Exploring Syncretism in Bless Me Ultima and The House on Mango Street
Syncretism is the fine line between Christianity and Native American Religions because it is the ambivalent, simultaneous attraction of choice and identification to the influences of two or more religious belief systems. Syncretism is most common among minority groups such as Hispanics. The definition applied to their unique position of culture is brought about by the Native American and Spanish ancestry. Ambivalence is shown even by the word Hispanic, which is an "umbrella" term. The novels, Rudolfo Anaya's Bless Me Ultima(1972) and Sandra Cisneros' The House on Mango Street(1984) explore syncretism and how it enhances and exemplifies the issue of
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She represents the Native American minority culture and Christianity as a curandera. She is a Native American spiritual healer who is derived from Rudolfo Anaya's own experience, "of a woman who was said to have powers to cure sickness"(Hispanic Biography 42). The syncretism of Ultima's Christ like abilities are given in two illustrations.
Ultima's Christ like nature is displayed through her abilities, or powers as a curandera to perform miracles. Ultima's powers are shown in the text as being good; although, it is confusing to say whether her powers are coming from Christianity, or witchcraft? To illustrate the issue of this comparison to Christ, Antonio's mother recalls Ultima's powers saying, "I have seen her work miracles. She learned from the flying man from Las Pasturas"(Anaya 85). The incongruity of this statement to that of Christianity is clear cut. According to the Dictionary of Hispanic Biography, Anaya acquired the myth and superstitions from his family who lived in Pastura about a women like Ultima, who could heal (42). From Anaya's experience, syncretism of miracles and elements of superstition in folk Catholicism is apparently true. However, the only one to perform miracles in Christianity is Christ.
To further illustrate the comparison of Ultima to Christ is the aura of power Ultima's character seems to possess, and to which she gains respect as a healer. The instance in the text where
Many people in the town love Ultima. They praise her and can’t thank her enough when she cures one of their loved ones. While many love and praise her, a select few in the town believe that Ultima is a witch and of ten accuse Ultima of it. One of these is Tenorio Trementina, the father of the three Trementina sisters who put a curse on Lucas, Antonio’s uncle. Even Antonio, who loves Ultima very much, once doubted if Ultima was really a witch or just a curandera. Some of Antonio’s classmates have also called Ultima a witch. Tenorio often besieges Ultima. Despite all this, Ultima is still very strong and remains strong until the day of her death. Ultima is also very brave strong. She is not threatened when Tenorio threatens to kill Ultima or when people make the sign of the cross to see if she really is a witch.
Throughout Rudolfo Anaya’s book, “Bless Me Ultima”, the main character Antonio has several vivid, detailed and sometimes graphic dreams. In one of these dreams (on pages 243-244), Antonio bears witness to blood, violence, and death. In this dream, Anaya uses imagery, symbolism, similes, and specific diction to indicate that Antonio is losing faith in his religion and god. Notes: Need to adjust the words used towards the end.
When tenorio wishes Ultima and Antonio death he mentions something that catches Antonio off guard the novel states, “It was when he said that the owl was the spirit of Ultima that everything I had ever known about Ultima and her bird seemed to make sense. The owl was a protective spirit...The owl was her soul!” (Anaya,255). The symbolization of the owl demonstrates how Anaya uses the tradition of Catholicism to show that Antonio becomes more independent, because he chooses to accept the fact that he thinks Ultima has a greater
The House on Mango Street, written by Sandra Cisneros, is a novel about a young girl growing up in the Latino area of Chicago. It is highly admired and is taught in a plethora of grade schools and universities. The House on Mango Street expresses the story of Esperanza Cordero, whose neighborhood is full of harsh realities and jarring beauty. Esperanza doesn’t want to belong- not to her run-down neighborhood, and not to the low expectations the world has for her. Esperanza’s story is of a young girl coming into her power, and inventing what she will become for herself. While Esperanza and the other women have many differences, as in the way she is fortunate to avoid the pitfalls of her environment and others are not, there are just as many
Ultima’s role as demonstrates how Chicano culture is a mixture of multiple, conflicting influences. When Spanish Catholics arrived, they claimed curanderismo is a form of witchcraft. Thus, they killed those that practiced the act. But their interaction brought about a mixed culture where curanderismo existed in harmony with Catholicism. Anaya shows this religious blend by describing Antonio’s mother as a devout Catholic who also respects the Ultima’s powers. While as, Mora also portrays the mysterious woman with a deep faith as she, “lights candles before/her sacred status” (104).
