A Contrast and Comparison of I’m Going! a Comedy in One Act vs. the Proposal

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

Many films or dramas about love always make me impressed by the power of love. Love can evokes people’s various emotions such as happiness, sadness and anger. Love encourages people to accomplish what they think is impossible or impracticable. In addition, love is an intense and direct feeling that I experiences the most in my life. It is Antigone and Death of a salesman that are the two plays which impress me with the expression of strong love among the roles. The play, Antigone, ends up with tragedy and creates two tragic heroes—Antigone and Creon. Arthur Miller takes advantage of memories, dreams, arguments and conflicts to make up the last day of Willy Loman’s life (Lifcharts.com). Love reflected in the two plays is various, complex and full of tragic feature. Haemon shows his love to Antigone by revolting against his father 's authority and committing suicide; Linda shows her love to Willy by defending him and protecting his American dream, and my friend shows love to his parents by quitting school to support his parents ' company.

The Russian attitude toward love during Chekhov’s time is very patriarchal and is considered normal to marry for practical reasons, parental pressures or other considerations rather than for love. The feelings that accompany love, such as passion and spirituality, are not a societal consideration and this institutional attitude toward human emotion is the catalyst for Chekhov’s story. When a person is deprived of love, he or she builds up a futility of life which consumes the human soul. In Anton Chekhov’s “The Lady with the Dog”, the readers are placed in a setting where the main character Gurov, and his love interest Anna, are given the emotional freedom to feel love toward one another. This freedom is the driving force in the story

The second use of irony is the fact that the necklace turns out to be a fake, and they have to replace it with a real diamond necklace worth thirty-six thousand French francs. Madame Forestier tells Madame Loisel that she lent her a fake necklace, meaning that all ten of the years she has worked to repay it are worthless (10). Madame Loisel and her husband work ten long and hard years to pay off their necklace because of her pride and inability to tell Madame Forestier what truly happened to the necklace.The third example is Madame Loisel borrowing the necklace to appear richer when it reality it’s a fake intended to make Madame Forestier look richer. Maupassant demonstrates Madame Loisel’s middle-class station by writing, “He

We live in a society that has increasingly stomped on love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they really are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties. This is the main theme present in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in “The Fireman’s Wife,” written by Richard Bausch. These narratives, although similar in some aspects, are completely different types of love stories.

William Shakespeare’s play Much Ado about Nothing traverses the complex social, and emotional trials and triumphs of romantic relationships; Shakespeare’s perspective on the subject is both very similar to ours today, and different. Although filled with sexual innuendos, and humorous trickery and shenanigans, Much Ado about Nothing also dives into the complexities of social anxieties, defense mechanisms to cope with the social pressures, and the emotions involved.

“A Modest Proposal” was written by Dr. Jonathan Swift. In this essay, Swift suggest that the poor people of Ireland should sell their children as food to the the rich men and women to help ease their economic troubles. This is not the right thing to do. To sell your own children as

There is plenty of irony in “The Necklace”. The situational irony in this story happens at the end of the story when Mathilde, who really does not like hard labor or anything lower class finds out that she has had to give up the greatest years of her life to save up and replace a necklace that she discovers is a fake.  For a person who prided herself in that kind of taste and appearance on the upper class could not even tell the difference between the fake and valuable. The dramatic

Verbal irony is found within this story, especially with Bobinot and Calixta. In the beginning, we find out that Bobinot, the husband, and Bibi, the son, are stuck in a storm, away from Calixta, the wife. While away, Bobinot assures Bibi that "She'll shut the house. Maybe Sylvie is helping her this evening." Unfortunately, Calixta has no intention of shutting the house, if anything, she opens it. The whole time this is going on, Bibi is thinking and

Situational Irony is shown towards the ending when Mathilde borrows her friends necklace. She ends up losing her friends necklace at the party and tries to replace it. “Oh, my poor Mathilde! But mine was an imitation. It was worth at the very most five hundreds francs!.”

“The story of an hour” by Kate Chopin is described as a story of great irony having many unexpected twists and turns. Situational and dramatic irony is used throughout the story. This is a story of a woman who finds out her husband’s death in a train accident and reacts with sadness in the beginning, but then realizes a freedom and relief from her repressive life. She experiences a complete joy over the death of her husband and dies from the shock of discovering that he is still alive. The first type of irony encountered is a situational irony, where there is a contrast between what is expected to happen and what actually happens. Mrs. Mallard’s discovery of her lost freedom and regaining her

“My bounty is as boundless as the sea, my love as deep; the more I give to thee, the more I have for both are infinite.” (Act 2, scene 2, 146) Love is a concept that has been around from the beginning of time and will most likely carry on until the end. Everyone has their own love, and their of definition of what love actually means. Probably the most well known love stories of all time in the play from the 15th century, Romeo and Juliet by William Shakespeare tells the tale of young love and fatal misfortune. With the same message the musical from the 50’s, West Side Story directed by Jerome Robbins and Robert Wise carries out a similar story of young love and tragedy. Although some are touched by these love stories, others believe it

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.

For this research paper, I reviewed two mainstream romantic comedies. The first was Something’s Gotta Give (2003) and the second was Playing For Keeps (2012). In each of these movies, the main male and female characters strived throughout the movie to find their one and only true love. Overall, the former is a much better movie than the latter.

In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies