A Hero Journey : Osmosis Jones And Hero's Journey

Could you ever imagine sending your child on a field trip knowing that end purpose was for them to die? GOD sent his only son, Jesus Christ, to earth ultimately for this trip. Desire coming from the flesh of a woman, Jesus Christ is GOD's son. Jesus walked the earth to teach us about his father and how he wished for us to live, so that our souls would be clean in order to reach the pearly gates of heaven.

In 1949, Joseph Campbell published his book “The Hero with a Thousand Faces.” It details his theory of the “monomyth,” a theory that illustrates how many heroic mythological stories have similar outlines and archetypes. During his discussion of the second chapter of the monomyth, Campbell says that the monomyth can “serve as a general pattern for men and women” in their everyday lives (121). In many circumstances, comparisons can be made between normal situations throughout life and the monomyth. When a challenge of task is encountered in life, it can be analyzed under the three main stages of the monomyth: the departure, the initiation, and the return.

A Hero’s Journey: Hamlet and Simba What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines

Edward Johnson wrote a bibliography on Joseph Campbell and included Joseph Campbell’s The Hero with a Thousand Faces. Edward Johnson explained that the monomyth is, “the underlying uniform structure of the adventure of the hero (which can be mapped on all people attempting to make their way through life).” Think about all the different movies, books, or stories that have been created. Most of them always have a hero, and he or she has to go on a journey. However, each journey has a different path. This journey is called the monomyth or the hero’s journey. The monomyth explains the course every hero takes to be changed and made new. This course is exemplified in more stories then people realize. For example, in the movie Osmosis Jones a

The archetypes reflect dreams and relate to cultures. In different cultures, the “archetypes” (2005) would be different. However, Joseph Campbell comes up with the Monomyth, which believes myth is metaphor. Joseph Campbell demonstrates that all stories are expression of the same story-pattern. The hero’s journey all follows the departure, initiation and return. The Monomyth is applied to dramas, movies and literatures. The series of Star Wars is one of the most representative examples that use Campbell’s Monomyth.

Aspects A quester or someone who goes on a quest in the story. A place for the hero to go to accomplish his task. A reason for going there (usually a item or some sort) this gives the hero a purpose for his quest.

There I was sitting at the table eating what the nuns like to call food what just looked like to me slop I was sitting with my friend Felix. He came across a carrot and it was a full-size carrot he just sat there and stared at it not even

A few months later, I found myself riding with Halt back to his quaint little cottage nestled in the woods. He was teaching me about animal tracks. As our horses tread against the snow that lay on the ground, I noticed a massive print next to the cottage, and

Let me tell you a short story about this boy. It was 9 o'clock in the afternoon when his parent asked him what he wanted to be when he grew up, he said with enthusiasm "I want to be a doctor", not knowing what it is. After that we just

Osmosis Jones and the Monomyth Osmosis Jones tells the story of a white blood cell who plays the role of a policeman inside a man named Frank. Teamwork is the central theme in Osmosis Jones, and is developed through the monomyth. The monomyth or hero’s journey shows the steps that most movies go through, for example, The Matrix, Harry Potter, and Hunger Games. Most of these stories pass through twelve specific steps. According to Joseph Campbell, in his book, The Hero With a Thousand Faces, “The monomyth is a structure that is common in many heroic stories, an outline that has existed for millennia.” This story follows the main steps within the monomyth, while each step helps strengthen the theme.

In the beginning of the movie, Osmosis Jones, Frank, the zookeeper, eats an egg that was in a monkey’s mouth and get’s sick. To eat the egg, Frank used the digestive system. Once this happens, germs spread all throughout Frank’s body and Osmosis Jones was chasing the germs and trying to kill them. Osmosis Osmosis Jones is a white blood cell, so he is a disease fighting cell. Jones then tries to shoot the germ, but misses and hits a part of the nervous system. Once he did that, Frank got an unexpected pain in his leg. Soon after, Frank also got a sore throat, and took a pill for it. The germ that Jones missed, and all the other germs turned into a virus, Thrax and the pill is DRIX. Thrax is going through all the systems and ruining Frank’s body.

The following stages test Jones’ bravery. According to Zadrozny,” Usually in the middle of the story, the hero must confront death or his or her greatest fear. Out of the moment comes a new life.” Jones and the other cells inside Franks body face death once the virus makes its way to the brain. The virus

Rebecca and Phillip Stein (2017) discuss monomyth, a hero’s journey, in their book “Anthropology of Religion, Magic, and Witchcraft.” In the text, they use the definition of a monomyth given by Joseph Campbell. Campbell defines it as when “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.” (Stein & Stein, 2017.) According to the text, a hero’s journey has three stages: the departure, the initiation, and the return. (Stein and Stein, 2017.) The Disney movie, The Lion King, is a monomyth movie about a young lion who abandons his role as king of the Pride lands and must come back to save his family and his land when danger ensues. Simba is the son of Mufasa, the current king, therefore he is the rightful heir to the throne. This is the common day world that Simba lives in. His uncle, Scar, is filled with hatred towards both Simba and Mufasa, because he believes he deserves to be king. He comes up with an elaborate plan to kill them both. He tricks Simba into thinking that his father has a surprise for him, and he instructs Simba to wait inside of a canyon while he fetches his Mufasa. Scar deliberately starts a stampede of wildebeests to try and kill Simba. Mufasa arrives to the canyon to witness Simba clinging for his life, on a lone shrub’s branch, as thousands of

They involve a hero’s helpers, a heroes call to the adventure, a heroes materials, their almost death experiences, and their quests, to name a few. The movie "Taken," represents a monomyth because the plot follows a man’s journey to save his daughter. Bryan (Actor Liam Neelson) goes over seas to

Claire Stemmer 16 March 2015 HUM 115-502 Prof. Streit SWA 4: Patterns of the Hero Monomyth in Sons of Anarchy In his renowned work, The Hero with a Thousand Faces, Joseph Campbell defined the essential stages of the Heroic Journey, using examples from a wide range of myths and stories. His objective was not only to establish the framework for hero tales, but also to convey why these elements of the monomyth prevail in so many different works. Campbell’s view states that “the hero myth is really written about every human being: we are all heroes struggling to accomplish our adventure” (Whomsley, 185). From this perspective, it seems justified that these patterns continue to appear in so many stories adventure and heroism; we all want our