A Harsh Critique on Hierarchy and Difference Essay

Judith Butler’s Beside Oneself: On the Limits of Sexual Autonomy and Jomny Sun’s everyone’s a aliebn when ur a aliebn too illuminate similar ideas by using vastly different styles. Butler chooses to display her work in a very detailed, thorough way. Meanwhile, Sun manages to teach the same lesson, using a much simpler method of writing. Even though both of these texts share common themes, they have varying effects on the reader. After reading Butler’s essay, I felt I was being attacked, as if I was being challenged to help change social norms. With Sun, I finished the book feeling soothed and satisfied with the end result. A particular idea brought up in both texts is the idea of categories and their negative effects. The idea of categories of Butler is shown in Sun by the many characters; I believe that the use of categories overwhelmingly carries more negative effects.

Bloodchild by Octavia Butler is seen as a story about the relationship between alien oppressors and a group oppressed humans. It has also been described as a love story between the human narrator and the chief alien. In her afterword, she describes “Bloodchild” as “a love story between two very different beings,” “a coming of age story” and a “pregnant man story.”(Hardy) However, when one comparing Butler’s “Bloodchild” to Simone De Beauvoir’s essay “The second sex”, similarities surrounding the social issues of gender inequality arise. The circumstances of the narrator mirror social issues affecting modern women. Bloodchild by Octavia Butler examines the dynamics of power between the sexes; by switching the gender roles in the

“Still Separate, Still Unequal”, written by Jonathan Kozol, describes the reality of urban public schools and the isolation and segregation the students there face today. Jonathan Kozol illustrates the grim reality of the inequality that African American and Hispanic children face within todays public education system. In this essay, Kozol shows the reader, with alarming statistics and percentages, just how segregated Americas urban schools have become. He also brings light to the fact that suburban schools, with predominantly white students, are given far better funding and a much higher quality education, than the poverty stricken schools of the urban neighborhoods.

Towards the end of ‘On the Equality of the Sexes’, Murray specifically invokes the story of Adam and Eve, a story used for centuries to depict women as the sinners, to turn the argument against itself and argue that Adam, or the men, are the real sinners in the Bible, as Adam knowingly breaks the rules while Eve was innocently deceived by the serpent. “Adam could not plead the same deception,” says Murray, “nor ought we to admire his superiour strength, or wonder at his sagacity”, implying that people overestimate the skills of men while dismissing the intellect of women as commonplace. The bigger takeaway from Murray’s invocation of Adam and Eve is that it shows the audience that she is trying to make her argument more relatable by putting gender equality in the framework of the Bible, a piece of work that was not only a religious text, but a way of life for most people in Murray’s time. By analyzing the Bible through a feminist lens and swapping the roles of Adam and Eve, Murray saved women’s reputation as the repenting sinners, but in mentioning the Bible to justify her point, Murray ultimately retreats back to the practice of relying on others’ words to make her ideas worthy of public consumption.

From a plethora of many authors and compilations over many centuries comes the fourteenth century The Thousand and One Nights, a Middle Eastern frame story during which there are as many as four implanted stories. In the outermost frame of this tale, a king who is betray by his wife vows to take a new wife each night and kill her the next morning in order to prevent further unfaithfulness. The main inner frame are stories from one of his wives which she continues each night to keep the king interested and thus postpone her death. Through these stories, the reader can examine the role of men and women in this time, specifically how women function in conjunction to men in the text. The reader may assume the men are superior while the woman are inferior, but through close reading of the text, the reader will discover that women in the text are only treated subordinately by men in the story but are revealed to the reader as the more powerful of the sexes. Authors reveal the power of women by their prowess at trickery or “women’s cunning” (The Thousand 1181), and their ability to force the actions of male counterparts. The reader can examine men’s attempt to stifle this power, which further acknowledges the women’s merit, through the excessively frequent occurring instances of men treating the women as insignificant, as well as instances when women are turned to ungulate animals, such

Merchant’s representations claim that “both nature and women are subordinate and essentially passive” furthering the proof that women are held at a lower standard than men (Merchant 9).

But what if men choose to do the opposite and embrace women as humans and their equal? Swift portrays this exact situation in “Strephon and Chloe”. When Strephon believes that Chloe is an immaculate goddess, he is subjected to fear and anxiety. Strephon develops significant anxiety about his own inferiority and imagines “How with so high a Nymph [Chloe] he might/ Demean himself the Wedding-Night.” (“Strephon and Chloe” 73-74) But after Chloe is revealed to be mortal it is freeing not just for Chloe but also for Strephon:

In the Hebrew Bible, the Book of Genesis and the Greek play Medea, by Euripides, contain female characters that can be seen as complex and have significance and meaning in the text. There are many interpretations involving the female characters, some characters may be portrayed as weak and irrational or strong-willed and wise. I will argue that, women are portrayed in the Hebrew Bible and Medea as irrational and senseless, in order for the men to be portrayed as superior and for women to be seen as inferior. This idea of the female characters being irrational and senseless can be seen in Genesis 4, Genesis 18, Genesis 29, and throughout the Medea play.

