A Comparison of the Power of Will in Heart of Darkness and Apocalypse Now

In the novella Heart of Darkness, and the film Apocalypse Now, both Joseph Conrad and Francis Ford Coppola question the supposed dichotomy between civilized society and uncivil savagery. Although both the novella and the film differ in setting, Africa and Vietnam respectively, both [uncover] man’s primeval nature, as their protagonists journey down the respective rivers, and descend into the heart of darkness. Perhaps the most significant aspect in the journeys of both Marlow and Willard, is witnessing the psychological breakdown of “civilized” men as their removal from society and exposure to the primitive practices of the “savages” living in the jungle, unleashes their own primordial instincts. This frightening observation effectively conveys

Society has found a way to control the minds and bodies of mankind. Society has done this through stripping individuality, restricting knowledge, forbidding emotions, constricting mankind’s values, choosing everything for mankind, and not allowing any man to be

Heart of Darkness relies heavily on lengthy philosophical and expository passages, as well as some very unusual and complex imagery; “not the easiest material to rewrite as a screenplay” (Canby, 18). However, rewrite it Francis Ford

In Heart of Darkness and Apocalypse Now, both Joseph Conrad and Francis Ford Coppola create similar statements through their creations as they both centralize their views upon the effects of environmental changes that affect the human condition. The film Apocalypse Now vaguely reflects a similar message pursued by Conrad’s novella, due to the difference in time period, place setting, and circumstances in which the film was created. Conrad wrote his novella during British colonization, focusing upon imperialism. Coppola’s film similarly focused upon the barbaric nature of man, which demonstrates the insanity of the Vietnam War. In Heart of Darkness, Conrad centers his main focus upon the journey of Marlow, a sailor, who travels into

    In 1979, Francis Coppola released a film that he said he hoped "would give its audience a sense of the horror, the madness, the sensuousness, and the moral dilemma of the Vietnam war" (as quoted in Hagen 230). His film, Apocalypse Now, based on Joseph Conrad's 1902 novel Heart of Darkness, is the story of Captain Benjamin Willard's (Martin Sheen) journey to the interior of the jungle of Southeastern Asia for the purpose of executing his orders to track down Colonel Walter E. Kurtz (Marlon Brando). Once Kurtz is located, Willard is to "terminate his command with extreme prejudice" because Kurtz has raised an army of deserters and natives, whom he

When Joseph Conrad sat down to write Heart of Darkness over a century ago he decided to set his tale amidst his own country's involvement in the African Congo. Deep in the African jungle his character would make his journey to find the Captain gone astray. Over eighty years later Francis Ford Coppola's Willard would take his journey not in Afica but in the jungles of South Asia. Coppola's Film, Apocalypse Now uses the backdrop of the American Vietnam War yet the similarities between the Conrad's novel and Coppola's film remains constant and plenty.

following the story line of the Heart of Darkness is amazing although the settings of each story are from completely different location and time periods. From the jungle of the Congo in Africa to the Nung river in Vietnam, Joseph Conrad's ideals are not lost. In both the book and the movie, the ideas of good and evil, whiteness, darkness, and racism are clear. Also, characterization in both the novel and the movie are very similar. Both The Heart of Darkness and Apocalypse Now examine the good and evil in human

Apocalypse Now is an examination of the dehumanizing effects of the vietnam war. The film is based off of the novella Heart of Darkness by Joseph Conrad. Francis Ford Coppola adapts the underlying themes of evil and darkness into his main characters in Apocalypse Now. The film follows the character of Captain Willard on his classified mission to find and take away the power of Colonel Kurtz. In order to reach Kurtz, Captain Willard must travel up a river and into the heart of darkness and the heart of the dehumanization of war. Coppola draws deep contrast between characters in order to represent the difference between someone who is dehumanized and evil vs. someone who is not. Every soldier is dehumanized to an extent but some are far more dehumanized than others. The dehumanized characters are completely withdrawn from the outside world and can no longer live in normal society. They are essentially stuck in war or their own kingdom of civilization where they rule. It is not a coincidence that everyone on the boat that takes Willard up the river dies, except for Captain Willard and the

Various parallels can be drawn when comparing and contrasting Joseph Conrad's Heart of Darkness and Frank Coppola's "Apocalypse Now", while taking into consideration Heart of Darkness is a novella and "Apocalypse Now" is a film. These differences and similarities can be seen in themes, characters, events and other small snippets of information including anything from quoted lines to strange actions of the main characters. Both pieces follow the same story line but they are presented in different contexts, allowing for many differences as well as the ability to see how Conrad is able to write a piece of literature that can be transposed to many different settings regardless the time period and still convey the same message of colonialism.

   In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. Yet, a close analysis of character, plot, and theme in each respective work reveals that Conrad's classic story of savagery and madness is present in its cinematic reworking.

Francis Ford Coppola’s Apocalypse Now lacks the impact of its inspiration, Joseph Conrad’s Heart of Darkness. While the basic elements of imperialism and human nature remain intact, the characters of the film bare little resemblance to their literary counterparts. The film serves as a re-interpretation of Conrad’s novella, updated from 19th-century British imperialism in the Congo to a critique of 20th-century U.S. imperialism in Southeast Asia. Coppola’s changes in setting and plot structure, however, force the film to sacrifice the character development so crucial in the literary work. This detracts from the overall effectiveness of the film.

“The bitterest contradiction and the deadliest conflicts of the world are carried on in every individual breast capable of feeling and passion” (Raskin 116). It is possible that those with the best intentions can create some of the deadliest atrocities as passion can take control over one's emotions. This emotional instability can be seen in Heart of Darkness as Joseph Conrad illustrates how one’s “passion” of saving others slowly turns into madness that causes hundreds of fatalities. We wonder, what could cause a man, such as Kurtz, in Heart of Darkness, to enter another country with the best intentions, to become so violent and be the reason behind thousands of brutal and torturous killings without

Heart of Darkness, written by Joseph Conrad and “Apocalypse Now”, a movie directed by Francis Coppola represent two outstanding examples that compare relevant ideas regarding racism, colonialism, and prejudices. The two combine film along with descriptive language to portray their mastery during different eras. For Heart of Darkness, Conrad uses his writing techniques to illustrate Marlow in the Congo, while in “Apocalypse Now”, Coppola uses film editing and close ups on important scenes with unique sounds to identify Willards’ quest for Kurtz. Both portray the idea of colonization in foreign lands that otherwise may have been uninhabited by their own people if left alone.

      In both Apocalypse Now and Heart of Darkness certain elements of darkness attempt to show how deep one must look inside themselves to discover the truth. Conrad portrays the idea of the darkness of the human heart through things such as the interior of the jungle and it's immensity, the Inner Station, and Kurtz's own twisted deeds. Coppola's heart of darkness is represented by the madness of the Vietnam War and how even to look for a purpose in it all; is itself quite mad.

In the book, Heart of Darkness by Joseph Conrad, all the characters are pulled into a well of black despair. Conrad uses the darkness of the situation contrasted to the light of society to show man’s dependence on western morals, and how when these morals are challenged by the darkness, the light crumbles under its newly weakened foundation. The contrast between light and dark is most stark in the themes of setting, the changes in Europeans as they drive farther into the Congo, and the white man’s collapse under the ultimate darkness of the Innermost Congo.