A Comparison Of The Awakening And The Yellow Wallpaper

In the novel, The Awakening by Kate Chopin portrays an image where someone shifts from one phase to another one. We find the protagonist go through a shift from patriarchy to feminist resistance. As this story continues to unfold, Edna goes through feminist resistance where she doesn’t want to still rely on her husband anymore and want to live by her own rules. Edna Pontellier’s “awakening” takes place in Grand Isle and New Orleans during the late 1800s. It is an important factor of the book because during this time period women were fighting for their rights. Usually before this time, women would only stay home and follow the orders of their husbands. Women during this time period needed to stay home and care for the house and the children. They always had to live for their children almost are like a slave to their husband. Women would be often seen as a property and not an actual human being. In this novel, we find restrains at the beginning and later see the shift to wanting freedom of expression.

In The Yellow Wallpaper, the narrator uses the psychological gothic genre to present the portrayal of women, women faced in a marriage, within the time frame of the 1890s. Women were seen as the “shadow” as men dominated society. This is presented throughout the book as many readers first interpitation

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

Edna Pontellier's suicide is the unfortunate pit falling of this otherwise feminist piece of literature. Her action, in fact, completely discredits the classification of feminism. Regardless of her ability to withdraw from her husband, venture out on her own, and buy her own home, Edna lacks a very

Yet Edna and Gilman’s protagonist are women who receive their imperfections through their surroundings; the carnality and madness are the results of their oppression. Until the happenings of The Awakening, Edna has been married to Mr. Pontellier for a long time. She goes through her awakening after a vacation in the Grand Isle, but before, she has been a subordinate wife without any doubts in accordance to her role. Just as Mrs. Pontellier begins the story as an average, sensible woman, the main character of “The Yellow Wall-paper” begins as a mentally secure person. Gilman’s heroine depicts the “garden-- large and shady, full of box-bordered paths” (4), the “pretty old-fashioned chintz hangings” (5), and even “those sprawling flamboyant patterns” (5) of the wallpaper in an ultimately sensible manner, what serves as an indicator of her capability of thinking and speaking from a rational standpoint. What is more, she is sent away to the mansion not in a view of the fact that she has mental issues but because her husband believes that she has depression. She admits that she is of the opinion that if she “had less opposition and more society and stimulus,” she would get well sooner (4).

During the events of the book, in chapters, one through four, Mr. Pontellier returns home from visiting a bar, to his surprise when he returns home, he checks on his children, and believes that one of them has fallen ill with a fever. To where after he ‘discovers’ the fever he wakes his wife and scolds her claiming that she neglects the children, where Mrs. Pontelier assures her husband, Mr. Pontellier, that nothing had befallen the child to make him ill that day. During the reading of the text, Mr. Pontellier states clearly that, it was the woman’s job to take care of the children, and he cannot take care of them because he is so busy with work, and it’s obvious to conclude that with this text, comes with a social norm of the time, where the men of the family would go out in the world and support the family, while the women tended for things at home. So with the conclusion that Women tended to problems and activates at home is a social norm, that was given as text speech from Mr. Pontellier, we can see that, because of this social norm, Edna is pressured to do a more exceptional job on taking care of the children, which causes her to struggle in this

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression.

Two women. Two stories. Mrs. Edna Pontellier is a free thinking woman from Kate Chopin’s The Awakening and the submissive wife of John in Yellow Wallpaper. In both of these stories the women suffer from societal boundaries that trap them in a life they aren’t happy with. Both of these women have a chance to change their life yet only one takes advantage of it.

choices in regards to the exclusion of women will be foreseen as the start of the feminist phase.

Topics of great social impact have been dealt with in many different ways and in many different mediums. Beginning with the first women’s movement in the 1850’s, the role of women in society has been constantly written about, protested, and debated. Two women writers who have had the most impact in the on-going women’s movement are Kate Chopin and Charlotte Perkins Gilman. The Awakening and The Yellow Wallpaper are two of feminist literature’s cornerstones and have become prolific parts of American literature. Themes of entrapment by social dictates, circumstance, and the desire for personal independence reside within each work and bond the two together.

“The Yellow Wallpaper” is a short story telling about a young woman who is eventually driven mad by the society. The narrator is apparently confused with the norm defining “true” and “good” woman constructed by society dominated by man. “The Awakening” addressed the social, scientific, and cultural landscape of the country and the undergoing of radical changes. Each of these stories addresses the issue of women’s rights and how they were treated in the late 19th century. “The Awakening” explores one woman's desire to find and live fully within her true self. Her devotion to that purpose caused friction between her friends and family, and also conflicts with the dominant values of her time.

The novel follows the realization of Edna Pontellier’s identity outside of her marriage and children. Up until the point the novel starts, Edna Pontellier has been complacent in her marriage and just going along with whatever her husband, Léonce Pontellier, says. Edna’s submissiveness to her husband is an example of the acceptable husband and wife relationship during this time period. The husband was the head of household and the wife was to follow her husband’s lead. Men of this time were conditioned to believe this type of relationship is the kind they should strive for. Léonce Pontellier has been conditioned to play the part of a happily married businessman who is competent in providing for his family. He is described as a “man [of] forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed” (2). He is an average looking man who is particular about his look always being neat and tidy. He wants to make sure that he always looks presentable so he is accepted by his fellow businessmen and so he can impress the clients he meets with on his frequent business

However, many women did not have the courage to stand up for themselves, and kept living miserable, and boring lives. They were not allowed to voice their opinions, or have any rights. The main character, Edna, portrays the motherly woman, who does not like the tasks society has deemed acceptable for women. Moreover, as Edna begins to become free she is more rebellious and begins to question everything. According to “Women of Color in The Awakening” by Elizabeth Ammons, “ It is the story of a woman of one race and class who is able to dream of total personal freedom because an important piece of that highly individualistic ideal… has been brought to her.” This means that this novel follows the theme of many other works of literature, in that a heroine is trying to seek free control because she knows she can obtain freedom. Women’s roles play a key factor to the feminism shown throughout the novel.