A Freudian Analysis of Voltaire's Candide Essay

Throughout the novel, Candide comes across many religious leaders during his journey that Voltaire portrays with irony and hypocrisy. After escaping to Holland in the beginning of the novel, Candide encounters an orator who has been addressing on the subject of charity for a whole hour. The orator, when asked for food, tells Candide that he “don’t [doesn’t] deserve to eat” because Candide does not believe that the Pope is Antichrist. (27) Although people around him are actually suffering from continuous war and devastating poverty, the orator only seems to care about giving a speech on charity and converting others to his religious beliefs. Not to mention that his own religious belief or speech, ironically, also encourages reaching out to those in need. Stubborn and egoistic orator is engulfed with his certainness in his belief, and fails to recognize it himself that he, in fact, is going against his own belief. Another example of hypocrisy of religion is shown by the Grand Inquisitor who makes a deal with Don Issachar to share Cunegonde as a mistress.

    Candide on the surface is a witty story. However when inspected deeper it is a philippic writing against people of an uneducated status. Candide is an archetype of these idiocracies, for he lacks reason and has optimism that is truly irking, believing that this is the best of all possible worlds. Thus Voltaire uses a witty, bantering tale on the surface, but in depth a cruel bombast against the ignoramuses of his times.

Shakespeare’s Romeo and Juliet – popularly considered by many to be the quintessential love story of all time – is a play that we are all familiar with in one way or another. Whether it be through the plethora of portrayals, adaptations and performances that exist or through your own reading of the play, chances are you have been acquainted with this tale of “tragic love” at some point in your life. Through this universal familiarity an odd occurrence can be noted, one of almost canonical reverence for the themes commonly believed to be central to the plot. The most widely believed theme of Romeo and Juliet is that of the ideal love unable to exist under the harsh social and political strains of this world. Out of this idea emerge two

In Voltaires?s Candide, the main character, Candide, fails to live happily because he is looking outside of himself and his circumstances to do it. Voltaire says through Candide's ultimate discovery that happiness in many ways depends on a person's attitude. Voltaire's philosophy expressed through Candide's final realization is that "We must cultivate our garden," which is the key to happiness(p.585). By cultivating our garden, Voltaire means that we must make the best of our situation in the present moment. We accept what we are given in life and work to make the best of it. It all has to do with our perspective on life. We do not find happiness somewhere else or by philosophizing about it, we open our eyes to the

Cunegonde was a beautiful young woman, she was the daughter of the Baron, and is constantly being pursued by Candide throughout the whole story-which really is about him finding his way back to her the whole time. Cunegonde grew up in the Castle of Baron Thunder-Ten-Tronckh which was located in Westphalia. She grew up rich, getting all the nicer things in life, and didn’t have to worry about anything until one day, Candide got banished from the castle and that’s where it all started going downhill. Cunegonde was separated from Candide, her home got attacked, and her family was murdered. From there, Cunegonde is passed around through a couple of men: The Bulgarian, Captain Don Issachar, The Grand Inquisitor, Don Fernando, and others. Candide ends up feeling like she isn’t as beautiful after he gets her back in the end, and really just is not attracted to her like he used to be. In fact, in the end, there is a description of how ugly she really is while she is running to Candide after their time apart. There is also a line that says “in fact, Candide had no real wish to marry Cunegonde” (Voltaire 411) when in the beginning he talks about his love for her non-stop. But now that she’s been raped, abused, and used for whatever, he thinks she’s ugly and really doesn’t want to marry her but thinks that it is a good decision. At the same time, Cunegonde understands that she isn’t very powerful and doesn’t have a lot of options. So, if she wishes to survive, she must use her beauty to her advantage. Women in the 18th century didn’t have a lot of options if they wanted a “good” life after marriage. They married someone who could take care of them since they legally couldn’t have jobs. This quote “A women’s gender and marital status were the primary determinants

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

In terms of religion, Candide explores the hypocrisy that was rampant in the Church. Consider for example, the inhumanity of the clergy, most notably the Inquisitor, in hanging and executing his fellow citizens over philosophical differences. Moreover, he orders the flogging of Candide for merely, “listening with an air of approval" thus proving himself somehow implicit in blasphemy. Church officials in Candide are depicted as being among the most sinful of all citizens; having mistresses, engaging in homosexual affairs, and operating as jewel thieves. Perhaps the most absurd example of hypocrisy in the Church hierarchy is the fact that the Pope has a daughter despite his vows of celibacy. While Voltaire is poking fun at the Church and

Candide is the son of the Baron of Thunder-ten-tronckh's sister. Candide grows up in the Castle of Westphalia and is taught by Dr. Pangloss, a man that Candide often looked to for insight and understanding. One of Panglos many great beleifs is that all is for the best and that good can be found in everything. Candide fell in love with a girl by the name of Lady Cunegonde who is described as having extravagant beauty.

Cunegonde is the daughter of a wealthy German lord. She is described as “extremely beautiful” (Voltaire. 5) and is repeatedly referred to as “the fair Cunegonde.” (39). She is the typical damsel-in-distress: a woman who is completely reliant on male protection and

In the beginning of Chapter 10, Cunegonde’s jewels were taken. “‘[Cunegonde] WHO COULD have stolen my money and diamonds?... [Old Woman,] ‘I strongly suspect a reverend Franciscan who slept in the same inn with us last night in Badajoz’” (37). This quote is saying that Cunegonde and the Old Woman made a specific remark that a holy man can get corrupted and perform a sin. This is significant because this shows how Voltaire displays the use of greed surmounting a person who is pure. Furthermore, another example is when Cunegonde was about to marry a man because of his money but not for his love for her. “Madam, you have seventy-two years of nobility, but not one penny. You now have the chance to become the wife of a man who's the greatest lord in South America and has a very handsome mustache” (51). Cunegonde’s love for Candide disappears when a man offers her a hand in marriage. This quote is important because as Cunegonde questions whether she should marry a man for money, it creates the idea of corruption for her. Voltaire emphasizes the pettiness of human society and greed. In addition, Martin is one of the main characters who show how the world is full of many problems for people to

In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

But still, he is optimistic about the world. Without Cunegonde, I believe, that Candide would not so readily accept Optimism. His love for her is so strong that it renders Candide naïve to the world’s horrors.

Voltaire also illustrated in Candide that society as a whole places more emphasis on physical appearance than on inner beauty. Throughout much of the story, Candide is obsessed with the idea of being reunited with Cunegonde. Candide speaks of how beautiful his future bride is and of how much he really loves her. As the story concludes, Candide is reunited with Cunegonde only to find that she has become ugly. Candide has a change of heart and

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.