A Group Of French Artists In Paris, Of Which Included Claude

In Berthe Morisot’s painting, she uses colors ranging from blue to green to yellow to orange. She uses paint thinly but in big brush stroke but her color was dull. Her brush strokes are in a cross hatching manner. This method of cross hatching creates depth and shadows on the foreground. Intermixed, in her piece are signs of dry brush strokes. Morisot’s figure is enticing to the viewer by staring back at the onlooker. Morisot’s painting looks very freeing as that is what she longs for. She has a sketch like quality about her painting.

Berthe Morisot was born in 1841, a time when it was still quite difficult for women to become professional artists as the art world was predominantly male. She continually faced criticism and encountered difficulties due to her sex. Despite this, Morisot was able to establish herself as a respected artist whose work only continues to become more highly regarded with time. Her place in art history alongside such Impressionist artists as Claude Monet, Marie Bracquemond, Mary Cassatt, and Edgar Degas, is a testament to her ambition. She was an artist who “aspired to greatness” who “was not content to take second place.” Her painting Young Woman Knitting of 1883 is a excellent example of her style and technique. To fully comprehend how this painting is typical of her work, it is helpful to study her life, as well as her artistic development, especially in her paintings.

Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The painting is of the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a patently a seascape; but the painting says more about how one sees than about what one sees. It transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of small dots and streaks of color-the elements of pure perception" (Fiero 114). This painting is typical of its style because it captures light at that moment. The sun is rising and its color is projected to everything in its path. Monet seems to capture this

. In the section of her article called The Painter of Modern Life, Pollock uses an essay written by Charles Baudelaire during this time period, to explain how women were viewed in 19th century Paris (Pollock, 254). In this essay Baudelaire follows the travel of an artist through the streets of Paris. She uses this essay for two key reasons, first of all it shows how a man in Paris had access to different places of public life that women were not entitled to go and

Both groups painted contemporary pieces, inspired by landscapes and modern life. Impressionists focused on the lighting, and the natural movement of the setting they were painting. They painted things en Plein air (in open air). In order to truly capture the essence of an image, they believed that you must be experiencing it firsthand. They started to break away from the Realist perspective, with the lack of dimension and modeling. Impressionist had a particular interest in capturing transitory moments in time. They used unique angles and thinner brush strokes to capture the visual element of being in motion. There was a bigger emphasis on the use of color in impressionist works. They used a technique in which they applied color to already wet paint, to develop the colors of the painting. This style of painting was a gateway for post- impressionism.

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Consequently, this notion of an imposing vision creates the truly compelling, haunting artworks of Post-Impressionism; particularly in the works of the artist, who needs no introduction, Vincent van Gogh. Vincent van Gogh during his humble artistic beginnings in Paris, France was heavily influenced by

His audience especially supported him on his road to fame in the late 1880’s and 90’s after his waterlilies series of artworks. During an exhibition in 1874 critics viewed Claude’s work ‘Impression Sunrise’ and dubbed painters who do such artworks as ‘Impressionists’. This was intended to be insulting as the critics thought the works to be more like unfinished drafts rather than a complete artwork. Claude on the other hand quite liked the term and embraced it fully as it fit his style quite well. During his lifetime Claude’s works were displayed in the Salon and by the Société Anonyme des Artistes, Peintres, Sculpteurs, and Graveurs in Impression Exhibitions. Currently, his works are displayed all over the world with most in Paris but many others in Britain, the USA and other European

Claude Monet was an impressionist who used and changed art conventions such as the Salon des Refusés and the world as a source of ideas to create artworks such as “Impression, Sunrise”. The impressionists of the late 1800s wanted to capture the ephemeral moment in time. The artists had a major focus with the light and colour of the moment than with the details of

Claude Monet, An Analysis on Art Specific Purpose: To inform the audience on the significance and formation of Claude Monet’s work. Thesis: Claude Monet’s work did not just become popular because of his unique use of color; but also because of his use of subject matter.

This group included Claude Monet, Pierre Auguste Renoir, Camille Pissarro,Edgar Degas, Alfred Sisley and Henri Marie Raymond de Toulouse-Lautrec whom all worked together, influenced each other, and exhibited together and independently. A major fact that tied the group together was that they were exhilarated by contemporary developments in the color theory which helped their search for a more exact analysis of the effects of color and light in nature. They did not believe the shadows of objects were made up from its color with some brown or black added like it portrays. Instead they believed in greater depth that the shadow of an object was broken up with dashes of its complementary color, which is found to be very interesting. Impressionism is based on modernity, meaning faster pace and various improvements in the quality of daily life (Gersh-Nesic, n.d.). The key characteristics of Impressionism were light and its reflection, quickly painted surfaces, dots, dashes, separation of colors and letting the eye's perception mix them, commas and other short brushstrokes. These artists are known to jot down things faster and were called impressionists and their paintings eventually became known as Impressionism. The word "impressionist" in 1874 typically meant no skill but the group did not give up on the art they believed in, although they were rejected by academic institutions such as the French academy of fine arts and the Salon. By then end of the impressionist period artist no longer listened to the strict rules and did not care about the opinion of the salon, they were free to paint how they wanted and began to pursue their own ideas. This led to a growing revolution in art and is looked upon by many artists

Post-Impressionist Vincent Van Gogh was an inspiring artist, whose unique techniques and styles captured the attention of many artists and critics. Van Gogh’s emotions and surroundings was what interpreted his paintings. When it comes to the topic of Van Gogh’s artistic approach, each of his pieces displayed a brilliant use of color along with molding color and harmony with applying the elements and principles of art. While developing his techniques, Van Gogh was inspired by many artists such as Anton Mauve and Jean Francois Millet, adopting and changing his perspective into his style for his paintings. Other contemporary artists were inspired by Van Gogh, such as Henri Matisse, and

Claude Monet (1840-1926) was a french painter born in Paris, and considered the leader of the impressionism movement. His interest was painting in the open air and using various natural light, depending on the time of day to capture different sequences. Monet, from an early age, was inspired by the ocean and coastline of Northern France. The most interesting

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.