argues against the idea that homosexual men lived hidden away from the world. Chauncey’s book exposes an abundant culture throughout the United States, especially in New York. In this book Chauncey not only shows how the gay population existed, but “uncovers three widespread myths about the history of gay life before the rise of the gay movement which was isolation, invisibility, and internalization.” Chauncey argues against these theories that in the years 1890-1940, America had in fact a large gay culture. Chauncey book is impactful in the uncovering of a lost culture, but also works as an urban pre-World War II history giving an inside view of life in the city through sexuality and class.

The film Mosquita y Mari directed and created by Aurora Guerrero is a coming of age story set about Huntington Park in the southeastern part of Los Angeles. It uses tense scenery that seeks to explore what it means to be in a romantic relationship versus a close friendship. Furthermore, upon legitimizing Yolanda and Mari`s relationship the film provokes the audience to ask the question, “If they are queer, what is keeping them in the closet?” This question is most effectively answered by examining how Yolanda and Mari`s ethnicity, locational, and immigrant descendant identities intersect to keep them in the closet.

Within modern society when a character strays away from what society depicts as morally right, the individual is frowned upon as if he or she doesn't belong. In “Angels in America” a gay fantasia on National themes, characters struggle to be themselves upon fear of whether or not society will accept them as an individual. The characters not only struggles with whether or not society will accept them, but they also struggle with their inner demons, and ultimately the question of what is truly good or evil. In this paper several characters will be analyzed and discussed from several different viewpoints.

I will be writing about George Chauncey’s Gay New York. In this text, George Chauncey seeks to restore that world to history, to chart its geography, and to recapture its culture and politics by challenging three widespread myths about the history of gay life before the rise of the gay movement. These include the myths of isolation, invisibility and internalization. The homosexual community is considered a subculture to the heterosexual community, which identifies as the dominant culture. George Chauncey wants to know why the dominant heterosexual culture often misinterprets the heterosexual subculture. He also talks about the assumptions the dominant culture carries about sexuality and culture. I believe there are two reasons the dominant culture misinterprets and make assumptions about the homosexual community; these two reasons consist of religious beliefs and social stigma of the dominant culture towards the subculture.