A Comparison of Pride in King Lear and The Duchess of Malfi Essay

In chapter 5, Victor answers Clerval saying “Do not ask me,” cried I, putting my hands before my eyes, for I thought I saw the dreaded spectre glide into the room” (Shelley 38). By putting his hands over his eyes, Victor is showing a source of pain and reject toward the creature. He realizes that he spent so much time alone trying to reanimate something that turned into a

Though King Lear, of Shakespeare's play, King Lear, wrongs both Cordelia and Kent in his harsh treatment against them, the unjust actions of Regan and Goneril against King Lear cause him to be "a man more sinned against than sinning" (3.2.60-61).

In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With

In his tragedy King Lear, William Shakespeare presents two families: a family consisting of a father and his three daughters, and a family consisting of a father and his two sons, one of which is a bastard son. While he has the sons basically come out and admit that one of them is good and the other evil, the Bard chooses to have the feelings of the daughters appear more subtlely. At no point in King Lear does Shakespeare come out and blatantly tell his audience that Cordelia is the most caring and loving daughter, while her two sisters are uncaring and greedy, and love their father only when they stand to gain from it. However, via the three daughters’ speeches throughout King Lear, he does

A father smiling down at his son; a teacher learning from his pupil; a soldier gazing up to his country’s flag. Or a woman masking her face with makeup; a man boasting endlessly of a talent; a child mocking another’s impediment. All textbook illustrations of pride. Nevertheless, the first trio is of outward pride—pride not of one’s own accomplishment, but the achievements of something or someone else. Moreover, the second trio consists of an inner pride—a vain, arrogant, conceited, egotistic, narcissistic feeling. Another crucial aspect of different prides is Jane Austen’s Pride vs. Vanity. She says, “A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.” Although “pride goeth before the fall”, pride, being outward or being competent to ourselves, is a healthy feeling unless provoked into vanity and narcissism.

By analyzing character motivations, choices, and actions in To Kill a Mockingbird, “The Scarlet Ibis,” and “I, Too,” it is clear that pride can drive characters to make life-changing decisions with long term consequences. In definition pride is a high or inordinate opinion of one’s own dignity, importance, merit, or superiority, whether as cherished in the mind or as displayed in bearing, conduct 1. There are different types of pride superiority, arrogance and dignity 2. These are the main types of pride that you see the most in people.

     Shakespeare uses subplots to dramatize the action of the play and give spark on the contrast for the themes in King Lear. Sub plots usually improve the effect of dramatic irony and suspense. The latter, which is used in King Lear, gives us the understanding of the emotions of the characters in the play. This follows the parallelism between Gloucester and King Lear.

Pride is a dangerous trait to have for it can point toward the wrong path of life. To have pride in moderation is perfectly fine, but if pride engulfs one's being, then it can harmful. When one takes pride on a project that they worked hard on and earned a good grade, then the pride is controlled. However, /if that pride grows, it makes one arrogant to others and their opinions. Such as Creon’s pride did; throughout the play he ignored other people’s thoughts and opinions because he believed that he was always right.

The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.

   King Lear meets all the requirements of a tragedy as defined by Andrew Cecil Bradley.  Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being worn in.  Also, the current time must be contrasted to happier times.  The play also depicts the troubled parts in the hero’s life and eventually he dies instantaneously because of the suffering and calamity.  There is the feeling of fear in the play as well, that makes men see how blind they are not knowing when fortune or something else would be on them.  The hero must be of a high status on the chain and the hero must also possess a tragic flaw that initiates the tragedy.

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and

The pride that Darcy displays at the assembly is clearly seen as the most despicable type, the kind that lacks respect for others. The destructive force of conceited pride becomes apparent, when we see the anger and hurt his pride causes Elizabeth. When two overly prideful people collide, much tension, resentment, and anger is sure to follow.

King Lear's View of Himself "King Lear" is a play all about the cruelty of human nature and the ways in which all people, "good" and "bad", can sin, or be sinned against. Lear is a very difficult character to categorise as either "good" or "bad" as he is both "sinned against" and "sinning". It is also very difficult to use these sins as a measure of his character as they a varying in severity. When we first meet Lear he is in the process of dividing his kingdom into three, preparing to hand it to his three daughters. This is a sin, as according to The Divine Right of Kings, each monarch is chosen by God, and is there fore answerable to none but him.

The most prevailing images in King Lear are the images (metaphoric and actual) of nature. The concept of nature seems to consume the dialogue, monologues, and setting.

     The play, “King Lear” by William Shakespeare, starts with noblemen Kent and Gloucester having a conversation and the audience finds out that Gloucester has two sons. Edgar who is his heir, and Edmund his unimportant son. This info. leads to the mini-plot. Then, Lear enters to say that he is going to end his life’s tasks and problems. He then points to the map, he tells the people there that he will split his land into three parts. They are going to be given to his three daughters. The two oldest, Goneril and Regan, tell their father that their love for him goes beyond expectations. The youngest one, Cordelia, tells him that she loves him, but only as she should love her father. He is then