A Doll's House Book Report

Torvald, Nora’s, is a bank manager and he is not respectful to his wife in general. Mrs. Kristine Linde is a good friend of Nora. She is in a tough time and ask Nora for help. The first important event is that Krogstad asked Nora to persuade Torvald to maintain Krogstad’s job. Nora used to borrow amount of money from Krogstad and forged her dad’s signature.

The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate

It was accepted that the women answered to the men. The husband made money and provided for the family, while the wife took care of the home and the children. Nora fits into her expected place into society for a short time, however that changes throughout the play as she becomes more self-aware. Torvald’s nicknames fit perfectly into the stereotypical relationship structure as they suggest that Nora is below Torvald in all aspects of their lives. The use of the nicknames and the descriptive words that Torvald uses suggest that Nora is not as smart as Torvald or that she is altogether

In “A Doll’s House” Torvald Helmer and Nora start out to seem as a happy married couple with three young children. In the beginning Nora is seen as woman who cares about her children and her husband but someone who also cares greatly about money. Torvald is seen as a man who is important in the society. Nora was portrayed as a very caring wife when it is revealed that she borrowed money illegally from Krogstad to fund the trip to Italy to try and save her husband life because he was sick. Once Krogstad begins to try and blackmail her Nora tries everything in her power to prevent Torvald from discovering the truth so that his pride and reputation would not be hurt or challenged. When Torvald finally discovers the

As he took over the role as bank director his first motion was to fire a man who had been seen as a disgrace for forging a signature. This “disgraceful” man is known as Krogstad. Krogstad is the person that allowed Nora to borrow money. Krogstad comes to find out that Nora had forged her father’s signature on the loan that allowed her to receive the money. When Krogstad finds out that Torvald is planning to relive him from the company, he notifies Nora that he will be blackmailing her if she does not sacrifices for his loss. In other words, Krogstad threatens Nora, in which he will reveal the crime Nora had committed to Torvald. If Nora cannot convince Torval to keep Krogstad at the Bank, Krogstad states that there will be consequences. Day after day, Nora continues to influence and change the perspective of Torvald. In result of Torvald seeing Nora as a “Doll” who entitles, nevertheless childlike activities, he does not take her advice to keep Krogstad. He values Nora as someone who simply means nothing in the world of knowledge. When Nora does not succeed to complete Krogstads request, he sends Torvald a letter describing Nora’s

Making use of the word “little” again revealing how he views his wife; “my” is also a frequent word in Torvald’s vocabulary. Torvald’s possessive nature prompts him to call Nora his no matter what pet-name he uses. The pattern of these possessive, diminutive pet-names such as “my little featherbrain” (3) reflect Torvald’s belief that Nora is another child of his, so much so that he actually refers to Nora specifically as a child on more than one occasion. Telling Nora that she talks like a child (3) and suggesting that “the child shall have her way” (2) further displays his feelings toward Nora. Just as an adult does not discuss their business with an adolescent, so does Torvald not have important conversations with Nora. Nora even notifies Torvald that during the last scene was the “first (they) have had a serious conversation”(3). Torvald even groups Nora with his other children demanding that “lesson time shall begin . . . both (hers) and the children’s” (3).

1. Does Torvald think that Nora is responsible with money? I feel like Nora’s Husband does not feel like she is responsible with any money. He feels like his wife it too immature to handle responsibility. When Torvald does give Nora some money he is afraid she will waste it on candy, pastries, or things that are useless value.

She is married to her husband, Torvald, who has recently been promoted in his job at the bank. In the story Torvals constantly belittles his wife, referring to her as meek animals, like starlet and squirrel. He uses these words to make her seem weak and incapable of affairs, other than domestic. He did not think women should be allowed to, or even could, handle money. From this information it can be gathered that Torval is the victimizer to his wife. Later on though, it is revealed that Torvald was once very sick and the Helmer’s could not afford to pay for his medical needs. Nora had to take out a loan, behind his back, and pay for his expenses, that were required in another country. At one point, this is revealed and Torvald is taken aback by his wife’s ‘betrayal’. Nora then, has an epiphany and realizes she has been subjugated by her husband for a long time and in an instance walks out on him, for good. Against Torvald’s knowledge and will, he was at point a victim where his wife was the only one to care for him. He acted superior to his wife in their marriage, but when he became ill he was the frail and week

Torvald treats his wife irrationally, as he places himself above her. He calls her names that make her seem small, such as “helpless little creature” (Isben 589) and “child.” (590). Nora is submissive to his dominant commands, and obeys him, possibly because she is fearful of losing him or her life. Krogstad, though, has the upper hand due to the financial loan and debt that Nora has withheld from her husband. Krogstad blackmails Nora with a letter that he threatens to give her husband if she does not fix his problems with Torvald. Nora feels obligated to both men, for the welfare of herself and her family to do as they say. Of course, with an excessive amount of power comes conflict.

Krogstad, in which at first give a good example of a friendship until he starts to deceiving by blackmail Nora, telling her if he can't keep his job he will tell everything to her husband Helmer. Unless she pays her dept, the money she borrowed from him. Then he would tell Mr. Helmer that he found out that his wife forged her fathers signature and became irrelevant to the contract. Because her father died two days before the signature on the contracted where it stated that she would pay the money she own to him for the time that her husband was in danger and she had to fly to Italy. This explains that Nora became deceptive about her choices by lying that she did not sign that contract and lying to her husband by not telling him anything, to save her self of all the troubles that will come if her husband would have been dead.

In 1879 dramatist Henrik Ibsen released his social drama playwright based on critiquing the bourgeois marriages entitled, A Doll’s House (Davis, Harrison, and Johnson 1058, 1061). A Doll’s House addresses social issues and shows the progression of feminism in marriages still remains in today’s society and has since contributed and reproduced in television and films. The play being reproduced many times since the 1920’s was last updated in 1973, however Director Charles Huddleston plans to release his version of A Doll’s House later this year starring Michele Martin and Matthew Wolf (A Doll’s House). On January 17, 1904 dramatist and fictional author Anton Chekhov produced his masterpiece playwright based on the passing of the old order and

Torvald, Nora's husband, feels powerful by referring to Nora as different types of feeble animals. Nora realizes this and uses it to her advantage. During act II she wants a favor from Torvald so she manipulates him by calling herself the animal names that make Torvald feel dominant. She says,

A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the

Nora responds to his remark saying, “Go away, Torvald! Leave me alone. I don’t want all this.” Torvald asks, “Aren’t I your husband?” implying that one of Nora’s duties as his wife is to physically please him at his command.

A Doll’s House was published in Norway in 1879 by Henrik Isben. He is known as the father of Modern Theatre. He is also referred as the father of realism. The play is very interesting because of the funny dialogue, the unique characters, and Ibsen 's view of the place of ladies in the public eye. The main characters of the play is Nora Helmer and her husband Torvald Helmer. Imagine what it would be like to live in a doll 's home? It 's a house in which you are controlled and have no energy to settle on any solid choice; It 's a house in which you are a play thing for another person 's amusement. This sounds a ton like an awful marriage, so it 's a house in which your husband holds the satchel strings, in a manner of speaking, and abandons you with no influence over your family 's accounts. In fact, your husband keeps you on a tightrope. Such is the perceived life of Nora Helmer.