A Comparison Of Life Sucks And Uncle Vanya

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

One of the most obvious ways to interpret the scenes where Ophelia and Gertrude receive advice is to use Feminist criticism.  First, it is important to note that the playwright is male.  Clearly, the author's sex could influence the portrayal of women in the play.  Next, examining the role of women within the play, including any stereotypical representations, is key to a Feminist reading.  Finally, looking for feminine imagery will enhance the understanding gained from this approach to Hamlet.

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

Moreover, Chekhov’s overall goal of “Anna on the Neck” is not aimed at a concluding idea of what it means to hold power or wealth, but rather to portray what it means to be human by presenting the shift in moral values of Anna. In addition, Chekhov uses distinct images and motifs to establish Anna’s initial position in the beginning of the story as being submissive, powerless, and weak and shift’s this image of Anna to be one of strength, authority, power, and pride, after she became aware of her influence. By Anna not helping her family like she wanted to in the beginning of the story, she now holds a false sense of values since she became the high class superficial woman who did not achieve the goals she wished to accomplish through

Especially in times of difficulty, such as those of economic depression, talking seriously about serious things all the time may only worsen the situation. People want relief from what troubles them, and one of the best ways to provide this relief is through comedy. Thus, this play, and many others, takes on the serious topics it involves and discusses all of them with a lightheartedness that people can both relate to and laugh at. It thus, while not being inaccessible to the thoughts of the audience is still able to give the audience an escape from what may be troubling them. Humor is one of the best coping mechanisms, and that is not only true for this play. Many successful fixtures of pop culture thrive off of the same concept, including Saturday Night Live, which for decades has been successfully satirizing contemporary issues and bringing laughs to times and topics that may need them most. Ultimately, this play is a fantastic example of how we not only deal with similar issues in different countries and different decades, but how we also deal with them in similar ways, specifically

In the movie A Better Life, the Main Character Carlos Galindo is an undocumented immigrant from Mexico who started working as a day labor worker when he first arrived in the country, however he has had steady work from Blasco Martinez who owns a gardening business which he tries to convince Carlos to buy from him as he says he is moving. The idea of being self employed is very appealing to Carlos but he knows he can never afford to do so and the risk of getting caught and deported is very high. Carlos has a son Luis who is reluctant to go to school on a daily basis and gets into trouble as he is influenced by his friends who are part of the

At first glance, Kate Chopin’s “The Story of an Hour,” Susan Glaspell’s Trifles, and Henrik Isben’s A Doll House seem to have nothing in common. However, the short story and plays have many similarities. Particularly, five women from these tales— Louise Mallard, Minnie Wright, Mrs. Peters, Mrs. Hale, and Nora Helmer—make drastic decisions that appear to be motiveless. Without context, any reader could be confused by Louise’s death, Nora’s departure, and Mrs. Peters and Mrs. Hale’s unanimous effort to cover up the murder that Minnie Wright committed, which also seems to lack serious motive. However, all of these women’s settings, situations, and lives have connections that make their motives similar. Emotion motivates all five women—not just

Hamlet by William Shakespeare is a compelling tragedy that to this day still captures reader’s attention. In the play there are only two female characters; when considering the time period in which Hamlet was written, it makes sense.It has been theorized that since Shakespeare wrote the parts of Gertrude and Ophelia for male actors they are not nearly as in depth as the male characters. Considering that the reader sees so little of both female characters it’s fascinating how they fit into the play, each with very different parts but some similar characteristics and opposites. Both female characters had very tragic deaths in the play, by their own hands, that related to their characters quite well. An interesting difference between Ophelia and

Though language each character tried to define life and their struggle in hope of controlling it. In one scene, Masha in her drunken state unmasks her true emotions and declares her love for Konstantin, upon rejection she proclaims the meaninglessness of life without love and how in the end the only result of it is misery. Her pretence of having a callous exterior was to masks the underling pain that she is unable to deal with. Dim lighting accentuated the foreboding mood of misery and her off centre positioning on stage underpinned the neglect of sympathy she was receiving from other characters, most importantly Konstantin, due to the seemingly “unimportance” of her character. At the pinnacle of emotional pretence, Irina as a character constantly maintains a façade of extravagance. Upon returning to the lake, she vociferates the “perfection” of her life and career, but moments’ later runs off stage and sobs in despair. The use of split staging depicts Irina’s battling emotions and her fear of showing emotional sincerity least it enhances her vulnerability. Throughout the play the seagull is a recurring motif and appears in peaks of tension in the play. In this case it reinforces the theme of the existentialism revealing the characters denial of their misery and unwillingness to change their

What’s great about this play is gives us insight into the past and focuses on an average family and provides lots of material to do a feminist analysis of.

Masha becomes another medium for addressing human disappointment, and effectively shows this disappointment when she is talking about Treplev. Treplev himself is yet another example of disappointment and struggle from lack of love since he is trying to please to his mother, Arkadina, although this love is more of a family matter rather than a relationship when she shows disapproval of him by criticizing his play and states “he is a conceited, capricious boy” (117). These three examples provide evidence of Anton Chekhov's address to disappointment by showing the disappointment of love in The Sea Gull through characters and their actions; examples to this disappointment are not just limited as the whole play contains many romance triangles that lead to disappointment.

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

Arthur Miller wrote many plays in his time, but one in particular, written in 1947 and directed in Beijing in 1983, was the “play that established him as a great American playwright” called “Death of a Salesman”. This play was about the difference between a New York family’s life in reality and what they dreamed it would be. An old man, by the name of Willy valued popularity and his friends way more than skills or even a real personality. His goal was to die a man that had all of these things, and he ends up killing himself in the end. Miller’s goal was to “take the audience on an internal journey through the mind, memories, fears, anxieties of his central character.” “Death of A Salesman” has been very popular for over a decade, performed internationally, and was even produced into movies (Kristofoletti). Many people remember this play because of how inspiring it was, also because it did not compare to any other of the ones he had ever written.

A Woman’s Life is Tragic: Comparing Nora from A Doll’s House and Ophelia from The Tragedy of Hamlet, Prince of Denmark

It is known that in literature, a tragedy is one of the most popular genres. It always combines some story which discusses human sufferings with a certain sense of audience fulfillment. The roots of the tragedy are related to ancient Greece. A Greek tragedy is a sad story, which represents a character with a tragic flaw leading to his downfall. In addition, in traditional tragedy, the main character falls from high authority and often it is predetermined by fate, while the audience experiences catharsis (Irving 247). Arthur Miller’s play Death of a Salesman is considered to be a tragedy because this literary work has some of the main characteristics of the tragedy genre. In this play, the main character Willy Loman possesses such traits and behaviors that lead to his downfall, and the audience experiences catharsis. Willy Loman as a real tragic hero comes to the decision to commit suicide because of serious financial problems of his family (Moseley). This play has already been criticized by a number of literary critics who represented different opinions on the plot of the book. The major goal of this paper is to critically evaluate the play Death of a Salesman written by the well-known American writer Arthur Miller, paying special attention to the play’s characteristics of a tragedy.