A Comparison of Shakespeare's Prince Hamlet and Machiavelli’s The Prince

Hamlet is very private with his grief. His mourning for his father is long and drawn out. He mulls over how he is going to act and defers action until a perfect moment.

When Hamlets father speaks to him and tells him to speak to his mother, Hamlet immediately obeys him. He respects his father and loves him enough to listen to him and stop fighting with his mother. It shows that no matter the flaws he has with his mother he would throw them out just to please his father. Hamlet has proven himself in many ways that he would do anything for his father no matter what the circumstance was.

When we first meet Hamlet, he is dressed all in black and conveys all the “moods, forms and shapes of grief”. This depression is caused by his father’s recent death. Gertrude, his mother and

In other words Machiavelli says that human nature praises certain qualities and blame others, but there is no way that humans can do all the good things while avoiding the bad things. What makes a "good prince" in the eyes of Machiavelli is one that figures out how to not take so much blame when he does wrong, and tries to do as many good things as he can. For example regarding generosity and miserliness, Machiavelli says to be considered truly generous, one must be miserly at times:"A prince, therefore, being unable to use his virtue of generosity in a manner which will not harm himself... should, if he is wise, not worry about being called a miser; for with time, he will come to be considered more generous..." (53) In one final contrast, according to Machiavelli in regards to courage and cowardice, mercy and treachery he says "That every prince must desire to be considered merciful and not cruel; never the less, he must take care not to misuse this mercy...Therefore, a prince must not worry about the reproach of cruelty, when it is a matter of keeping his subjects united and loyal" (55). According to Machiavelli,

Shakespeare’s character, Hamlet, is known for his indecisive personality. It is a trait that humanizes Hamlet in the sense that every man is flawed. However, this feature is Hamlet’s main

Throughout the early acts of the play, Hamlet acts foolishly and is very immature. He talks to himself and even argues with himself. He is a prince who is supposed to be superior and demand a high-level of respect, someone who should be acting very mature. As he continues through the hero’s journey, his perspective and inner goals for the Ultimate boon, as Campbell calls it, develops his maturity and he becomes more prince-like.

Hamlet begins play by breaking bonds with his family. The death of his father, the former king of Denmark, leaves Hamlet in a state of depression. During Gertrude’s, Hamlet’s mother, and Claudius's, the new king and Hamlet’s paternal uncle, wedding ceremony, Hamlet is the only one wearing “nighted colour” (1.2.68), which are clothes for mourning. He isolates himself from the joys of everyone and instead chooses to wallow in his own dark world, with his initial grief for his father being the catalyst for his descent into isolation. Hamlet begin to have hopes to commit “self-slaughter” (1.2.132) as he is frustrated with his life in its current state. Hamlet is rejecting his family as it is, instead lamenting on his father, to the point where he contemplates suicide. By isolating himself from the land of the living, Hamlet believes he does not have a purpose anymore. When his mother comments on Hamlet seeming sad during the ceremony, Hamlet replies that he “know not ‘seems’” (1.2.76), commenting on his mother’s use of the seem and saying that his depression is not an act, but genuine. His mother notices that “His father’s death and our o’er-hasty marriage” (2.2.57) could be the cause of his emerging familial isolation and regrets to not have been able to do anything to help her son. Having seemingly lost his purpose in life, Hamlet begins his isolation by removing himself from his family.

We get more insight into Hamlet's mind after he meets the ghost of his father. He is speaking to his confidant and friend Horatio:

Hamlet begins his soliloquy in act two scene two by regaining the audiences’ attention and making himself comfortable to fully express his true feelings. Next he starts to describe himself as a “peasant slave” denoting how poor and low he feels to the point where he is not far from being completely worthless. Hamlet further expresses that it’s horrible that a person should be forced to play his character; even in a fictitious story. How could a human being put their pride to the side in order to live a life like mine filled with so much sorrow? It should tear their soul or literally kill them to reenact what I went through. This person must shed tears during their rendition and speak with a shattered speech pattern; taking as if his words were

Like any other human Hamlet has experienced the loss of his father. Although the loss of a loved one is a very common feeling that every person will experience, Hamlet had lost his father and his mother even though she was still alive. She betrayed his by marrying Hamlet’s father within the same week as his father, her husband, passing. Also Hamlet had to watch his uncle become the new King. Hamlet despite all the negative surrounding him experienced some of the same feelings that anyone going through a normal loss of a parent or loved one would experience, Hamlet experienced pain, sadness and numbness, frustration from being broken hearted, anger and confusion and depression, to name just a few. Over the course of Hamlet’s seven soliloquies, the audience can see the slow transgression of Hamlet’s growth; however, Hamlet was pretty much stayed in the same mind frame.

Hamlet’s first soliloquy in Act 1 Scene 2 reveals important key thoughts Hamlet holds for related characters. The purpose for this soliloquy is to inform the audience of Hamlet’s true feelings about his family and life, which provides the audience with a deeper understanding and meaning of the future choices chosen throughout the play. One of the more intriguing truths revealed by Hamlet is the disgust he holds for his mother’s new relationship and her little acknowledgment of her husband's death.

Hamlet’s character drastically develops over the first four acts of Hamlet, and his character development is most evident through the soliloquys he delivers throughout the play. The most character development can be seen from the first soliloquy, to the second, the third, the sixth, and the seventh and final soliloquy. Hamlet’s inner conflict with his thoughts and his actions are well analyzed in his soliloquys, as well as his struggles with life and death, and his very own existence. He begins the play wondering what purpose he has in life now that his father is dead and his mother has remarried to his uncle. After finding out foul play was involved in his father’s death, he is motivated by revenge. Finally, he wonders how he can enact his revenge while continuously overthinking and overanalyzing his actions.

      Machiavelli goes on to stress that while it can be beneficial to appear a good and honorable man, a prince must always be prepared to resort to

Machiavelli goes on in Chapters Fifteen through Twenty Three to discuss his advice to the reader in the ideal behavior and characteristics of a prince. He mentions that doing good would only lead to the ruin of a prince’s kingdom. He claims that a prince should be stingy and cruel as opposed to generous and merciful. He then, of course, adds in examples of successful rulers who were both moral and immoral alike. A prince should break promises more than he keeps them, according to the author. He also suggests that, while behaving in the aforementioned ways, a prince should do his best to avoid being despised by leaving his subjects’ land and women alone and by undertaking great projects to boost his reputation. As suggested at the beginning of Chapter Nineteen, a prince should not be “fickle, frivolous, effeminate, cowardly, [or] irresolute,” (70). ¬¬¬He should also choose wise, as opposed to flattering, advisors.

Hamlet is arguably one of the greatest dramatic characters to be created. As he learns of his father’s death, he starts to over analyze ever little detail causing him to create scenarios in his mind that give me anxiety. His mother notices his anger, but Hamlet makes it known that the distress he is feeling over-powers his actions. He says, “Together with all the forms, moods, shapes of grief… for they are the actions that a man might play; but I have that within which passes show, these but the trappings and the suits of woe” (ACT I, ii). He is angry at his mother because she remarried that same man that killed his father. Hamlet starts to see his father’s ghost and she cannot. She then starts to tell Hamlet how he has offended his father, as in Claudius. When Hamlet is defending