A Dill Pickle Critical Analysis

Kate Chopin's “The Story of an Hour” and Gail Godwin’s “A Sorrowful Woman” are similar pieces of literary work. Both stories offer a revealing glimpse of extremely unhappy marriages due to being forced into stereotypical roles. Both stories portray women, who are trapped in their marriages and trapped in their socially expected matriarchal characters. They are identified by their role as a wife and mother.

The passage from The Adventures of Peregrine Pickle by Tobias Smollett explores the overwhelming love of a brother and a lover as well as the other emotions that come with that love as they fight with words and sword over their love, Emilia. Mr. Pickle is in love with Emilia and is speaking with Godfrey Gauntlet who is the brother of Emilia. Through the strong dialogue between characters and the pacing of their battles, time is given to build up stronger characters and inform us of the deeper emotions connecting the two.

In the three stories “Eveline”, “A Rose for Emily”, and “Desiree’s Baby” three single women go about love in three different ways. Their struggles for love are similar; the decisions they made you will not believe. One thing you can say about all the women is their poor love lives. With their fathers in their way, the women find it hard to find love. Love is a four letter word that everyone wants, but some never get to experience the happiness. While Eveline, Miss Emily, and Desiree have controlling fathers, they want love; one walked away from her happiness, one kills for it, and another kills herself.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

Susan Glaspell’s one-act play “Trifles” was written in 1916. It was written based on real events. When Glaspell was a reporter, she covered a murder case in a small town in Iowa. Later, she wrote this short play which was inspired by her investigation and what she observed. Glaspell used irony, symbolism, and setting in her creation of the authentic American drama, “Trifles”, to express life for women in a male-dominated society in the early nineteen hundreds.

In “The Chrysanthemums” by John Steinbeck it surrounds a woman named Elisa. Elisa’s marriage dynamic proves to be complicated as the banter between her and her husband Henry demonstrates the inability to communicate. Isolation leaves Elisa not satisfied in her life and marriage. Therefore, the loneliness Elisa looks for comfort when a tinker shows up looking for work and cons her. The tinker appealed to Elisa making her feel less alone than she usually does and even shows interest in her beloved flowers. By the tinker using Elisa’s interests, her loneliness subsides as she then craves the attention he gives. In “The Chrysanthemum” Steinbeck shows a theme of isolation throughout the story as Elisa is isolated from society, isolated from her own feelings, and even in her marriage.

“Trifles” by Susan Glaspell is situated in 1916 and is a one act play which incorporates essential components of what the women’s rights movement was about. After moving on from Iowa’s Drake University in 1899, Glaspell commenced her writing vocation of composing short stories and books. The play from Glaspell recounts the story of a homicide mystery involving the married couple of Mrs. Wright (Minnie) and her spouse, the murder victim, John Wright; this story also incorporates the outlook of society towards women being viewed as beneath men. “Trifles” demonstrates the unfair mentality regularly acknowledged among men towards women in 1916. In addition, it showcases the big role comradery plays for women in becoming equal represented

Throughout history, and especially in the early 20th century, women were not in the same arena as men; they were not a man’s equal. The Mariam-Webster Online Dictionary, defines “trifle” as something of “little value, substance, or importance,” which is the way women are seen in both William Faulkner’s short story, “A Rose for Emily” and Susan Glaspell’s one-act play, Trifles. Both authors use of style and settings are different but their theme is the same. Faulkner and Glaspell were born and wrote in approximately the same era, America’s late 19th and early 20th centuries. Glaspell, the author of Trifles is from the northern United States and uses a lower class, uneducated vernacular of that area; whereas, “A Rose for Emily” is written in an eloquent upper-class English tone, by Faulkner who was from the south. Faulkner metaphorically and symbolically describes the personality, life, and death of the main character, Ms. Emily Grierson, and the murder- mystery surrounding her. Glaspell’s murder -mystery Trifles also surrounds the life and death of the main character, Mrs. Wright, and her husband. Both women, while representing opposite ends of the socio-economic class spectrum, are isolated and lonely,not only due to their social class but also due to a time in history when men were not kind to the “fairer sex.”

The lives of Suitcase Lady and Curley’s wife are full with feelings of loneliness and seclusion, eliciting feelings of pity in those who are reading. Curley’s wife lived during a time in which women had little rights and were considered to be the property of their husbands. The men on the farm would not allow her to talk to them as they feared how Curley would react to his wife talking to men other than himself, “I seen ‘em poison before, but I never seen no piece of jailbait worse than her. You leave her be (24).” George’s words perfectly describe the mentality of the men on the ranch towards Curley’s wife, they viewed her as a trap and piece of jailbait simply because she was a woman who wanted to talk to someone. Living on a ranch with only men who refused to acknowledge her because of her marital status was deeply troubling to both Curley’s wife and the readers, “Think I don’t like to talk to somebody ever’ once in a while? Think I like to stick in that house alla time? (55).” Similarly, Suitcase Lady is immensely isolated because comparable to

Tim Winton’s epic saga Cloudstreet chronicles the lives of two families, the Pickles and the Lambs. Set in Perth Western Australia and spanning twenty years from the 1940’s to 1960’s, the families endure great hardship: death and loss; poverty and illness. It is the experience of hardship which challenges who they are and the very nature of their existence and determines how they view and live life. Despite their different views ultimately the characters come to understand that misfortune is inevitable and that family, love and belonging are important in enduring suffering because in the end “that’s all there is.”

For a time, Lucy Gayheart feels the assurance of a bright future reaffirmed daily. And then a tragedy strikes, an undreamed-of turn of events, something which happens every day, and yet which we never address, because it is unthinkable. So will Lucy allow tragedy to beat her down into an existence she has long scorned? Or will she find the mettle to not only endure, but to grow in the face of, her heartbreak? This book was published in 1935. Its syntax can be long-winded, but its imagery is unforgettable. The author conveys a deep love for her fellow man, and for the inexpressible promise of a young life. I believe there is Lucy Gayheart in all of us.

Marriage is depicted as an adventurous lifestyle between two “soul mates” for an eternity, but during the 20th century women were viewed as house wives. Gail Godwin’s “A Sorrowful Woman” and Karen Van der Zee’s “A Secret Sorrowful” illustrate how men exceed boundaries to satisfy women. These two narratives demonstrate how children can play a huge part in a couple 's marriage from different perspectives. “A Sorrowful Woman” and “A Secret Sorrow” demonstrate how the husbands so dearly loved their family, although Godwin implies the marriage is slowly falling apart, Van der Zee reveals an infertile marriage that is prosperous and full of love.

When searching for a life-long companion, every woman has their version of “Mr. Right.” For some, that perfect man may possess tall, dark, and handsome qualities. For others, he may only require a stable job and a head between his shoulders. In “A Jury of Her Peers” by Susan Glaspell, a version of “Mr. and Mrs. Wright” is ironically developed through two main characters, Martha Hale and Mrs. Peters. Throughout the literary work, Mrs. Hale overcomes her many burdens to protect a presumed murder that she once referred to as a friend.

“Trifles” a play by Susan Glaspell, emphasizes the thought that women were kept in their homes and their contributions to the home and family went unappreciated and unnoticed. The play gives readers a view of how women were view and treated during the 1900’s. As a female analyzing the play, Mrs. Wright’s motive for killing Mr. Wright was quite clear. Susan Glaspell gives her readers a feminist approach, to demonstrate how Mrs. Wright’s murdering of her husband is justified.