A Doll 's House By Henrik Ibsen

After Torvald asks his question, Nora quickly responds, refusing to acknowledge that she ate a macaroon, like how a child would. Since Nora is always treated like a child, she ends up getting used to it and plays her role as Torvald’s “child.” This in turn reveals that because of the way Torvald treats Nora, she can’t think for herself. The many times she had to undergo Torvald’s treatment makes her realize that she never really had to chance to do something she wanted. All her actions were led by her husband’s order and desires. This influences Nora to make the decision to exile herself from her home to have a chance to gain her own identity.

Ibsen 's play A Doll 's House centers on a stereotypical and comfortable family in the nineteenth century which, outwardly, has the appearance of respectability to which any audience can relate. There are many indicators that reveal that this family upholds a false image, such as the symbolic title “A Doll 's House". Nora is introduced as a "little Spendthrift" (p 6), which foreshadows future tension in her relationship. Torvald believes she is spending money frivolously, but she has actually secretly borrowed money to save his life, and is using the money he gives her to pay back her debt.

A Doll 's House by Henrik Ibsen, is a play that has been written to withstand all time. In this play Ibsen highlights the importance of women’s rights. During the time period of the play these rights were neglected. Ibsen depicts the role of the woman was to stay at home, raise the children and attend to her husband during the 19th century. Nora is the woman in A Doll House who plays is portrayed as a victim. Michael Meyers said of Henrik Ibsen 's plays: "The common denominator in many of Ibsen 's dramas is his interest in individuals struggling for and authentic identity in the face of social conventions. This conflict often results in his characters ' being divided between a sense of duty to themselves and their responsibility to others." All of the aspects of this quote can be applied to the play A Doll House, in Nora Helmer 's character, who throughout much of the play is oppressed, presents an inauthentic identity to the audience and throughout the play attempts to discovery her authentic identity.

Mr. Krogstad, a former employee of Torvald is the leading antagonist in A Doll House. He clearly has an agenda and a lust for power. Krogstad’s lust for power gives the reader a sense of subtle rage because Krogstad only wants what’s best for him and his family but he exploits Nora for his own gain. Krogstad advances the plot by controlling Nora through a loan, while illuminating both main characters, and reinforcing the themes of confusion and lost love.

The themes of “objecthood” and “feminine liberation” in Henrik Ibsen’s A Doll’s House as conveyed through the characterization of Torvald and Nora, diction, stage directions and structure in two integral scenes.

The author Henrik Ibsen used the play to elaborate on the irony of the 19th century culture of restriction of individual freedom and excessive adherence to ‘societal norm’ at all cost without paying attention or having recourse to the core values and norms that brings about individual happiness and freedom. Torvald Helmer tried to elucidate the abnormality of seeking individual freedom instead of societal norm when he inquired from his wife; Nora “…And you don't consider what people will say”. The society in Ibsen’s “A Doll House” is seen higher than the individual person, for one to fit in he or she must strictly adhere to what the society demands and not what the individual wants. Nora was quick to express her frustration on the demands of the society when she replied Dr. Rank thus “What do I care about tiresome Society?”. Even the eating of Macaroons was also forbidden by Torvald and Nora’s Father, Dr Rank could not hide his feeling upon the sight of Macaroons at Torvalds house when he inquired from Nora “What, macaroons? I thought they were forbidden here”, Nora who is also held by the claws of societal conformity had to lie to justify the possession of macaroons. The irony was played out when the same Dr. Rank enjoyed the macaroons after Nora placed it in his mouth. Ibsen’s setting of the play also portrays a society where a woman cannot be seen to go against not only the orders of her

This is his way of letting Nora know he has his eye on her. “Some of these rules, such as no eating macaroons, are petty and demeaning” (Drama for Students 109). If Nora has macaroons every once in a while isn’t a big deal. Torvald is making a huge issue over something small and worthless. This is an example of how much control a man had over a woman. Nora wasn’t suppose to do anything without going through him. Torvald controlled Nora in everyway possible or so he thought he did. Torvald wants his wife perfect and he will except no less. Torvald also watches how much money she spends. Nora likes to spend money. She finds every excuse to get money out of Torvald. For example, she says “This year we really should let ourselves go a bit, it’s the first Christmas we haven’t had to economize” (Ibsen 1565). Torvald states “But you know we can’t go squandering” (Ibsen 1565). Torvald doesn’t like her spending so much. “Nora is enslaved by Torvald in economic terms” (Lutterbie 1639). Torvald only gives Nora want he wants her to spend. When Nora does want something and Torvald won’t give it to her, all she has to do is beg. “If she flirts and wheedles and begs, he rewards her with whatever she asks” (Drama for Students 109). Torvald likes for Nora to beg. It shows he is dominance over Nora. He knows that she is dependent on him and that she can’t survive without him. Nora also has to be perfect for her Torvald. “Nora, Nora” couldn’t act up

A Doll House was written by Henrik Ibsen in 1879. There are two woman in the play, Nora and Mrs. Linde who have some differences, but also share some similarities. Nora is married to Torvald Helmer, they have three children together. Miss. Linde is a widow an took care of her younger siblings and her now deceased mother. Nora and Mrs. Linde are different in the way they have lived the past couple of years and how at the end of act three they are changing their lifestyles by either going from independent to a dependent life or from a dependent to an independent lifestyle. Through these differences, they also share a similarities in the way they have cared for a family member, they are proud of this accomplishment, marry for money, work hard to earn money, and both ultimately were willing to sacrifice themselves for their families. Even though Nora and Mrs. Linde live different lifestyles, they both took care of a loved one and feel proud and happy for what they did.

