A Critique of Tess Onwueme's Tell It to Women

In the novel, “Things Fall Apart” by Chinua Achebe the Igbo tradition revolves around structured gender role. Everything essential of Igbo life is based on their gender, which throughout the novel it shows the role of women and the position they hold, from their role in the family household, also planting women crops, to bearing children. Although the women were claimed to be weaker and seemed to be treated as objects, in the Igbo culture the women still provided qualities that make them worthy.

The Thing Around Your Neck by Chimamanda Ngozi Adichie highlights the often challenging lives of Nigerian women living in Africa, but also abroad in the United States. It is however, not the difficulties which Adichie is ultimately focusing on, but the courage and intelligence of women who are able to make ‘small victories’, overcoming various attempts of cultural oppression.

The author shows a great example of the power these men had against these women in the village. In the time period this story took place, it was amazing to the author to witness that gender inequality was still a very big issue in some places. The author described how shocked she was when she found out that these women were not allowed to

Preconceived ideas about one’s culture often arises from stereotypes passed down from generation to generation. It is those stereotypes which shape one’s way of thinking, without being educated properly. In the novel Things Fall Apart, by Chinua Achebe, misunderstood culture is what drives the story of a small African clan called the Umuofia and the life story of Okonkwo, a fearless warrior and farmer. An in-depth look into pre-colonial African culture helps the reader discover and understand an unbiased point of view of a world one may not understand. In doing so, Achebe uses imagery as well as strong narration to describe the cultural norms and activities that the Nigerian tribe undergoes in everyday life. Through this he offers a nonbiased point of view, and communicates and accurate picture of pre-colonial African culture to a western reader.

Women are often thought of as the weaker, more vulnerable of the two sexes. Thus, women’s roles in literature are often subdued and subordinate. In Chinua Achebe’s Things Fall Apart, women are repressed by an entrenched structure of the social repression. Women suffer great losses in this novel but, also in certain circumstances, hold tremendous power. Achebe provides progressively changing attitudes towards women’s role. At first glance, the women in Things Fall Apart may seem to be an oppressed group with little power and this characterization is true to some extent. However, this characterization of Igbo women reveals itself to be prematurely simplistic as well as limiting, once

Women in the book are silent observers, made to feel powerless. The book begins with families during the dust bowl and how “the women and children knew deep in themselves that no misfortune was too great to bear if their men were whole” (Steinbeck 7). Being “whole” meant that the men felt safe and were at peace. This quote means that if the women saw that their husbands were peaceful and pleased then everything was going to be fine. Gender is used here by the women not knowing what to feel until they see how the men feel. This theme continues with the Joad family throughout the book.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

In the late nineteenth century, when the book takes place, women were defined by society as completely subordinate to men. The sole purpose of women was to tend to the whims of their husbands and children (of which they were expected to birth many). This role is characterized by the

How women are presented in “Of Mice and Men”, “The Farmer Bride” and, “Coy mistress”.

First she tells the story of a Nigerian woman who is completely misunderstood in America. Her college roommate knew nothing of what life in Nigeria was actually like. Adichie uses this story to show not only the naivety of her roommate, but also her roommate’s difficulty fathoming that Adichie was not so different from herself. Her roommate was shocked with the reality of Nigerian culture. This story is also a fundamental part of where Adichie establishes her credibility with her situated ethos.

When the villagers are gathered for Sabbath, young Lena sees a plane fly overhead, followed by an explosion. The villagers’ fears that war was on the horizon have come true, and they become panicked by the thought of death. A stranger washes up on the shore of the river, and she suggests that they begin their world

This week’s reading focus on changing gender roles in the 1950’s through culture, and political upheaval. In the African Girl from Paris, gender, and the role of women shows a view of women to be subservient her husband and follow what he says. However, that did not really happen in the play. Rather the play shows there was a change in the view of gender shown through Cecilia who does what she wants and does not listen to her husband. Ultimately, John expects her to follow his every command, and Cecilia does not want to live like that, given following Johns command ended in the death of Monique. While the play shows gender through defended roles, fashion allows for another two stories about gender to develop. Fashion tells two stories of national

The author’s effort to display oral literature, including expressing Ghanaian English speaking and non-English speaking society, in her work reflects her own persona as a contemporary writer resembling the African oral traditions and art work. “Shall I go to Cape Coast, or to Elmina I don’t know, I can’t tell. I don’t know, I can’t tell,” (Aidoo) Language, mainly English, is promoted to throughly capture various backgrounds and events of the play. Aidoo tries to distinguish Eulalie’s American-English speech that instantly alienates her from the rest of the characters. The author also quite succeeds in reflecting Ato’s educated language with a hint of lecturing that proves he has been indeed abroad, as oppose to his Ghanaian family. It crucially exposes the impact of colonialism on communication between Africans with distinctive educational and social situations, as for instance, the married couple’s complexed struggle to not only fully accept their cultural differences but also keep and hold onto their own identities. Aidoo also catches the inflections and outcomes of oral literature by using simple songs, traditional proverbs and imagery, such as the interesting ones in the dialogue between the two old Ghanaian women. “1st W.:But you know, my sister, That my name is Lonesome. I

This paper reflects the novel “Things Fall Apart” written by Chinua Achebe in 1958. Achebe gives an overview of pre-colonialism and post-colonialism on Igbo, detailing how local traditions and cultural practices can “fall apart” in some scenarios through some introduced, externally created hassles elevated because of colonization. The protagonist named Okonkwo mentioned in the story is a proof showing the lifestyle of the tribe. My main objective and focus is to lay emphasis on Africa specifically the Igbo society, before and after the arrival of the Europeans in Umuofia community; the results of their arrival concerning Igbo culture, thus leading to the clash of cultures between the two categories. I will also draw on post-colonialism with respect to globalization.

More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart.  The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will