A Comparison Of The Knight In Sir Gawain And The Green Knight

gender role. The Lady’s role questions traditional presumptions of the roles of women in medieval literature. Women of the Middle Ages were generally dependent, inferior, and many female portraits in medieval texts did not fare better. While men of the Middle Ages were generally chivalry, valiance, noble and honest. Throughout the poem I began to see gender roles being reversed between Lady Bertilak and Sir Gawain.

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

Society expects ultimate perfection of all people. Due to this people are pressured to act a certain way that they would otherwise not act. The journey of obtaining perfection and maintaining it leads to success and failure. But what is considered failing while trying to become a different person? This topic is addressed in the poem, Sir Gawain and the Green Knight, written by Pearl Poet. The main character Sir Gawain finds himself on a journey that will test his knightly integrity and the true nature of his personality. Sir Gawain fails his quest when he responds to the challenge in an aggressive way; by doing so he shows his lack of concern for human life, he fails to uphold his agreement with Lord Bertilak, and succumbs to fear when the

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.

As an avid recreational reader I enjoy reading books of all types, however, one of my favorite genres is fantasy. This love began in my reading of George MacDonald's Phantastes, and continued throughout the past year as I have been working my way through C.S. Lewis’ The Space Trilogy. What is so interesting, and simply enjoyable, for me about reading Sir Gawain is that it is a more original and classic take on the typical structure and plot of a fantasy/fairytale. In the beginning you already get a general idea of how the story is going to go, yet the story has its own quirks that keep it interesting.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Protagonists also known as the main character or the hero. A protagonist can make or break the story. A hero is defined as a person who goes on a quest to save, restore or heal the community. Most heroes have the same qualities; however, what the character does with the qualities is a different story. For example, Sir Gawain and The Green Knight, author unknown and Oroonoko by Aphra Behn are two works where the protagonists are comparable. For example, both men are on a dangerous journey, a woman starts their downfall, and lastly, both put their trust in the wrong people. However, they differ in many factor; the main one however, is that Sir Gawain is a knight and Oroonoko is a prince.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of