Personal ideologies provide an aspiration for a fools paradise. That endeavor contrived a blindness that makes their perfect world, someone else’s ordeal. Individuals might convoke others for guidance to an explicit ambit to discover their own dogma. However, humanity has a type of ignorance in a sense that compels them to force their own beliefs onto others. Distinct mentalities collide due to their own belief of being “right” which in turn causes further separation between religions, nations and even families. In the book “Bless Me Ultima” by Rudolfo Anaya, the predominance of Antonio’s parents impulses him to have an
Ultima's curing of Antonio's uncle is an instance where her powers have proved to work while God's has failed. His uncle was cursed by the daughters of Tenorio Trementina after confronting them during a satanic ritual. Ultima was then called to try and save him from dying. "The church would not allow your grandfather to let me use my powers. The church was afraid that... The priest at El Puerto did not want the people to place much faith in the powers of la currandera. He wanted the mercy and faith of the church to be the villagers' only guiding light."(Anaya 97) The Lunas waited to call Ultima because the church didn’t want the prosperity of her powers cause religious ambivalence amongst their followers. Antonio was able to witness la currandera work her magic and cure his
A clear theme in Bless Me, Ultima is Antonio’s struggle to find who he is amidst two sides of himself: the Lunas and the vaqueros. He fears for his future, where he believes he will have to decide between the two parts of himself, and inevitably disappoint one half of the people in his life. He fears what his life will be. He fears the river. This all changes when Ultima arrives. She teaches him to love the presence of the river, and to love his life however it may come. She shows him that the river is the lifeblood of the herbs she uses to heal and save, and that he can use his life to help others as well. But her spirit, in the owl, also shows him that life, and the river, can be very dangerous (Anaya, 14).
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s
Another example of Antonio's sense of development in good and evil is his home. It is means a lot to Antonio, because the people living in it makes him feel protected and provide warmth to him. When Tenorio and his men came to his house to take Ultima away, Antonio’s father "You walk on my land! That is my business" (Anaya 130). This make Antonio feel that he would be protected by the presence of his father., Gabriel. However, Antonio's mother made home very fond and ardent for him. She had always been affectionate towards him and would show him care. Most importantly, Ultima was the one who contributed to the goodness of Antonio's home. She made Antonio feel as though her presence filled the home with love and safety. It was Ultima who calmed Antonio down after he had seen Lupito die. Whenever he had a nightmare, Ultima would always be right beside to comfort Antonio and " could sleep again" (Anaya 34). Ultima's fearlessness against Tenorio and his three daughters made Antonio feel that he would be safe wherever Ultima was. Overall, the
In the book “Bless Me Ultima,” by Rodolfo Anaya, the role of duality goes very into depth with its many controversial topics. Some of these topics include the contrast between Catholicism and indigenous mysticism, good witchcraft and evil witchcraft, and men and women. Since Antonio must struggle to find his own identity and place he must battle between his family, beliefs, and self. This can be seen between his parents, who’s frequently conflicting views make it difficult for Antonio to accept either of their belief systems, his struggles between the English and Spanish language, and how evil and good affected his innocence.
An important motif in “Bless Me, Ultima” are Antonio’s dreams. His dreams foreshadow major events and make him question his beliefs, especially revolving around
Ultima is an old curandera, which means healer in spanish, who comes to El Puerto to live with the Marez family after she is left alone in the town of Las Pasturas. When she arrives and turns to greet him, Antonio feels awestruck. According to Antonio, he “felt the power of a whirlwind sweep around me (Anaya 12).” A series of events occur throughout the story which makes Antonio overprotective of La Ultima. For instance, when Antonio and Ultima go to his grandfather’s house to cure his uncle, “Some women bowed their heads, other made the sign of the cross (Anaya 104).” Crossing your forehead in front of someone who is helping your family is a sign of disrespect. I feel that if I were Antonio, I would feel very offended because Ultima is my friend and nobody should be disrespected in front of the people you care for the most. As Antonio grows, he finds himself questioning his religion and comes to accept that everything is not what it seems. For example, Antonio realizes that the people of the town can be very judgemental and will blindly follow anyone because they fear the unknown. Antonio has to deal with is brothers who are led astray by the prostitutes of the town and their unrealistic dreams. After the war ended, his brothers came back, but with different plans for themselves. They leave because they want to be free, but I believe that they chain
The House on Mango Street by Sandra Cisneros is a coming of age novel of a young Mexican-American girl developing in a working class Chicago neighborhood. The author is much like the main character Esperanza in many different ways. One being that Cisneros was also a Mexican-American girl growing up in a Chicago working class neighborhood. Esperanza is a foil of Cisneros’ beliefs and opinions of her Mexican culture and heritage. While Esperanza is embarrassed of being a Mexican-American around white Americans, Cisneros is proud to be a Mexican-American girl. In Sara Rimer’s article, “San Antonio Journal; Novelist’s Purple
Throughout the book Antonio is introduced to many new ideas. The first is the experiences he has with Ultima. Ultima is a healer who learned