A Comparison of God and Religion in Jane Eyre and Wide Sargasso Sea

There are links in the description of the room by Offred to what is going on with Atwood's use of literary devices, such as the white carpet representing purity and the 'sprigged curtains' and 'skirted dressing table' being a representative of

Throughout Jane Eyre, as Jane herself moves from one physical location to another, the settings in which she finds herself vary considerably. Bronte makes the most of this necessity by carefully arranging those settings to match the differing circumstances Jane finds herself in at each. As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly attuned to her state of mind, but her circumstances are always defined by the walls, real and figurative, around her.

The seven rooms in the house also conveyed stages in life ending with death. These rooms were set up from east to west. This meaning that the sun comes up in the east and goes down in the west, and death comes in the darkness. "In this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color." The guest's avoided this room because it was a sign of death.

Over the first five years of Jack’s life, the room is where he finds safety and comfort. Jack was born in that room and lived with his mother there for the first five years of his life. He got accustomed to it and knew everything about it. Furthermore, you can see Jack showing his childish love to his basic belongings in the following quote. “‘Jack, it’s all frayed and stained from seven years…I can smell it from here. I had to watch you learn to crawl on that rug, to walk on it. You pooed on it once, the soup spilled, I could never get it clean.’ ‘Yeah I was born on her and I was dead in her too.’ ‘Yeah, so what I’d really like to do is throw it in the incinerator.’ ‘No!’” (Donoghue, 305). Some of the very few belongings from the room mean a lot to him and are memorable. For example, a rug is utilized in many different ways in his life. He was born on it and escaped from the room in it. It signifies the beginning and the end of his life in the room. Altogether, Jack finds out who he is by forming personal attachments to the room.

Lastly, the isolated room that the narrator stays in is a symbol. The room symbolizes a safe haven, giving the main character time to write and process many

Jane Eyre was perceived as a female gothic novel due to the images of darkness within the novel. Bronte constructs the female language by giving the main protagonist a gothic imagination. This imagination is elaborated through the representation of imagery. It is first shown in the novel the red room which one could argue is associated with darkness and is evidently a source of punishment for her, ‘Take her away to the red-room, and lock her in”(Brontë and Dunn, 2001,p.9). We can depict from the verb ‘lock her in’ that this room is a form of isolation for Jane and a source of entrapment for her when she acts out. The fact that she is being imprisoned even at home reflects how the private sphere and norms the Victorian era harbored effectively

In Jane Eyre Charlotte Bronte intertwines various religious ideas in her mid-nineteenth century English setting. Throughout the novel, Jane Eyre blends various religious insights which she has learned from different sources. While Jane was young, she had only a Biblical textbook outlook on life combined with the miserable emotional conditions of her surroundings. This in turn led to Jane being quite mean with Mrs. Reed. When Jane eventually goes off to Lowood and meets Helen Burns, she learns of her religious philosophy far more than the words would mean. Over the course of many years Jane then applies the basis of Helen's religious philosophy and adjusts it for herself in relation to the

The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind.

Throughout the novel, Charlotte Bronte introduces characters that challenge Jane’s spirituality and impress their religious beliefs on her. However, these characters, whom of which are Mr. Brocklehurst and St. John, all live in such a way that contradicts what they claim to believe. Therefore, Jane rejects the religion presented to her and attempts to become her own savior.

“I sincerely, deeply, fervently long to do what is right; and only that” (426). Throughout Jane Eyre, the characters struggle to live out and develop their faiths, according both to God’s will and their own. In Charlotte Bronte’s Jane Eyre, faith and religion are displayed in different forms through the characters of Helen Burns, St. John, and Jane Eyre.

In the same way, Jane is literally placed in a big empty room, in isolation from everyone else in the house. Gilman gives us glimpses of Jane’s confinement as the story progresses. Look at how her room is described. “…the windows are barred for little children, and there are rings and things in the walls” (Gilman 341). This suggests that Jane is placed in a mental hospital room. There are bars on the windows so she cannot escape, and rings on the walls to keep her from roaming about.

Authors, Jean Rhys and Charlotte Bronte constructed their novels in completely different time periods and came from different influences in writing. Jean Rhys’s fiction book, Wide Sargasso Sea is an interesting relation to Jane Eyre. The female character of Jane Eyre forms into a furiously, passionate, independent young woman. The female character of Jean Rhys’s illustration is a character that Jane will know further on as Rochester’s crazy wife who is bolted in an attic. Jean Rhys further studies this character, where as Charlotte Bronte approved that it was left explained (Thorpe 175). Antoinette, considerably like Jane, evolves in a world with minimal amount of love to offer. Both these women are taken cared of as children by

The purpose of Bronte's novel is to demonstrate that women could go beyond the oppressive limitations of their environment and find fulfillment.  Jane's cries for love are mistaken as evil outburst by those who wish to keep women repressed.  Oppression of women was so great that women even in the home were expected to be nonproductive.  The ideal or perfect Victorian women were ones who adopted an image of repose or idleness, basically to show the world they could.  Nervousness and fainting were expected in women, and certain disagreeable topics or bad news could cause such traits to erupt.  By trusting in her passion, by trusting in her own abilities, and by making her own decisions, Jane is able to overcome the agony all around her.  Homeless, starving, and misjudged, Jane is

    Charlotte Bronte wrote the novel Jane Eyre in the mid-eighteen hundreds. In her novel she expresses her views on many important factors present during this time including social problems such as race, class, gender, and the role of religion. Each of these factors affects the way that the protagonist, Jane Eyre, grows as a person. Throughout the novel Charlotte Bronte uses images and symbols that either influence or represent Jane's growth. Bronte uses a common imagery throughout the novel reflecting images of "fire and ice." She also uses symbols in Jane's life such as the red-room, from her childhood, and the character Bertha Mason Rochester, during her time at Thornfield. Other characters who

It was "very seldom slept in" and was "one of the largest and stateliest chambers in the mansion." Bronte describes this room in huge depth, and gives the reader a strong visual idea of what it looks like; "massive pillars of mahogany" and "curtains of deep red damask". Jane also describes it as "chill" and "lonely" due to the fact that this was where Mr Reed "breathed his last. " It is also very Gothic when Jane sees the ghost in the room, given that many Gothic novels have monsters or ghosts in them. " Oh!