A Geometric Parody of Victorian Society

Dystopian work is often an overt commentary on “social and political structures” (“Utopian”) present at the time of their

The Victorian Era is a remarkable time in history with the blooming industries, growing population, and a major turnaround in the fashion world. This era was named after Queen Victoria who ruled United Kingdom of Great Britain and Ireland from June 1837 until she passed away 64 years later in January 1901.When Victoria received the crown, popular respect was strikingly low. The lack of respect for the position she had just come into did not diminish her confidence. Instead she won the hearts of Britain with her modesty, grace, straightforwardness, and her want to be informed on the political matters at hand even though she had no input. She changed Britain into a flourishing country. She also impacted how women interacted

Another thing described in the first section is Flatland itself. Flatland is a 2D world home to the main character. In Flatland it is mandatory to have pentagonal shaped house to ensure safety. These houses have a separate door for men and women. One thing the U.S.A. has in common with Flatland is the use of cardinal directions. In Flatland they use the directions very differently though. Flatlanders can tell which direction is South because of the constant attraction. Another indicator of direction is rain. In Flatland the rain always comes from the North.

“Atwood’s feminism is an integral part of her critical approach, just as her concept of criticism is inseparable from her creative work” Walter Pache (1). A dystopia is a fictional society, usually existing in a future time period, in which the condition of life is extremely difficult due to deprivation, oppression or terror. In most dystopian fiction, a corrupt government creates or sustains the poor quality of life, often conditioning the masses to believe the society is proper and just, even perfect.

Flatland: A Romance of Many Dimensions is a short satirical novel written by Edwin Abbott about an imaginary two-dimensional world that is occupied by geometric figures. Flatland is narrated by a square (who is a member of the gentleman social class) who guides the reader through life as it is known in Flatland and the visions and dreams that he has about Lineland and Spaceland. In this paper I will be talking about how Edwin Abbott uses mathematical symbolism to satirize the society of England in the Victorian era.

The book Flatland is based in a two-dimensional world that explores a one-dimension world, albeit briefly, and a three dimension world. On face value it seems as it is just a mathematical fiction book about a two-dimensional world, but a closer look shows the use of satire to tackle the crude social aspects of Victorian England. Before you can truly understand the profoundness of this book you should understand the author, who originally wrote it under the pseudonym A. Square. The real author is Edwin A. Abbott.

Throughout history, art has reflected the morals of society and, in turn, society has projected its morals into art. In Victorian age, art cared the responsibility of being helpful for social education and moral enlightment. Hedonism and Aestheticism are main artistic and philosophical movements of the Victorian Age. The Aesthete believed that form was the essence of beauty and beauty was the highest perfection of human endevours. The Aesthetic writers broke away from the confining conventions of their time and led very unconventional lives, pursuing pleasure and newsensations and devoting themselves to the cult of beauty and art.

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

In 1837, the start of the Victorian era, Britain began experiencing massive changes in the culture of the nation and in the industrial sector. Cultural works began to move away from rationalism, and became more romanticized and more influenced by mysticism. Privacy became a hallmark of British life as well; the outer walls of citizens’ homes were transformed into a façade by which innumerable mysteries resided behind. This romanticized idea of mystery that seemed to lurk behind the doors of the common, everyday man became a prevalent theme in the works of many writers and artists throughout the time period. Robert Louis Stevenson uses this theme of not knowing the true nature of an individual, as well as the idea of duality, to develop his theme that an evil side lies within every man and that balancing both sides is vital to preservation of ones sanity.

The actions of Victorians upon a death is a intricate web of rituals and etiquette. In Vanity Fair, William Thackeray gives modern readers a brief glimpse into deep mourning through Amelia Sedley-Osborne.

The Victorian Period was a great influence to the authors who composed novels at that time where distinctions between social classes as well as between men and women were strongly marked. During this period, it was precisely a woman who ruled. Alexandrina Victoria who was born on May 24, 1819 became Queen of the United Kingdom of Great Britain and Ireland from June 20, 1837 until her death on January 22, 1901. Victoria’s reign was one of the longest of a female in history. At only the age of 18, after her uncle William Henry IV died, she began a span of 63 years of reign. In spite of her independence and power, Victoria fell into a deep depression when her husband died in 1861 and ever since she wore black every day for the rest of her

Victoria was Queen of Great Britain and Ireland from 1837 to 1901. She was the only daughter of Edward, the Duke of Kent. Her father died shortly after she was born and she became heir to the throne. The Victorian Age was characterised by rapid change and developments in almost everything. From advances in medical, scientific and technological knowledge, to changes in population growth and location. Today, we associate the 19th century with the work ethic, family values, religious observation and institutional faith. In 1840, Queen Victoria married her first cousin, Prince Albert of Saxe-Coburg and Gotha. At first, the British public did not particularly like the German prince, and he was excluded from holding any official political position. At times, their marriage was hectic because they both had

A dystopia represents the polar opposite of a utopia. Indeed, it could even be considered a failed utopia, a failed ideal society. If one accepts this notion as fact, then it would lead to the logical conclusion that both must share some of the same characteristics. Ray Bradbury’s Fahrenheit 451 portrays one such dystopia that has emerged throughout the ages clearly depicting characteristics such as conformity, isolation from external influences, and an apparent lack of poverty, misery, and war.

The Victorian Age's morality also condemned any kind of sexual reference in literature. Victorian critics demanded from "serious" literature a didactic content and respect to the Victorian conventions which established that sex

great prosperity in Great Britain's literature. The Victorian Age produced a variety of changes. Political and social reform produced a variety of reading among all classes. The lower-class became more self-conscious, the middle class more powerful and the rich became more vulnerable. The novels of Charles Dickens, the poems of Alfred,