A Dance of the Forest

“The dances, carving the totem, carrying the ancestor rock, touching the Spirit Bear, it was all the same thing, it was finding out who I really was.” - Cole(page 283) Throughout the book we see Cole go through a huge change.

However, further connection in context and content can be developed when analyzing the connection of the works roots and art in history. Exodus exhibits the reality of human suffering as a result of war and oppression during the Hungarian Revolution. The historical relevance of this work dives into a deeper significance than its basic face value. The oppression and struggle for power signified in Exodus also translates into Figure 2. Both cultures, in their own time have faced their traditions and way of life being threatened. As Hungarian citizens are forced to leave their country, Ojibwa members were constantly threatened by European immigrants. The human experience is key in understanding and studying art. Besides the main styles and usage in appearance, the connection to a point in time and the influence of that time allows the audience to connect with the artist and the characteristics of the artwork. Audiences are able to connect past themes to present day issues, such as the difficulties facing many Syrian refugees and the numerous Native American women who have gone missing. The importance of home and culture is evident in both works despite their different purposes and artistic modes. Limits are explored and barriers of past, present are future are removed when audiences are able to interpret the work from any point in time and understand the significance of its visual and non-visual means.

The choreographic intention of “Emergence” was the exploration of merging diverse elements together to see what comes from it, like the emergence in relation to arrangements and structures made in nature. The choreographic intention expanded from the idea of concealment. This was clearly identified in the beginning trio where the female dancer is shown trying to escape from her hiding place. In appraisal, the choreographic intention of “Image” was a more simplistic interpretation, one that explored identity and how it is made up of personal experiences we endure and that along the way we are influenced and sometimes inveigled, which can make revealing who we really are at the core oppressive. In comparison to “Emergence”, the movement in “Image” was more vague and indefinite in relation to linking movement to the choreographic intention. Through manipulation of structural devices such as groupings, stillness, tempo and dynamics, the

of literary and poetic devices, and combined with the social context, form the changed voice of the

Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that

This paper will analyze Improvisation In a Persian Garden (Mary Catherine Bateson), Seeing (Annie Dillard), and Landscape, History, and the Pueblo Imagination (Leslie Marmon Silko). Going through the Purpose, audience, context, ethics, and stance of each author’s piece.

The Light In The Forest, a novel by Conrad Richter, depicts the struggles of a young boy named True Son, or John Cameron Butler, who has been raised by Indians but must go back to his home with the “whites.” The story takes place in Western Ohio and Pennsylvania in the year of 1764 where the relationship between the Pennsylvanians and Indians is not great. Throughout the story, True Son learns the differences between the Indians and Whites, and how each group views the other. Knowing the views between the two groups, True Son things about trying to figure out which group he really identifies as and belongs to, which is one of the conflicts in the story. Through all the troubles that True Son encounter, the theme of the story is the true identity

"A Philosophy of Theater « " East of Mina. N.p., n.d. Web. 19 Jan. 2011.

What about literature entices individuals to read, and to pursue a further understanding of the writing material? Surprisingly, it lies in the fact that literature creates a solid connection between readers and relatable personal experiences. With literature, readers transcend their own physical lives, and for the duration of the story, experience someone else’s emotions, and realities, as if it were their own. One person known for discussing the importance of “human connection” (Llosa, 2001), is Mario Vargas Llosa, a famous Peruvian writer. He deems that in order for literature to gain substantiality and longevity, it must first create strong connections with its readers. In the three works Until Gwen, A&P, and Winter’s Bone, the primary goal of human connection as emphasized by Llosa is largely attained through experience.

La Danza del Venado, known as the Deer Dance, is a ritualistic dance performed primarily in the Yaqui region of Mexico, by the people of the same name as the region. The dance illustrates a deer hunt, with dancers playing the roles of the hunters and the dying deer itself. The performers, otherwise known as pascolas, often wear wooden masks and bells. The performer playing the deer wears minimal costuming except for a headdress, usually of a deer, that can be quite elaborately decorated with many colorful accents. Various instruments are used to accompany La Danza del Venado, including a flute, drum, and rattle. The Yaqui Indians still perform it almost identically to the way it was originally choreographed. While the Mexican Hat Dance has

Dance of the Tiger is a “paleo fictional” novel written by Björn Kurtén in 1955. Dance of the Tiger is set in Scandinavia approximately thirty-five hundred years ago during a thaw Ice Age. The story follows the lives of Neanderthals and Cro-Magnons referred to as whites and blacks. The Cro-Magnons and Neanderthals lived around the same time but yet we share more DNA with Cro-Magnons. The primary objective of the story is to determine what happened to the Neanderthals which Kurten does explain using the story of Tiger, a Cro-Magnon. The story splits into three parts: Veyde, Shelk, and Tiger.

Dance has been a natural movement form since the beginning of time. The origin of dance is unknown, just as the knowledge of the benefits of dance are unknown to many in our society. Many people do not enjoy dancing and also do not fully understand the positive benefits that come from dancing. Researchers such as Edwards, Duberg, and many more have found countless mental and emotional benefits of dance that originate from movement patterns, brain connections, and even expressions of emotion. Many are aware of the physical benefits of dance, but beyond the physical benefits of dance, there are also emotional and mental benefits that come from dance as well.

It is interesting to read two pieces of literature on the same topic, but written in different manners to get a new perspective. For example, Clark’s focuses on the circular manner of the reincarnation, while Soyinka’s stanzas demonstrated the many lives of the child. While there are

In Kabuki theatre, everything that is seen on the stage is the result of a meaningful inner dynamic which completes the performance by the coordination of the actors with all the various components of the mise-en-scène and then by the traditions of all the various elements being assembled into an organic whole (Kawatake 1990, 247).

In Kafka’s The Trial, which he wrote after being introduced to theater, some of the humor was very subtle, dark, and often ironic. In terms of usage, Kafka usually applied this strange type of humor to his protagonists: “Something of this humor survives in the work of Kafka, whose attitude toward the tragedy of his heroes’ situation is heavily ironic” (28). In addition to being comical, Kafka was very well known for his dramatacism. Much of this can be attributed to Yiddish Theater: “In this story, the solitary narrator encounters ‘the small ghost of a child,’ who familiar in these stories, which echo the striking dramatic effects used in the Yiddish theatre or more widely in expressionist literature.” In Kafka’s individual writing, he started to mirror some of the same plot lines as in the Yiddish Theater (Murray 150). With religion first bringing him to the Yiddish Theater and the theater itself yielding certain usable aspects of writing, his culture and religion were a vital part of the style that made Kafka so well known.