A Comparison Of The Fast And The Furious

Rikki-Tikki-Tavi was one brave mongoose who had the courage to go up against the fiercest animals on the planet, Cobras. (Movie)(Kipling 143) The story took place in Segowlee Cantonment, India in a house’s garden where Darzy the bird and his wife, Chucundra the muskrat, and the deadly Cobras live. (Kipling 143) The Rikki-Tikki-Tavi was a mongoose who got washed away from his home and ended up with a new family. He would would end up coming across three snakes in the large garden and killing them. Cobras, are one of the most dangerous snakes in the world. You must be brave to fight a cobra if you are not you could be snatched up any moment. Nevertheless Rikki-Tikki-Tavi the book and the movie are the same story they have differences such as the Plot, characterization, and the conflict.

The text After the First Death by Robert Cormier and the film V for Vendetta directed by James McTigue represent terrorism in ways that allow us as the audience to respond differently to each. The terrorists, V in V for Vendetta and Artkin in After the First Death both perform terrorising actions; however, I sympathise and correspond with V but consider the opposite for Artkin. V is seen as a revolutionary as he has a considerate and rational mind, he eradicates only those who commit immoral deeds to the society. In contrast, Artkin is presented as an emotionless killing machine able to murder without remorse. Thus, I feel hatred and fear towards Artkin, although both terrorists share similar motives. The terrorists are masked to hide their identities; however, we perceive them to have different ideas. Both terrorists use violence to present their ideas of anarchy, I understand V’s motive is to prevail justice for the people, therefore, deem his actions as necessary, whereas Artkin is willing to murder innocence to acquire freedom. After the First Death and V for Vendetta, both portray that terrorism has unseen motives and ideas, which make me as an audience question whether terrorism benefits or destroys the society.

The pivotal scene that will be thoroughly represented and analyzed is from the movie 8 Mile, directed by Curtis Hanson, and released in 2002. 8 Mile is a semiautobiographical film based on the life story of the iconic rapper Marshal Mathers, or better known by his stage name Eminem, and how he began his journey into the hip-hop industry. In this film, Eminem plays himself, as the main character named Jimmy Smith Jr.; however, throughout the course of the movie, he is referred to as Rabbit more than anything else. Rabbit lives in a very rough part of Detroit known as 8 Mile, in a mobile home with his single alcoholic of a mother. Their financial situation is dire and Rabbit decides he needs to find a different occupation. Rabbit works at a factory to barely make ends meet; however, the amount he makes is abysmal compared to what he needs. Rabbit has a passion for music, specifically rap. However, this is a challenge because at the time the rap genre was predominantly occupied by African-Americans. Despite this, Rabbit continues on in his pursuit of making a name for himself in the rap industry. He enters rap battle competitions in hopes of getting noticed. He runs into a group of local amateur rappers known as “Leadaz of tha Free World”. The leader of this group is named Papa Doc and he is portrayed to be Rabbits greatest adversary. Rabbit and Papa Doc both make it to the final round of the rap battle competition and that’s when the pivotal scene

The beginning of The Notebook opens with the gentleman, Noah in a nursing home facility. We soon learn that he is living at the facility to be close to his wife, Allie who has Alzheimer’s. Allie is introduced to Noah, and he offers to read her a story. They are in the sunroom at the nursing home, and unbeknownst to her he begins to read her a love story. Due to Allie’s disease she is unaware that the story she is listening to is her own read by her true love. Noah begins to share about the summer romance that began one night in the 1940’s at a carnival. We see Allie and Noah fall madly in love only to be torn apart by her parents that do not believe he is worthy of their daughter because of his place in society. Allie’s parents take her away from the love of her life to focus on school, and to find a socially acceptable husband for their daughter. Noah cannot forget Allie so easily and writes to her everyday for a year. When he doesn’t hear back from her we see them both move on with their lives.

The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.

I've done my movie comparisons on Stomp the Yard which was made in 2007 and on the movie Frat Brothers which was made in 2013. It is the minority that is going to be described. The stereotypes in the movie include how people depict African American fraternities as dangerous, a waste of time, and a sure way to lower one's GPA.These films both display and explain characteristics of being in an African American fraternity, however one movie explains African American greek life from a more sterotypical point of view while the other film explains things from more of an actual and realistic point of view. The first thing to point out is the name of the films. One film, Stomp the Yard is about how one student who was very musically and dance inclined showed off his skills in a talent show and eventually became an aspirant for

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

I agree with people who say movies aren’t based on real life experience, but I am pretty sure producers have specific messages to tell their audience. Movies might be long and time taking, but when there is free time to spend why not lay back and watch a good movie? Today I will be reviewing one of my favorite movies of all time, Tokyo Drift.

