A Critical Analysis Of Mending Wall By Robert Frost

In life, many people have parts that they let people see of them, and other parts that they keep hidden. Many times, we build these walls to shut people out so people can never really see what is going on inside. These “walls” keep many of one’s deepest secrets hidden. In the poem, The Mending Wall, by Robert Frost, shows a mindset of two neighbors who continue to adjust and mend their wall between each other. This idea of confinement is seen throughout the poem to show that the neighbor is trying to protect themselves. This creates speculation upon the speaker of what exactly are they trying to hide. One might see this poem as meaning a physical barrier, but this is more of an emotional “wall” or barrier that this poem creates. In the poem,

Frost’s various speaking tones can be shown in his well-known poem “Mending Wall.” Throughout the poem the speaker’s voice is open and relaxed, yet, inward and musing. It helps welcome the reader and at the time entices the reader into a riddle which becomes essential to the poem’s meaning. The speaker’s eventual speculation about what might not “love a wall” becomes a description of the struggle of wall-mending and begins to wonder why he and his neighbor have met to carry out the task in the first place. The speaker’s range of tone throughout the poem varies from seriousness to fantasy to glee.

In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.

“Mending Wall” by Robert Frost, the fifty-six line lyric poem gives off a sarcastic tone that expresses impatience with his neighbor and the “wall.” The poem focuses on a theme of separation, the necessity of boundaries and the illusory arguments used to annihilate them.

In “Mending Wall”, two neighbors are ironically united by the traditional rebuilding of the wall between them. A wall symbolizes boundaries, orders, and separation. Or does it? One of the two neighbors doesn’t seem to think so. “Good fences make good neighbors” is his motto. (Line 26) The neighbor doesn’t see how ironic it is that the wall is a meeting spot. He uses the wall as an excuse to talk with his neighbor, because he is not very open or conversational. The situational irony ostended by Robert Frost is that the wall between the two clashing neighbors is supposed to separate them. However, each year, when they meet to “walk the line”, the wall serves as a meeting spot for the two to catch up. (Line 12) Dividing, but unifying, Frost uses the wall to symbolize unity amongst clashing people. Without the situational irony of repairing the wall, the two incompatible neighbors would unlikely be able to unite.

He also uses other devices such as a pun, applied in the line, "And to whom I was like to give offence." The last word of the line simply emphasizes the importance of the subject, the fence. The most prominent figure of speech, however, is the ironic, "Good fences make good neighbors." This is completely opposite of the connotation of the poem. Fences do not make neighbors, but strangers that are apathetic towards each other. The neighbor seems to prefer this approach, to eliminate any risks of trespassing or offenses. Yet what the fence really does is hinder the development of friendship. This is comparable to the barriers of bitterness, anger, hate, and fear men put between one another that obstruct love and friendship.

Building physical and emotional walls has a negative impact on the people, countries, and civilizations they divide. In the case of Frost's poem, the wall took away the narrator's voice. The narrator disliked the wall, but was too timid to speak up for what he believes in. His neighbor says "good walls make good neighbors," but the narrator felt as if the wall should be torn down, and they should unite

The third stanza of the poem creates a feeling of separation because of the person being on one side of the wall, unable to look at the other side of the wall. Although, the person is able to hear everything that is happening. This gives the reader the feeling that something is happening on the other side of the wall, but it can only be heard, not seen and gives a sense of powerlessness and incapability to do anything.

Discoveries can be confronting and provocative as they can lead to new values and perspectives and change the way we think. The poems “Home burial” and “Mending wall” by Robert Frost and the novel “Will Grayson, Will Grayson” by John Green and David Levithan, relates to discovery by showing the character’s perspectives differently with language forms, such as first and third person, and techniques, such as simile and metaphors.

While the narrator seems more willing to reach out to his neighbor, in the end, he does not. He does wonder why fences supposedly make good neighbors. For him, the question is what is he "walling in or walling out"? He seems to realize that he is "walling out" other people. As long as the symbolic wall stands between the neighbors, they will always be separated. Earlier in the poem, Frost uses the symbolism of a rabbit to seemingly reinforce this point. The hunters must destroy the wall in order to "have the rabbit out of hiding". The men, in turn must break down the walls between them if they are to come out of "hiding". The narrator seems to have a desire to point this out to his neighbor. However, he does not, simply dismissing his idea as "the mischief" that spring has instilled in him. He realizes that he is unable to communicate with his neighbor in any meaningful fashion and, thus, remains in isolation from him.

and how he feels about the people on the land. “This the man does not know for

To start off, Robert Frost, uses the word “something” to symbolize nature. So then that line, “Something there is that doesn’t love a wall” (Frost, 1), is basically saying nature doesn’t love a wall. Throughout the poem there is an intense contrast between the speaker and the neighbor. The neighbor is laconic and traditional, while the speaker is much more distinctive with his words and feelings about “society”. The crucial lines in “Mending Wall” iis when Frost writes this, “Before I built a wall I’d ask to know What I was walling in or walling out, And whom I was like to give offense”, (Frost, 32-34) this is explaining how for the action of “building a wall” would needed to be questioned, rather than followed without a doubt by a large quantity of society. Which is parallel to the act of nonconformity. The speaker is trying to get the neighbor to question, why? The speaker mentions that the neighbor only says “Good fences make good neighbors” (Frost, 27), but the speaker italicized “Why” in line 30. Which shows it is very important to him to question and to wonder, because it provides more

However, when the responders’ delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours’ friendship. The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that “something” exists that “doesn’t love a wall”. This personification makes the “something” seem human-like. The use of words such as “spills” and “makes gaps” convey an image of animate actions and create a vivid impression of the degradation of the wall. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall. The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase “makes gaps even two can pass abreast”, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as “To each the boulders have fallen to each” which shows that faults in their relationship lie on behalf of them both. While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor “spring is mischief in me” which shows the neighbours having fun together in repairing the wall,

More times than none, authors write concealed meanings that they want the reader to discover. Like Norman N. Holland describes “literary criticism is about books and psychoanalysis is about minds” (Holland), psychoanalytical criticism focuses more on the mind of the reader and author, rather than the word for word meaning of the sentences. With Mending Walls, Robert Frost wrote it in an open style of poetry; not focusing on rhymes, but constructing each sentence with ten syllables. Nevertheless, Frost intents to catch the attention of the reader by intentionally making ten sentences throughout the poem into eleven syllables. This essay will intend to discover the hidden meaning that Robert Frost