A Defense Of Abortion By Judith Jarvis Thomson

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.

Second, the author uses her “expanding child” example. “Trapped in a tiny house with a growing child and you are up against a wall, and in a few minutes, you will be crushed, on the other hand the child won’t be crushed. The only thing that will save her life is to kill the child. Is abortion permissible to save the pregnant woman’s life? Because the mother being compared to that of the house, this brings up the idea that the mother should be able to do as she pleases with her body, and that her body carries more significance than the fetus’ right to life. This brings in the argument of a third-party intervention, such as a doctor. If a doctor did not agree to perform an abortion, to save this mother, then the mother would be denied her rights, and the right to decide what is done with her body. If a woman doesn’t have a right to their body, then you should not be unplugged, thus, save the violinists life. This reasoning is concluded with two smart statements, “It seems to me that to treat the matter in this very way (refuse abortion for the mother’s health) is to refuse to grant the very status of person which is so firmly insisted on for the fetus by anti-abortion advocates. (243) and “a fetus who existence is due to rape” has no right to use their mother’s bodies, and aborting them is not depriving them of anything they had a

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.

In “A Defense of Abortion” by Judith Jarvis Thompson, Thompson works to argue that even if a human fetus is considered a person, abortion is still often morally permissible. This paper will work to explain Thompson’s positions on the different accounts of the right to life, and to provide an evaluation of them and explain why they are not plausible, specifically regarding three of the analogies on-which she based her entire argument: the violinist, the coat, and the case of Kitty Genovese, as well as to explore a logical counterargument and explain why it’s stance is impermissible.

In Mary Anne Warren’s “The Abortion Issue,” children are not persons in the empirical sense. Warren believes that prior to a certain point in a pregnancy, the child does not have “the capacity to understand” the ramifications of what an abortion would be, therefore the abortion does not infringe upon the rights of the unborn fetus. She states that: “…in the ways that matter from a moral point of view, human fetuses are very unlike human persons, particularly in their early months of development”(152). In essence, personhood as defined by Warren can only come after the first trimester. Before that time, the fetus does not have the sentience that would make it a person. Warren’s main criteria for

To support her argument, Thomson uses the example of a violinist where an unconscious violinist would only stay alive if you were constantly

In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life

In Thomson’s “A Defense of Abortion,” she uses several analogies to demonstrate that abortion, regardless of the circumstances surrounding the conception, is universally morally permissible. At the beginning of the essay, Thomson states clearly that she is arguing under the assumption that the fetus is considered a person. The first analogy that Thomson employs is the violinist. The basis of the thought experiment is that the Society of Music Lovers kidnaps you and hooks you up to a famous and deeply talented violinist who needs to use your kidneys for the next 9 months in order to live. She revisits this analogy several times throughout the essay to demonstrate various scenarios in which one can see the comparability to abortion clearly. In the first instance, she is arguing that a person’s right to life does not justify deciding what happens to your body without your consent. Later on, she reuses the thought experiment with a slight change in that if you continue to let the violinist use your kidneys, you will die within a month; however they cannot release you as it would definitely kill the violinist and that would be considered murder. With this change, Thomson is showing the

The woman was bound, gagged, and raped. It was more than likely a tragic even that scarred her for life. Rather than helping her heal, hospitals refused to abort the fetus resulting from the rape. The child would have to be in her stomach for nine months, altering the woman’s body and lifestyle for a child that she did not even want. She would be out of work to give birth and recover, which would affect her income. Having a child she hated was unfair because it would always be a reminder of what happened. Just knowing that she had a child in the world that she gave birth to and did not want would be detrimental. In the case of the violinist, it is not her moral obligation to stay connected to the violinist to keep him alive and alter her life as it is not her moral obligation to carry the child to term and give birth to a child she did not assume responsibility for.

Thomson uses a lot of different thought experiments and analogical arguments to present her argument. Her first dilemma pertains to the violinist experiment:

In class, we discussed arguments that we're made by ethicist about abortion. Out of the two, Thompson has the weakest argument. For an argument to be weak, the argument can be challenged by a counter argument. In A Defense of Abortion, Thompson uses an analogy about the violinist to get the reader to reframe their opinion on the subject on whether abortion is morally right or morally wrong solely based on rights. The story involves placing the reader as the protagonist of the story and the doctors and fans of a violinist are the antagonist. “You wake up in the morning and find yourself back to back in bed with an unconscious violinist, a famous unconscious violinist. He has been found to have a fatal kidney ailment, and the Society of Music Lovers has canvassed all the available medical records and found that you alone have the right blood type to help. They have therefore kidnapped you, and last night the violinist circulatory system was plugged into yours, so that your kidneys can be used to extract poison from his blood as well as your own. The director of the hospital now tells you, “Look, we’re sorry the Society of Music Lovers did this to you-we would never have permitted it if we had known. But still, they did it, and the violinist now is plugged into you. To unplug you would be to kill him. But never mind, it’s only for nine months. By then he will have recovered from his ailment, and can safely be unplugged from you.” (Thompson 117). What Thompson is doing is

“Trapped in a tiny house with a growing child and you are up against a wall, and in a few minutes, you will be crushed, on the other hand the child won’t be crushed. The only thing that will save her life is to kill the child. . Is abortion permissible to save the pregnant woman’s life? Because the mother being compared to that of the house, this brings up the idea that the mother should be able to do as she pleases with her body, and that her body carries more significance than the fetus’ right to life. This brings in the argument of a third party intervention, such as a doctor. If a doctor did not agree to perform an abortion, to save this mother, than the mother would be denied her rights, and the right to decide what is done with her body. If a woman doesn’t have a right to their body, then you should not be unplugged, thus, save the violinists life. This reasoning is concluded with two smart statements, “It seems to me that to treat the matter in this very way (refuse abortion for the mother’s health) is to refuse to grant the very status of person which is so firmly insisted on for the fetus by anti-abortion advocates. (243) and “a fetus who existence is due to rape” has no right to use their mother’s bodies, and aborting them is not depriving them of anything they had a right to, hence it is not unjust killing” (246)