A Contemporary Of Eliot 's ' Brideshead Revisited And Among Other Works, Such As Vile Bodies

Another famous and influential work from T.S. Eliot is The Hollow Men. Likely influenced by World War I, T. S. Eliot portrays a disconnect from humanity and a disillusionment with typical beliefs as a source of human despair in The Hollow Men. The “hollow men” that the work is centered around are depicted devoid of any human qualities that might provide them a relief from despair, such as hope or faith. As is written in “T. S. Eliot's Indigenous Critical Concepts and 'The Hollow Men'” by Muhammad Khan Sangi and others, “In this poem the human beings have been shown devoid of the qualities of faith, moral strength, of personality, determination and that of humanity; they are like empty bodies, lacking all human virtues” (Sangi et al para 4). No matter how these qualities were lost to the individuals, the result is constant and predictable: the individuals feel an inescapable despair. When one has nothing to anticipate in life, no expectations or hopes, then life loses its meaning. This is the world that the hollow men live in perpetually. The entire work, as Sangi describes, “is a cry of despair unrelieved by hope. The peculiarity of the poem is that it is an inner drama with the utmost economy of words. The images echo the deadness of sensibility and the emptiness of hollow men who, like the effigies, are fit only for burning” (Sangi et al para 5). Again, the hollow men are depicted as worthless, insofar as they are compared to effigies, the only purpose of which is to be

Examine Eliot’s treatment of women in Prufrock, Preludes, Portrait of a Lady and Rhapsody on a Windy Night In all four of the poems; ‘Prufrock’, ‘Preludes’, ‘Portrait of a Lady’ and ‘Rhapsody on a Windy Night’, Eliot makes references to women. Eliot seems to treat women almost as objects to either be looked at with wonder and, at times, fascination or as objects to be scorned upon. In all of the poems Eliot makes the voice of the poem slightly distanced from the women and this, to me, makes the women seem almost untouchable.

By looking through a critical lens at T Stearns Eliot’s poetry in light of his 20th century, modernist context, much is revealed about his personal and the rapidly evolving societal beliefs of that era. Through his repeating motif of time and fragmentation throughout his poems, Eliot reveals the prevalent feelings of isolation while in society along with the need to hide one’s feelings and emotions in this degrading society. His exploration of the use of ambiguity and stream of consciousness by Eliot, which is a characteristic of modernist artists, allows his work to resound over decades while being interpreted and differently understood by every audience that encounters them.

American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

“Faith is what someone knows to be true, whether they believe it or not.” Whether provoked by doctor’s grim diagnosis or inspired by something else, these words of Flannery O’Connor are a good example of how one should always follow this rule in order to meet their expectations of life. However, it is in our human nature to think, dream, and imagine things that are far from our knowledge. O’Connor’s “Good Country People” tells the story of Hulga, a girl with an artificial leg who loses it after blindly believing the lies of astute Manley Pointer, a Bible salesman. Using the example of Hulga, “Good Country People” proves how unrealistic expectations can lead to unhappiness and dissatisfaction. This happens because faith does not play a role

Religion and faith play numerous roles in people’s lives. From being a unifying factor to alienating people, and from comforting people to terrifying others, the roles of religion is vast and boundless. In The Crucible and “Upon the Burning of Our House”, it is evident that religion and faith play a subconscious role in the lives of people by acting as an inner conscience and by giving people a spiritual peace of mind.

Without faith, life can feel like an endless, and pointless maze with no escape. Faith is what brings human beings to feel complete in this world full of questions and factual sciences. Bradbury’s short story, “The Man” shows readers how faith plays such a significant role in our lives. In “The Man,” astronauts Captain Hart and Lieutenant Martin came across a complex choice of faith when their rocket ship lands on a planet who had just witnessed Jesus’ second coming. Both characters respond to Jesus, or The Man quite differently. Martin went under the influence of the newly faithful citizens of the planet. He believed and followed their faith, finding a new, refreshing meaning in life, while Hart set out on an impossible mission to see if The Man was truly God. “The Man” tells readers that faith, no matter what kind, is what completes our lives as humans. Science creates a void in life which can only be filled through faith. Faith brings peace and ensures security in our lives by giving us a feeling of courage and a reason to live.

Evelyn Waugh lived in the time of the World Wars, which greatly influenced his writing and the actions of his characters. People were affected by WWI in multiple ways. They often suffered a lack of confidence in themselves and in the state of the world. In Vile Bodies, Evelyn Waugh’s characters often misuse and take advantage of technology, which helps to depict the loss of identity and emotional connection in the wake of World War I.

He is tempted by evil portrayed in Anthony Blanche, who is charming and likable, but also perverted and deceptive. In the book’s prologue, Charles is an officer in the British army in World War II. Likewise, in the story of his life, he is a “soldier”, fighting his way through temptation on the search for truth and love. As a young man, he is indifferent to the Catholic Church. However, as he ages, he realizes that drinks, friends, parties, and even love cannot bring him true and lasting peace.

Both readings of Alister E McGrath talk about faith. One focuses on how faith has change over the years and the other reading focuses on the challenges of faith.

Eliot is not solely criticising modern life in the poem, it also serves as a reflection of Eliot’s social context and his own life, a product of its time.

What is faith? Faith is something different to everyone. If you asked a hundred different people, it is possible that you would get many diverse answers. Religious faith and non-religious faith are two very distinct terms. Faith holds an extremely complex meaning when discussing it in the context of religion. Faith is a belief. That holds true to every religious and non-religious person. Every faith involves a decision. It is not about what we claim to believe, but what we actually do believe, that is true faith. Throughout this paper, I am going to discuss Christian faith, how it pertains to daily life and Christianity as a whole. I also intend to delve into George W. Forell's discussion of Christian faith and analyze and

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

T. S. Eliot’s “The Wasteland” depicts a definitive landscape of desolation, reflecting the damaged psyche of humanity after World War I. Relationships between men and women have been reduced to meaningless social rituals, in which sex has replaced love and physical interaction has replaced genuine emotional connection. Eliot’s “The Love Song of J. Alfred Prufrock” goes a step further in depicting these relationships: the speaker reveals a deep sexual frustration along with an awareness of morality, in which he is conscious of his inability to develop a connection with women yet cannot break free from his silence to ask “an overwhelming question” (line 10). “The Wasteland” and “The Love Song of J. Alfred Prufrock” together illustrate that