A Comparison Of Paul Cézanne And The Large Bathers

One of the principles he used was movement by showing the curve going over the water. A second principle was emphasis. He showed this with the cherry because it is bright red. Two of the elements he used are color and form. He showed color by using 3 different

The name of the mural is “It was made to celebrate the 125th anniversary of Chinatown in Philadelphia. This mural is located in Philadelphia, Pennsylvania.

Breathing within the space of the painting one can feel the touch of the wind and the tickling of the grass. Such a strong suggestion comes from the naturalistic rendition of the subject and the size of the painting. Gaze, need to check the gaze, talk abut meditation to tie with nicole.

that makes the piece vibrant and harmonious. The placement and color draw the viewers eyes,

This new series of works tends towards the collusion and composition of colour and gesture. Utilising the spontaneous gestures and brushwork of the underlying field as a structuring grid, certain brushstrokes, which

From artistic eyes and shady trees and still at the start of the long journey of

Muted colors are toned down by reducing the saturation of color. The use of muted colors is an archetypal characteristic of the Cubism art movement, as a way to focus on the subject matter (The deer), creates shallow space, and not distract the viewer. The color pallet consists of the muted primary colors of blue, red, and yellow. Franz Marc always associated color to certain meanings, and his approach to color theory is stated in a letter written to fellow artist August Macke which says “Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two” (Marc). However, in the composition of the painting, the colors in the background go from blue, then red is directly located behind the group of deer, then a tinge of yellow. The color blue ensconces and surrounds the red, except for the upper portion of the left hand side, which is offset by a dash of yellow. Mixed from the color blue on the right side, and the yellow on the left, the secondary color of green swallows up the rest of the upper half of the background. Secondary colors like orange and green, are used on the lower portion of the composition, in which the deer are colored orange, and the foliage is green. The use of light shatters from the bottom right

Cezanne’s work Bathers and Fisherman with a Line (1872) displays the same nude forms with colors similar to The Large Bathers (1906). Paulcezanne.org ("Paul Cezanne: 100 Famous Paintings Analysis, Complete Artworks & Bio," n.d.) gives the biography of Cezanne as having lived from 1839 to 1906 and studied art in Paris with impressionist such as Monet and Pissarro. It is believed that The Large Bathers was Cezanne’s last work before his death.

Gerome used the medium oil on canvas to create The Bath, which shows two women, one is washing the other in a large bathing room. One woman with black hair is fully nude and sitting on a brown cage with bars so you can see through it, and her face is not shown. The other women is African American and is wearing a dark green garment that wraps around her body with a yellow, orange, and green scarf around her head. The walls are teal in color with highlights of light purple on the wall left of the two women. On the wall there is a strip of purple flowers with a light yellow background. Going higher up the walls, the wall changes from teal to tan, then it changes to pink. The pink part of the wall is enclosed in a purple line around the area. In this enclosed area is words of a different language in teal lettering with two purple designs underneath it. There is a tan chandelier hanging from the ceiling on the left side of the painting, and underneath it is a sink that has symbols and artistic designs going all the way around it with a pool of water underneath. The two women are off centered to the right only a few steps away from the pool of water. The African American woman is cleaning the other woman’s back with a bath sponge in her right hand, while she is holding the woman’s right arm with her left hand. There are two towels on the wall behind

The Large Bathers depicts some female nude figures placed in a space between trees on either side. One striking similarity with Bonheur de Vivre is that it also has nude female figures as part of the main subject matter. This seemed like a common theme at the time as artists expressed their thoughts through paintings. In addition, Matisse used color to great effect in his painting, just as color was used on Cézanne’s. The canvas on The Large Bathers shows the use of color and diagonal lines to give an impression of the element of space both in the foreground and beyond the position of the female figures.

The painting, NUMBER 1, 1950, is currently both my favorite Jackson Pollock work of art and one of my most favorite works of art. The reason for this is because I <>and because I studied Jackson Pollock and Number 1, 1950 when I was a member of Academic Decathlon in James E. Taylor high school. The sense of movement in this works of art give this painting a sense of being ‘alive’. This same restless movement causes me to feel...restless, as I am constantly trying to find something to rest my eyes on, even though I know that there is nothing to ‘rest my eyes

Before Paul Cezanne death, he painted his last masterpiece called The Large Bather. It is a painting of naked people, something seen in the classical period, inside curtains made out of trees giving an impression of privacy. In this painting, Cezanne utilized light blue and green colors to create the landscape. He placed the warmer colors in the middle to bring people's attention towards it. Besides the colors, Cezanne also used a large triangle in the center of his painting to bring people's eyes to the center.

In the painting described above we can really see all of the changes that were applied during Renaissance period. Also one of the things that really catches the strangers eye is the use of different methods of painting. The author used the one-point perspective in this particular painting which really navigates our eyes to the center of the painting, to the most important part of the painting, to the scene. Also, if you really pay attention to the painting you can get the rhythm and really feel the painting.

Cézanne painted a series of paintings at the end of his career. The Large Bathers (1906) was called this because it was Cézanne's largest painting in his series, and was the last to be made. When making The Large Bathers, Cézanne was trying to make a piece that would be lasting. He did not follow popular painting trends and techniques and felt no pressure to follow nineteenth-century methods. Some people have described the women in the painting “goddesses in the middle of nature”. The trees are playing as the theater and the figures are watching their moves. There is a distinct triangle shape that makes the viewer focus on the lake and the small figures in the background. Even though the movement in the picture, there is a sense of calmness

THE GLEANERS by Jean-Francois Millet was completed in 1857. The painting is an oil on canvas with the dimensions of 33 inches by 44 inches which would have been unusually large for a painting of this type in that period since large canvas works were usually reserved