I was a little late on the Kill Bill train and did not watch the movie until last year. As soon as the film started, I knew that it was going to be extremely intense. The same goes for Pulp Fiction. These two films directed by Quentin Tarantino were very different from all the other films that I’ve seen in my life. The mise en scene, dialogue, and music, were all different factors that intrigued me. I watched Pulp Fiction after watching Kill Bill and at first I thought that Pulp Fiction was an odd spin off to Kill Bill or that it took place in the same kind of universe because the worlds are so similar, the characters are just as intense, and the amount of violence was just as common. These are just a few things that make Pulp Fiction and Kill Bill similar. In this essay I will be discussing more similarities and slight differences between the two films.

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

A very popular 1995 film involving crime is “Bad Boys” directed by Michael Bay. Michael Bay and his team of writers were able to film a highly intense action-comedy based around two detectives fighting organized crime. By examining distortions, crime causation theories, and the image portrayed in “Bad Boys,” the viewer is absorbed into the Hollywood perspective of our justice system.

Action-packed and highly-rated, Mad Max: Fury Road is a critically-acclaimed film about a journey of survival through a post-apocalyptic wasteland. There is no doubt that post-apocalyptic films are becoming increasingly popular among audiences as seen with movies such as the Hunger Games. However, Leggatt (2012) describes another variation in the post-apocalyptic genre, one that has been dubbed post-9/11 after a string of patterns prevalent in some post-apocalyptic films. Leggatt’s definition of post-9/11 apocalyptic films are ones that have a pessimistic tone towards the future of a society. As the world evolves and progresses, many new issues overlap and outgrow previous issues that have plagued the world before - though this transgression, the film industry follows suit in order to invent stories and media that is thought-provoking and relevant to changing society. Mad Max: Fury Road (2015) is a film that encapsulates many elements of Leggatt’s post 9/11 apocalypse film genre through the apocalyptic setting, derailment of redemption, and societal obsession with apocalypse over utopia.

The movie chosen for this research is “Rush Hour 2”, which compactly contains set of various stereotypes of Asians, African-Americans, and Latinos in American film as well as provides examples of portraying sexuality in movies. It’s a comedy action film; it’s also a classical buddy story with unorthodox for that time buddies: African-American and Asian characters. The movie was directed by Brett Ratner, produced and distributed by New Line Cinema, story written by Ross LaManna and Jeff Nathanson. Soundtrack is written by a famous Argentinian composer Lalo Schifrin. The movie was released in 2001 as a part two of a sequel, continuation of a successful story about two detectives, one from Hong Kong and another LA, solving international crimes together. The movie was shot in Santa Clarita California, starring Jackie Chan, Chris Tucker, John Lone, Alan King, Roselyn Sanchez, Harris Yulin and Zhang Ziyi. "Rush Hour 2" is rated PG-13 for action violence, language and some sexual material (IMDB). The movie’s budget was $90 million and the box office was around $347.3 million, which is considered to be a huge success for a movie, where both main characters are non-white, which was not the case back in 2001. The movie was nominated twenty one times and won ten awards, including MTV Asia Awards for a favorite movie.

According to film theorist Thomas Schatz, “a genre approach (to film) provides the most effective means for understanding, analyzing, and appreciating the Hollywood cinema (Schatz vii).” His approach to film is strongly supported by theorist Edward Branigan’s and the narrative representation of character interaction (Branigan), and André Bazin’s arguments that the objective reality pressed against audience interpretation.

Fast Five was a financial success that broke box office records for the opening weekend in April of 2011. The movie was so popular that is overpassed the Fast And Furious action movie series. In the flourishing stages of the film, Universal studios veered away from street racing and wanted to pull off an action packed heist involving fast cars. They took this route to attract an even larger crowd than the Fast and Furious series already did. Fast Five is considered the transitional film for the series where it includes only one racing scene and more action packed scenes such as gunfights, melee, and a $100 million bank heist. The production company had a tactic that included advertising through social media and NASCAR itself. Fast Five made over $626.1 million in sales in the United States Box Office. It made 66 on the list for the all time worldwide list for highest grossing movie sales.