A Comparison of Susan Hill's The Woman in Black and M.R. James' Oh, Whistle, and I'll Come to You, My Lad

When Alvin Ailey’s Cry premiered in 1971, Judith Jamison was praised for her tour-de- force 16-minute solo. An original New York Times review expressed that “She looks like an African goddess”. Cry - originally a gift for Ailey’s mother - was dedicated to “all black women everywhere, especially our mothers”. This work, one of Ailey’s greatest successes, evokes an emotional journey, as the performance depicts the struggles of African American women suffering the extraordinary hardships of slavery. Through self- determination, these women overcome their tribulations to attain justice and emancipation. [insert argument here]

replacement of stereotyped images of black womanhood with those that are self defined, 4) black women’s activism, and 5) sensitivity to black sexual politics. The first three themes correlate to black motherhood and living in a binary environment, one in which black people are the oppressed and white

Toni Morrison is one of the most talented and successful African-American authors of our time. Famous for works such as The Bluest Eye, Sula, and Beloved, Morrison has cultivated large audiences of all ethnicities and social classes with her creative style of writing. It is not Morrison’s talent of creating new stories that attracts her fans. In contrast, it is her talent of revising and modernizing traditional Biblical and mythological stories that have been present in literature for centuries. Morrison replaces the characters in these myths, whom would have been white, middle-class males, with characters who depict the cultural practices in black communities. The protagonists in Morrison’s works are primarily African-American women

I was particularly interested in Camille Dungy’s “Tales from a Black Girl on Fire, or Why I Hate to Walk Outside and See Things Burning” which we read from the book Colors of Nature Culture, Identity, and the Natural World. I thought that our discussion in class of her poem was quite good, and realized it was something I wouldn't mind thinking a little bit more about. As I reread the poem, I found a few sentences that I still didn't quite understand what she meant by. In light of this, I have decided to write on what I believe to be her meaning. I wasn't sure why the fear of walking outside didn’t hit her until she moved to an old plantation sate. Why would it take up until then if she had been hearing her families history her entire life?

When we watch movies, we watch them for entertainment. Some people don’t sit back and compare the things happening in the movie to real life situations that are happening amongst society today. It’s a movie. It’s make believe. That’s what I always think when I sit down to watch a movie. Tyler Perry started out producing plays and later released his first feature film in 2005 called “The Diary of a Mad Black Woman.” The Diary of a Mad Black Woman has its twist of emotions throughout the movie. Whether it’s humorous or gloomy, shameful or happy, repulsion or infatuation. The movie shows them all. Tyler Perry has targeted many women and men in different circumstances showing just how painfully exhausting it is to overcome the intolerable.

If one has no desire to look further in life and discover new ideas or uncharted territory, they will eventually lose the voracity for their existence. The author even goes to say that the curious are the only ones with lives worth living and a tale worth telling.

The feeling of not belonging, the feeling of being different, and unique is best stated by Patricia Smith What It’s Like to Be a Black Girl, “first of all, it’s being 9 years old and feeling like you’re not finished, like your edges are wild, like there’s something, everything, wrong” (pg 267 Clugston).

Children, Marriage and Love are the three main factors of the two short stories, “A Sorrowful Woman” by Gail Godwin, and “A Secret Sorrow” by Karen van der Zee. Two relationships at risk because of children. Neither of them know what to do but try to find solutions to solve their problems. They end up having different outcomes.

Adrian Barlow writes of Susan Hill’s Strange Meeting: “At the time of its publication, to write a novel about intense relationships between men in the First World War was considered an ambitious risk for a woman writer.” Compare and contrast the ways in which your three writers present relationships between men.

A fresh, personal, bottom-up approach to the women’s labor movement in the early 20th century

An analysis of the novel which will answer the questions like, what elements of the gothic genre are found in the book ‘The Women In Black’? Considering the characters, settings and imagery, tone and symbols.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

In American literature, women have been portrayed differently depending on the sex and race of the author. Henry James who wrote “Daisy Miller: A Study” (1878) characterized Daisy as a tramp who breaks expatriate social customs. When a male writes about a woman, she is sometimes portrayed as a troublemaker and often up to no good. On the other hand, in Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892), the narrator is trapped by domestic life. When a woman writes about women, they are usually victims of their society. James and Gilman each seem to display women differently because of their own sex, personal preferences, and experiences.

Patricia Hill Collins’ piece, “Defining Black Feminist Thought”, sets out to do exactly that: to determine what Black Feminism is, who is a Black Feminist, and who can become a Black Feminist. While not always specifically stated, her argument and analysis arises from the historical context of the role of Black women in feminist and activist spaces, as well as the social reality of differing lived experiences of Black women from traditional white female feminists. Created in 1990, Collins’ work is well situated in the time period of Third Wave Feminist thinking, incorporating strong themes of the need for intersectionality and alternate opinions within feminism, as well as proposing that multiple versions of feminism can be possible,

It is impossible to discuss the role of women in literature without mentioning the influence of feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of feminism brings with it its own goals, yet it also continues to strive for some of the same goals as past generations because not everything is accomplished all at once. Although “The Well of Loneliness” by Radclyffe Hall and “Rubyfruit Jungle” by Rita Mae Brown, are two starkly different texts that strongly reflect the feminist eras in which they were written, they have some similarities as well.