A Comparison of Justice in The Tempest and Merchant of Venice

He thinks about the racism and hate toward immigrants from Vietnam and the people that died in the war, and realizes that not everything has a happy ending. To illustrate, the narration states, “That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained” (page 72). The meaning behind this quote is very true to reality. It means that with all the bad things going on in the world, there is not always someone to be the knight in shining armor, or to be the good guy and save the day. People are not always nice to each other. Sometimes tragedies happen, and even though they are never happen, it is just part of life. Happy endings always occur in stories or plays, but not in the real world. So while the quality of mercy is not strained in acts of kindness, that does not happen very often and in most instances, the quality of mercy is

Service in love often has a positive connotation which suggests a profound love, whereas possession generally receives a negative connotation suggesting a superficial love. However, Geoffrey Chaucer and William Shakespeare explore in depth the roles of both possession and service in love and reveal to their readers which one is ultimately the superior way to gain love. The stories of “The Knight’s Tale” and The Tempest are different thematically, yet the thread which unites them both expresses similar ideas regarding love, possession and service. Both William Shakespeare and Geoffrey Chaucer show the reader love cannot be claimed; it is earned through service of the heart. By examining the similarities in “The Knight’s Tale” and The Tempest

Explain how Ariel and Caliban serve as character foils for each other. Be sure to consider their physical appearance and their roles as servants to Prospero.

Justice means fairness and justness. In the tale The Wife of Bath's Tale by Geoffrey Chaucer, justice is not served. The tale takes place in King Arthur's days. One of the kings knights takes advantage of his power and strength. He forced onto a girl near the stream. Despite the girl’s pleads to stop, the knight continued. During the time that the story takes place due to this crime “the knight was to be dead By course of law…” (pg.126). Although the crime was punishable with the death penalty the queen granted his life. The victim of the incident not only was physically hurt but, mentally as well. She did not get a say on what would happen with the knight’s punishment. However in order to be granted his life, the knight was to find the answer

    In the Tragedy of Othello, by William Shakespeare, a great injustice is done to the main character, Othello the Moor. Othello is manipulated by the villain Iago to satiate Iago’s need for control and his desire for revenge. Othello the General has promoted another, Cassio, to hold the position that Iago feels he deserves. For the injustice that Iago feels has been committed against him, he brings about the destruction of Othello and his wife, Desdemona, using Cassio as his tool for doing so.

“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has

Whether one realizes it or not, the world we live in is governed by certain expectations and unwritten rules that our society creates. These expected behaviors are called norms. When one establishes the role that they play in society, they are governed by the expectations that society places on that specific role. Norms give order to a society, but is that enough to say that they are good for citizens? Are these norms needed to govern our behavior in a way that our government cannot? Social norms and the effect that they can have on a person or group of people is shown through Shakespeare's The Tempest. The characters in The Tempest are negatively affected by the unwritten social norms that they are expected to follow, and today these

One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is

   A production of The Tempest should emphasize the idealized methods in which Prospero uses magic to solve the problem of revenge which is so prevalent throughout his tragedies, perhaps the production might be a direct allegory for the magic of the theatre itself.   In this conception of the play, the scattering and bringing together of the characters in the script is significant in that theatre also could be said to bring people together and allow them to share in an experience of emotion, magic, and finally, of resolution. In this way the production could be used as a vehicle for conveying the idealistic virtues of forgiveness, compassion, and of course knowledge. In his book, A

Shylock is punished by the Venetian court for seeking to end Antonio’s life. He is charged under a Venetian law (of Shakespeare’s creation) and he is forced to give up his wealth and to beg the Duke to spare him his life. Viewed like this it seems simple enough; Shylock broke a Venetian law and, as a consequence, is punished. However, Shylock’s case is far from simple. Antonio’s demand that Shylock should renounce his Judaism and become a Christian and his insistence that Shylock should will his money to the Christian

Written about 300 years apart, The Tempest, a play, by William Shakespeare and Inferno, a poem, by Dante, both highlight the topic of justice. Being from different time periods and composing stories of different genres, having different definitions of justice. Justice in The Tempest is Prospero, the protagonist who is stranded on an island, returning to Milan and reclaiming his rightful dukedom. Justice in Inferno is divine, with God’s creation of nine levels of Hell with individualized punishments for sinners. In both texts, Shakespeare and Dante similarly prove that justice is hypocritical and selfish with three components: their motives in writing the stories, the cruel actions taken to bring about justice, and the desired balances that the justice creates. These three overarching characteristics, however, vary in the content of the actions, the balances, and the motives.

The concept of justice is manifested through the three plays of Aeschylus' Oresteia. The old tradition of justice, the private blood feud, caused an ungoverned succession of violent acts that spiralled uncontrollably. Aegisthus, Clytemnestra's lover, is introduced in Agamemnon; he desires vengeance for the plot contrived by Agamemnon's father (Ag: 1605-1611).1 Neither Agamemnon nor Aegisthus took part in this "plot" and yet as the chorus explains (Ag: 755-6)

       The Tempest is a classic example of Shakespeare’s dichotomized notions of right and wrong within the context of racial inherencies, a social commentary of the colonialism of the New World. An important theme in the play is the racial differentiation between Caliban and the other antagonists, primarily, Prospero, who comes to the island and enslaves Caliban to enforce his own rule. This relationship, as portrayed through the play, is a reflection of the historical social and racial tensions that existed between the colonizers of New Europe and the Native Americans and is illustrated through the language employed by Shakespeare and the interactions that take place between the characters. The Tempest

Dale Carnegie once said “when life gives you lemons, make lemonade.” The ability to transform something appalling to alluring is a true indication of appreciation for life, but can at times result in consequences. In Shakespeare’s play The Tempest, Prospero commands one of his spirits, Ariel, to summon a tempest as an act of revenge for being deposed as the rightful Duke of Milan by Antonio and Alonso. Although the tempest causes isolation between characters, Ferdinand, Miranda and Ariel are blessed by the tempest; receiving opportunities achieve a better life.

Disguised as young lawyer Balthazar, who speaks with heightened eloquence to beg Shylock to show mercy. Portia’s speech about the quality of mercy is wasted to Shylock. It's almost as if Shylock got his way, revenge. After all these years it is time for him to complete his deed. His deed to eliminate Antonio. As his moment arrives it is all dismantled by the intelligence of Portia. Portia turns Shylock’s greatest weapon-the law-against him, Portia delivers once last chance of mercy to Shylock. Shylock is warned if even a drop of blood is spilled he will be accused of conspiring a life against another Venetian citizen all of his land and goods will be confiscated by the state. Shylock agrees to take thrice the sum. Shylock drops the case, but Portia deems him guilty for threatening another Venetian citizen. Half his property and land shall go to Antonio and the other half to the state. “I pardon thee thy life before thou ask it.” The Duke of Venice demonstrates mercy even after what the Jew had committed. The court could have acted on revenge against Shylock but they knew mercy was far greater than revenge. Shakespeare urges mercy is preferable than revenge. He tells us that even those who have wronged deserve mercy. Acting towards revenge will not prosper but mercy can be replenishing. Shakespeare shows us one can show mercy and that it is not forced.