A Feminist Analysis of Othello
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
In the essay “Wit and Witchcraft: an Approach to Othello” Robert B. Heilman discusses a scene which occurs late in the play and which is sexist:
When Othello summons Desdemona and dismisses Emilia, “Leave procreants alone . . .; / Cough or cry hem if anybody come. / Your mystery, your mystery! . . .” (IV.2.28-30), he not only dismisses Emilia, accuses Desdemona of infidelity, and betrays his own insane bitterness, but he converts the marriage into a
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Roderigo even calls Desdemona’s action a “revolt” against paternal authority: “Your daughter, if you have not given her leave, / I say again, hath made a gross revolt [. . .] .” Upon verifying the absence of his daughter from the home, Brabantio exhorts all fathers to “trust not” their daughters, indicating an alleged predisposition among young ladies to rebel against authority:
O heaven! How got she out? O treason of the blood!
Fathers, from hence trust not your daughters' minds
By what you see them act. (1.1)
Othello, the general and protagonist, seems initially to be totally lacking in sexism. He loves Desdemona as an equal and accepts her with no preconditions:
As this that I have reach'd: for know, Iago,
But that I love the gentle Desdemona,
I would not my unhoused free condition
Put into circumscription and confine
For the sea's worth. (1.2)
With the Turkish campaign against Cyprus in motion, the Duke of Venice scarcely has time for Brabantio’s protestations. And the First Senator encourages the newly married general: “Adieu, brave Moor, use Desdemona well.” The word use conveys the sexist belief of the husband’s ownership of the wife. Later, when Roderigo confesses to Iago his depression and suicidal feelings over the loss of Desdemona, the ancient seeks to keep him alive by saying that Othello will soon grow tired of his bride, stating
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love
In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.
Second, the play Othello paid deep attention to women possessing the personality of being submissive. There are countless pieces of evidence from the play that strongly suggest that women are submissive. One is when after Othello said his farewell words to end his conversation with Desdemona in the garden of the castle. Desdemona have said “What e’er you be, I am obedient” (Act III, Scene 3, Line 89, Page 144). She claimed that she is amenable and continue to accommodate all of Othello’s instructions and commands and she wishes to follow
Although misperceptions about the other gender are dangerous causes of downfall, flawed views among one’s own gender are also great contributors to destruction. Othello and Desdemona best exemplify this notion. Desdemona presents herself as pure, compassionate, and understanding towards everyone, especially Othello. Shakespeare theorizes on how some women believe the stereotype about females is valid and must be followed, and men can exhibit the same
Throughout ‘Othello’, Shakespeare uses the manipulation of the protagonist, by the antagonist, Iago, to present a play controlled by men. In such a male dominated society, Shakespeare presents the women in the play as tragic victims at the hands of their husbands, in particular Desdemona and Emilia. Throughout this essay I will relate to the Aristotelian and Senecan descriptions of tragedy to come to a conclusion of how in ‘Othello’ Shakespeare presents women as tragic victims of men.
Brabantio’s rage, among other reasons, necessitate that Desdemona live with Iago and Emilia during the Moor’s campaign in Cyprus against the Turks. While awaiting the arrival of Othello’s ship at the seaport of Cyprus, Desdemona shows herself an intelligent, educated debater. She grows tired of Iago’s derogatory comments directed at his wife, and she quite matter-of-factly states her mind: “O, fie upon thee, slanderer!” She continues to critique the ancient’s answers to her questions: “These are old fond paradoxes to make fools laugh i' the alehouse” and “O heavy ignorance! thou praisest the worst best.” She is not fearful or reticent in the least.
Brabantio’s rage, among other reasons, necessitate that Desdemona live with Iago and Emilia during the Moor’s campaign in Cyprus against the Turks. While awaiting the arrival of Othello’s ship at the seaport of Cyprus, Desdemona shows herself an
In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.
Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found
Othello, the general and protagonist, seems initially to be totally lacking in sexism. He loves Desdemona as an equal and accepts her with no preconditions:
Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)
Othello, the general and protagonist, seems initially to be totally lacking in sexism. He loves Desdemona
However, in Othello, the character of Desdemona surpassed the norms of gender set for women of that time. There is no doubt to consider Desdemona is violating the social norms because she is willing to breach her social roles as a daughter and even as a wife at times. Through her “incorrect” gender performance, Shakespeare portrays Desdemona as a strong, independent woman who breaks away the gender barriers of patriarchal society. But at the end of the play, we know it is the consequence of her actions that have led her to death.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
In the play Othello , Othello strongly represents feminist criticism because he cares so much about their relationship that he couldn’t handle the thought of her cheating on him. He played a big role in the play from being a powerful governor along with being a deep lover. Othello and Desdemona, the daughter of A senator from Venice, fell for each other and are married behind her father’s back. The father, Brabantio, finds out and says that Othello used his magic on her, but yet he still sent the two to Cyprus together. Othello captured Desdemona with his stories about his past and Desdemona quickly falls in love with him. Even though the love of the two is strong Othello lets his ensign Iago draw him into his lies about his woman showing