A Complex Identity: The Inner Self, the Outer Self and the Mad Self

Several emotions engulf Shakespeare’s Hamlet throughout the play, the most famous being Hamlet’s own emotional state. His madness, triggered by his incestuous uncle, has led several scholars to explore the psychological causes of his madness. This research into Hamlet’s madness will explore his madness in comparison to other characters, the psychoanalytical studies behind his madness, and defining whether his madness is genuine or another play within the play.

In Shakespeare’s Hamlet, Prince Hamlet serves as one of the most multi-faceted characters in the entire play with critics often deeming his personality “paradoxical”. Ultimately, Hamlet provides the audience with the epitomy of internal contrast and instability by rapidly transitioning through periods of caution and rash action, introversion and extroversion and calculation and spontaneity.

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Shakespeare’s character, Hamlet, is known for his indecisive personality. It is a trait that humanizes Hamlet in the sense that every man is flawed. However, this feature is Hamlet’s main

Hamlet’s sanity has made many people question him. “Hamlet certainly displays a high degree of mania and instability throughout much of the play, but his “madness” is perhaps too purposeful and pointed

Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his

A lot of people would see insanity and corruption to play the most important role in Hamlet. However, other people may argue that the main theme in Hamlet is Shakespeare’s use of actors and acting and the way it is used as framework on which insanity and corruption are built. Shakespeare demonstrates the theme of actors and acting in his characters, the illusion that the individuals assume and the introduction of the ‘play within a play’. This connection allows certain characters to wield the actions and thoughts of others.

The insanity of a person can be contributed through the trauma that is caused by a few events in a person’s life, but in the play Hamlet, William Shakespeare wrote the main character prince Hamlet experiences a few dramatic events from the play which his attitude changes throughout. In order to figure out whether hamlet is insane is by figuring out what the characteristics of his insanity. Characters see Hamlet in different shades of gray, each side more or less sane than others. His sanity can be his truth or his lie.

At first glance, the Shakespearean plays Hamlet and Henry V are not similar. This is because they truly are not similar – not in genre, since Hamlet is a tragedy and Henry V is a historical play; not in plot, since the protagonist in Hamlet hides in the shadows of conflict while the protagonist of Henry V charges head-first into it; and certainly not in tone, where Hamlet is disastrous and Henry V is triumphant. It is these dissimilarities of context that make Henry and Hamlet’s similarities in identity all the more interesting. Both Shakespearean protagonists are faced with extreme circumstances, and in such extreme circumstances, they both resort to the same human response: they question. In both plays and both characters, Shakespeare seems to explore the depth of such questions as they pertain to human identity and as they pertain to each character’s sense of control, thus seeming to pose a question himself: what does it mean to control one’s identity?

Franco Zefferelli’s film, Hamlet, adapted from Shakespeare’s text, Mel Gibson’s Hamlet, struts and frets his life in Denmark, convincing almost everyone that he is “mad.” The film bases the question of whether or not Hamlet is actually insane almost solely on Gibson’s acting interpretations, but Zefferelli’s editing choices assist in making the point that Hamlet is not insane, but either in a fog of confusion and anger from his grief, or pretending to be mad to manipulate others.

In Hamlet, the title character Hamlet displays many different personas throughout the play. These personas are used to avoid confrontation or more often the opposite, but to avoid the consequences of saying the things he does. One of the most important and recognizable personas is Hamlet’s antic disposition or his fake insanity. Hamlet’s false insanity is used to throw off suspecting characters of his true intentions. Another persona that Hamlet portrays in the play is cruelty. Hamlet usually acts cruel toward Ophelia and Gertrude who in his opinion indirectly harm him. Then the final exterior that Hamlet represents is his true self. Hamlets’ reveal of his true feelings are especially important because they describe his true intentions for his false state of madness and his actual mental state of health. Hamlet portrays insanity, cruelty, and true self as his personas in Hamlet to persuade and further his intentions with unintended consequences in his quest to revenge his father’s murder.

Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full

Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as

Hamlet, a play by William Shakespeare, is as much a mystery as a tale about depression, madness and sanity. Shakespeare reveals how the scourge of corruption and decay rapidly spread; and the emotional consequences that follow. Insanity, madness and depression are as intolerable as corruption and deceit; and just as intertwined. The play makes one ponder if it is possible to be sane in an insane world full of treachery, revenge, incest, and moral corruption? By examining the themes of melancholy, madness and sanity in Hamlet, Shakespeare details his character’s descent from depression to madness. Additionally, Hamlet’s psychological state can be

“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.