“Forgery. Do you have any idea what that means” (1745), Torvald questions his wife Nora in Henrik Ibsen’s A Doll House (1879). In this play, Henrik Ibsen features individuals struggling for an authentic identity. The story focuses on an unspoken matter. Nora Helmer secretly borrowed a large sum of money for the sake of her husband’s, Torvald Helmer’s, life. Nora has never revealed the loan to Torvald and has been privately paying it off with her household allowance. When Torvald is appointed as bank director, his first act is to dismiss a man who was once disgraced for forging his signature on a document. That man happens to be Nils Krogstad, the person from whom Nora borrowed the large sum of money from. It is then revealed that she forged her father’s signature in order to get the money. Krogstad threatens to reveal Nora’s crime if she does not convince her husband to not fire him. Nora attempts to influence her husband, but Torvald continues with his deed. When Torvald discovers the crime Nora committed, he is ready to disclaim her even though the loan was for his sake. When all is brought to light, Nora realizes Torvald is not worth her love and she walks out on him. Henrik Ibsen uses symbolic elements in A Doll House (1879) not only to impart an additional layer of meaning to his writing, but as a means of character-revelation.

In Henrik Ibsen’s A Doll House, a drama play, which takes place in Elmer’s house. It takes place during winter which begins when Nora enters through the door. In A Doll House, I believe the inciting incident is Torvalds promotion at the bank. They never have to worry about money again. Nora’s old friend, Mrs. Christine Linde, who is in need of help comes to visit Nora and ask for help. Torvald gives her a job. You also have Dr.Rank , who is a family friend who is slowly dying of tuberculosis. Things go very bad for Nora when Krogstad shows up because she borrowed money from him when her husband was very ill and forged her dad’s signature because she knew that her father was going to ask what she needed the money for and also she did not want to tell her ill father that her husband was very ill and needed help. Krogstad threatens Nora by telling her that if he gets fired, then he will tell Torvald the secret Nora is trying to hide. Krogstad gets fired and writes a letter to Torvald telling him about Nora’s secret. All these events lead up to the climax, which is Torvald reading Krogstad letter which makes him very angry with Nora saying all kinds of terrible things. Torvald reads the letter and causes conflict between him and Nora, which is why I believe this is the most dramatic point in the story because it causes a lot of conflict between Torvald and Nora causing them to fight. After Torvald thinks about what Nora means to him and thinks it over, he forgives her, but Nora

In today’s society, people tend to act as someone they aren’t rather than whom they truly are, a lot like the characters in A Doll House by Henrik Ibsen. By understanding everyone’s individuality, communication among others will grow stronger and build greater relationships based on truth. If people actually accepted themselves for who they are as well as others, communication would cease to be a circus production with each person in their specified roles. Yet, this includes the acceptance from society as well rather than the promotion of clichés and what is viewed as “accepted”.

Women have gradually become equal to men in society as decades have passed. In society today, it is unusual for there to be women treated as children or not equal to their partner. In Henrik Ibsen’s, A Doll’s House, Torvald treats his wife Nora as his child in the way her cares for her and talks to her, showing the false love they portray. In contrast, Krogstad treats Mrs. Linde with the utmost respect as their relationship conveys true love. In the end, the two couples create a foil that illustrates the main point in the play, equality and true love in a marriage.

When Nora returns after Christmas shopping, Torvald (her husband) accused her of spending too much money calling her a “spendthrift.” It is when the reader notices that Torvald’s attempts at curbing his wife are common; however, it would eventually lead the downfall of their marriage. Nora summarized her marriage with Torvald to Mrs. Linde about keep secrets, saying how it would embarrassed Torvald “...to know that he owed [Nora] anything! It would upset our mutual relations altogether..." (679; act 1).

In “A Doll’s House” by Henrik Ibsen Nora’s character has traits’ of a narcissistic person. You can see these traits through her actions throughout the story. In the article “A Psychoanalytic Reading of Nora” written by Carol S. Tufts states values of a narcissistic personality one of these are “Grandiose sense of self- importance and uniqueness….” Nora can relate to this because when she decides to leave her family to go find her self, she is displaying this notion of self-importance. Nora also shows this when Dr. Rank confesses his love for Nora, when he is about to die and she gets upset with him because she needed his help and now she feels that she can-not take advantage of him.

My understanding of cultural and contextual considerations of the work, A Doll’s House by Henrik Ibsen, was deepened through the interactive oral. We discussed about the cultural values of the time with its emphasis on the position of women, and the play’s influence on feminism in Norway. In fact, A Doll’s House is more relevant than before, since a paradigm shift occurred in the modern society that women are no longer dependent upon men.