A Detailed Analysis of Death of a Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

Arthur Miller was born Arthur Asher Miller on October 17, 1915 in Manhattan to parents Isidore and Augusta Miller. He was the second son of the Jewish immigrants who owned a clothing company called S. Miller & Sons. The clothing company was such a hit, they could afford an apartment overlooking central park and a chauffeur to drive them around. However, just before Miller’s 14th birthday in October 1929, the stock market, which the Miller family was highly invested in, crashed. They lost everything and ended up moving to a more affordable home in Brooklyn. After graduating from Abraham Lincoln High School in 1932, he went to work at an auto-parts store where he stored up money for college. All the while he took night

San Joaquin Delta College presented Arthur Miller 's Death of A Salesman on Sunday the twenty-second of March at 2 o 'clock in the afternoon. This play is about a young man and his father coming to terms with the past and their futures. Willy Loman, an old salesman, is dealing with both financial and health difficulties. He is put under even more pressure when his unsuccessful son, Biff, returns home. Actor, director, and sound designer, Harvey T. Jordan, played the role of Willy in this production. His directing, acting, and sound effects allowed me to grasp the despaired nature of Willy Loman 's character. The theme of this story is respect and the nature of success. Willy wished that when he is dead, his death would be mourned far and wide. Hoping to have the reputation of a famous salesman; in other words he wants to die “The Death of a Salesman”. After Willie heard about a well-liked salesman, one that is known in all the cities he visits and that can make sales just by picking up the phone, Willie thinks that this job is easy, but he soon discovers the stress a truly dedicated salesman must go through.

The play, Death of a Salesman by Arthur Miller, takes issue with those in America who place too much stress upon material gain, at the expense of other, more admirable human values. Miller uses flashbacks to provide exposition, to foreshadow the upcoming tragedy, and most importantly to reveal character traits. An analysis of the main character, Willy Loman, illustrates the underlying theme that the concern over material success breaks down the bonds between men that form the basis of a smooth-functioning society.

In Theatre Mitu’s “hyper-theatrical” production of “Death of A Salesman” by Arthur Miller many aspects were added to heighten the messages and morals of the story about the American Dream. One major choice was the use of objects to signify characters as well as add to characters. Willy carried a empty, open briefcase. Linda carried a sun parasol. Biff carried football gear. All the other characters are objects themselves. Happ is a punching bag. Charley is a refrigerator door, and Bernard is a bug repellent light. The Women is a fan. Ben is a big light, and the waiter is a champagne bucket. Almost all of the characters excluding Biff, Willy, and Linda are recording voices which creates a degree of separation from the outside world. Happ is somewhere in between by being an actor with a microphone.

In 1949, Arthur Miller wrote a play called “The Death Of a Salesman”. This play is known for its compelling view on the mind of the middle class working man. The characters in “The Death of a Salesman” all have various dimensions of development throughout the story. These characters can all be seen as components one collective mind using Sigmund Freud’s psychoanalytic theory; the Oedipal, Id, Ego, and Superego. These characters all strive for success by way of the American Dream and all of it’s inconsistent factors and betrayal that personify it so well.

The story ‘Death of a Salesman’ written by Miller focuses on a man doing all he can to allow him and his family to live the American dream. Throughout the story it is shown how the Loman’s struggle with finding happiness and also with becoming successful. Throughout their entire lives many problems come their way resulting in a devastating death caused by foolishness and the drive to be successful. Ever since he and his wife, Linda, met she has been living a sad and miserable life, because she has been trying support his unachievable goals. Also by him being naïve put his children’s lives in jeopardy and also made them lose sight of who they really were. Miller uses the Loman family to show how feeling the need to appear a certain way to the public and trying to live a life that is not really yours can turn into an American nightmare.

The eyes of the reader are opened wide after reading Thomas Foster’s How to Read Literature like a Professor and applying it to a text. There are many elements in Arthur Miller’s Death of a Salesman that go unrecognized by the normal reader. Using the tactics presented by Foster, one can realize that there is much meaning and symbolism in Death of a Salesman. The overall theme in Death of a Salesman is the American Dream and how many people of the time period were desperate to achieve it.

Arthur Miller, A play writer in the twentieth century, wrote a play entitled Death of a salesman that won him the Pulitzer Price just a year after its release. In the play Miller expresses the life of a 60 year old salesman that undergoes through lack of success in his life and sees the same thing happening ,to his two grown sons now in their mid-thirties, as the American dream faded away being replaced by capitalism in the late 1940s. The play starts of by introducing Willy Loman, the protagonist, and tells the story of the final twenty four hours in Willy’s life all the way to his death and funeral. Between that time laps the audience is able to see Willies past thanks to his constant daydreams, along with his sons past and wife and

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.

or even the “Death of a Salesman,” Arthur Miller’s essay tries to bring the connection

Arthur Miller wrote many plays in his time, but one in particular, written in 1947 and directed in Beijing in 1983, was the “play that established him as a great American playwright” called “Death of a Salesman”. This play was about the difference between a New York family’s life in reality and what they dreamed it would be. An old man, by the name of Willy valued popularity and his friends way more than skills or even a real personality. His goal was to die a man that had all of these things, and he ends up killing himself in the end. Miller’s goal was to “take the audience on an internal journey through the mind, memories, fears, anxieties of his central character.” “Death of A Salesman” has been very popular for over a decade, performed internationally, and was even produced into movies (Kristofoletti). Many people remember this play because of how inspiring it was, also because it did not compare to any other of the ones he had ever written.

Many works of literature have the theme of a failed American Dream, which is the basic idea that no matter what social class an individual may be, they still have an equal ability to achieve prosperity and a good life for their family; however, there has been much debate over whether or not the American dream is still obtainable in modern society. One piece of American literature that substantiates the fact that the American Dream can not be gotten is Arthur Miller’s Death of a Salesman which describes the tragedy of the average person in America. A number of other writers also draw the inability to capture the American Dream. John Steinbeck demonstrates in his highly acclaimed novel The Grapes of Wrath how hard economic times can

Approaching the seventieth anniversary of its publication, Arthur Miller’s play, “Death of a Salesman”, continues to enrich the minds of those who read or see a production of it. Miller’s work maintains its relevance even today. Critics and academics differ in their views of the play. Some proclaim the piece as transcendent; it is still read, taught and performed almost seven decades after its release. Others declare that the play is flawed, unrealistic and difficult to follow due to Miller’s employment of an ebbing and flowing timeline. The frenetic pacing between past and present can be confusing and schizophrenic. One critic is insulting in his view of the play. “Death of a Salesman’s failure … lies in the failure of its intellectual content and order” (Foster 87-88). The playwright is unaffected by such criticism as it comes from those accustomed to the traditional model of playwrighting. Arthur Miller has changed the rules as happens with progress. Arthur Miller asserts its transcendence in an interview for the fiftieth anniversary of the play (Kullman 1). Miller pointed out that the play had performed in different countries and cross-culturally. Miller went on to assert that “Death of a Salesman” works when the performers are on point (Kullman 2). Miller deliberately created the characters of Willy Loman and his family without race or culture, which results in the play’s popularity and longevity. Many people can relate to the characters of this play. Considering the