A Concert At Libby Hall Of Utah

When the concert first began, the three instrumentalists walked with energy despite their age. The first song, “Sonata I in G-Major Op. 2, Nr. 1” by Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord

On Friday, February 12, 2016 at 7:00 p.m., the Division of Music at Bob Jones University presented the Symphonic Wind Band and performed five pieces. The performance in Stratton Hall at Bob Jones University was a highlight of the European Travelogue, directed by Dan Turner. The program included A Moorside Suite by Gustav Holst; Three Revolutionary Marches by Bedrich Smetana; Spring: Overture for Wind Orchestra by Johan de Meij; Galop, from Genevieve de Brabant by Jacques Offenbach; Ile-de-France from Suite Francaise by Darius Milhaud; and Danceries by Kenneth Hesketh. Each piece was concluded with eager applause and praise.

My favorite part of the concert was the second part. The group played a song called “Body and Soul.” The guitarist played slowly before the others joined. They created a relaxed atmosphere with an old-school effect. All the notes were legato except the melodies of the drum which was staccato. The combination added character to the piece and made it entertaining. At 19:00, the pianist played briskly but beautifully, then the guitarist did the same. The notes became high pitched and the tempo and dynamics increased. After the guitar stopped, everything went into decrescendo and the melodies from the bass and drums became choppy (staccato). Overall the piece surrounded the theme of dependence and how it affects one’s happiness or strength. The piano and the guitar brought the happy aspect to the piece and without it, everything weakened and became uncoordinated. Initially it celebrated peace,

On April 11th, 2017 in the Louis Armstrong Theatre, I attended the GVSU “University Band”. This up-beat ensemble lasted about 90 minutes; the talented students of GVSU’s university band joined together to perform multiple different songs ranging from a Waltz to a Dixieland Jamboree. All of the songs that the band played for the audience were all well-known, popular songs that they all enjoyed. Having the opportunity to attend this concert has opened new musical paths for myself and has allowed me to enjoy and kindly critique something that I perhaps would have never had the chance to otherwise.

The University of Redlands Wind Ensemble, directed by Eddie R. Smith, put on a show at the Memorial Chapel on Tuesday, November 16th. Walking into the monumental Chapel I was unsure of what to expect. As I walked in I saw the amazing artwork around, the high ceilings, and a wide variety of instruments scattered on different levels of the stage. On the first level there were many small hand held instruments such as flutes and clarinets, on the second there were a wide variety of brass instruments, and finally in the last row were the percussion instruments. Knowing that it was a wind ensemble and not a traditional orchestra like the ones we have been made familiar with during this course, I was unsure of what to expect. I thought that

For this assignment, I went to the Basically Beethoven Festival at the Dallas City Performance Hall. The recital was opened with a few pieces played by the rising stars Madera Wind Quintet. The main performance included Rachel McDonald on the viola, Joseph Kuipers on the cello, Grace Wollett on the violin, Scott Wollett on the oboe, and the great pianist Alex McDonald. They performed a compilation of famous composers’ masterpieces.

This week, on February 27, I visited the Latin Jazz Ensemble concert at Sacramento State University. It was my first time at a jazz concert in Sacramento. The jazz ensembles performed seven pieces during the concert with twelve different instruments. “Mama Cool Beans”, “Keeper for the Flame”, “Next Exit”, and “Plena Con Sabor” were four different and unique pieces which I liked and I think these compositions inspired the audience.

On Wednesday, February seventeenth, I had the pleasure of attending Noteworthy’s concert at the Meyer-Mclean Theater. Noteworthy is an a capella group from Brigham Young University, and is composed entirely of female students. Though only one of the girls is a music major, all share an incredible love of music, and it showed in their thoughtful, energetic performance.

On November 7, I attended the concert called “ArtPower! Presents: St. Lawrence String Quartet” at 8pm in CPMC, UCSD. Four artists performed it: Geoff Nuttall, Mark Fewer for violin, Lesley Robertson for viola, and Christopher Constanza for cello. They performed three String quartets, composed in different eras. The first one is “ String Quartet in C major, Op.76, No.3 ‘Emperor’,” composed by Franz Josef Haydn, 1732-1809. The second one is ”Five Pieces for Spring Quartet,” composed by Erwin Schulhoff, in 1923.The third one is “String Quartet in C-Major, Op.61,” composed by Antonin Dvorak, 1841-1904. This String Quartet with four musicians impressed me a lot, not only for the concert full of audiences, of whom half were on the lower floor

The piece was very upbeat and well fast pace. As for Criantemi was opposite of the other piece. The emotion can off as sad. The tempo was slow and through the piece each section with crescendo and decrescendo throughout the piece as well. Make the piece sadder but yet suspenseful. It was differently song compared to the other ones on the program. This one really stuck out. The other piece they had play was “Capriol Suite composed by Peter Warlock” this one I think the as a whole band there time was very good in this piece. For the orchestra I think was the one piece where I could hear the each section of the orchestra. I was a piece that complimented each and every player in that recital that day. This piece was always a very calm piece, a lot more piano than forte. When they did forte in the piece the transition was

The cellos sounded perfect throughout the whole performance. I am not sure the music would sound as good as it did without them. The way they played so smooth, going along with the dancers was very calming, yet suspenseful. Without the cellos, I do not believe the musicians would be able to produce such a heart throbbing sound.

When the concert begins, it opens with the ensemble starting off with the performance “Nine Perfections” played by a big group with no solo acts. The music started as homophonic and then switched to having two melodies equally layered onto each other. The performance was highly arranged with slim to none improvisation and really focused on the timbre of the music with lingering notes and repeated melodies and staggering beats on the xylophones.

With the cellos in the background, the violins were the forefront of the piece. They created a sound similar to festival music. Then, the cellos and the violins alternated playing in a sort of call-and-response. The cellos began to play, then the violas, and finally the violins. The movement ended with all the musicians plucking the strings of their instruments.

I went to a chamber music concert called Attravereso il Mare, on October 17 at 8 pm at Boston Court located in Pasadena. This project performs Italian-American songs which represent the Italian-American culture. My friend and I arrived 1 hour early, and people kept coming. Most of them are family and friends, and only few of them were coming alone, but they all had more concert experience than me because this was my first time attending any kind of concert. This concert was in a very small room with only 100 seats, but all seats were fulfilled. This concert experience impressed me a lot and changed my feeling about concert.

Their experience and extraordinary sense of unity could be appreciated throughout the breathtaking concert, which relied on wild improvisational creativity, incendiary dynamics and languages, and super articulated, if sometimes completely refracted, rhythms. You can think of an intoxicating odyssey whose noisy prayers and agitated passages are gradually transformed into calm and breathable atmospheres, essential to regroup forces and continue exulting inspiration.