A theme that is apparent throughout the text is gender/gender roles. Reis places a lot of emphasis on the idea of the "feminine soul." Her third and fourth chapters discuss the role of gender with confessions and trials during the witchcraft era. On page 122 of the text, Reis discusses how women 's evidence tended to be spectral while men placed more emphasis on physical/tangible evidence such as sick cows producing rancid milk. The devil even differentiated how he took dominion over women and men: women tended to claim harm to themselves, while men claimed harm to their property (117). These gendered ideas even spread past the earth when one considers how Reis argues for God and Satan acting as masculine warriors fighting for the "feminine" souls of humans (106).

Octavia Butler’s science fiction classic “Bloodchild” is the coming of age story told from the point of view of Gan. The story takes place on an alien planet the very night that Gan becomes a man. One might expect a highly masculine, ritualistic ceremony or event, but Butler turns the tables. In order to become a man Gan must be impregnated by an insectoid like alien named T’Gatoi. Cages have often been symbolic in literature as a means of subjugation, the cages in “Bloodchild” are imperative to the story in the same way. Through the explicit use of imagery, metaphor, prose and irony, Butler creates a story reflective of the sufferings of American Slavery, of life as an African American woman and causes the reader to reevaluate the way they treat others. “Bloodchild” has won multiple awards including the Nebula and Hugo Awards and an award for best science fiction novelette from the Science Fiction Chronicle (Heifitz). Butler gains literary notability by creating a work so horrifyingly believable, that is reflective of slavery and discrimination, it is a powerful story that pushes the reader to thoughts and ideas that might not have otherwise been explored.

With few exceptions, our male dominated society has traditionally feared, repressed, and stymied the growth of women. As exemplified in history, man has always enjoyed a superior position. According to Genesis in the Old Testament, the fact that man was created first has led to the perception that man should rule. However, since woman was created from man’s rib, there is a strong argument that woman was meant to work along side with man as an equal partner. As James Weldon Johnson’s poem, “Behold de Rib,” clearly illustrates, if God had intended for woman to be dominated, then she would have been created from a bone in the foot, but “he

Octavia Butler’s Dawn explores a world of the unknown after humans nearly destroy their kind along with Earth, causing an extraterrestrial species to intervene. The protagonist, Lilith, finds herself in a predicament as she is captured and locked in solidarity for a long. The extraterrestrial species that intervenes, Oankali, strip her of her clothes, mysteriously cut her and then tell her it is her role to mother a group of humans and prepare them for a return to Earth. In the novel Lilith is conflicted, she knows she has no control of her body and that humans have been “enslaved” by the Oankali but begins to trust and connect with them, especially Nikanj. Through the relationship of Lilith and Nikanj side by side with Humans and the Oankali, Octavia Butler explores the monstrous aspects of people and acts within the cultures.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

The battle for equality snowballed since the birth of feminism. At the frontline of the battle, have been women enraged at the thought of the superiority of men. However, some women believe in taking a violent approach to demolish the ideas of oppression. In the poem “The Rights of Woman,” Barbauld reveals that the oppression of women emanates from impulsive anger by showing the power of emotion in decision making, the ineffectuality of paroxysm, and the irrefutable rule of nature. Barbauld attempts to undermine the false pride of women who believe men are evil and who resort to irrationally regarding the only solution to oppression as attacking the will of men. She takes an interesting approach in arguing against feminist rage by having the narrator seemingly side with violence and later suddenly display the imprudence of acting on impulse.

According to Judith Butler’s theory, gender is a social concept and not a natural part of being, therefore making it unstable and fluid. Gender identities are produced through what Butler calls “performativity,” the repetitive acts of expression that form and define the notions of masculinity and femininity. These repeated performances are engrained within the heteronormative society and impose these gendered expectations on individuals. In this respect, gender is something inherent in a person, however Butler writes “gender is always a doing, though not a doing by a subject who might be said to pre-exist the deed.” In Olga Tokarczuk’s House of Day, House of Night identity is undoubtedly central to the characters’ stories, specifically the strict social constructs of gender that is snarled with one’s identity. Tokarczuk’s novel presents a mosaic of stories that put into question heteronormative gender roles, while offering an alternative way of existence. Analyzing House of Day, House of Night with Judith Butler’s gender theory demonstrates the characters struggles within the rigid constructions of gender and how some ultimately deal with moving past such restricting expectations.