A Humble Remonstrance By Thomas Stevenson Summary

When you hear the oxymoron “historical fiction” you might think of an anecdote about a John Doe in World War 2. In this case, think more on the lines of a fiction novel with a vast historical influence on culture. Fiction novels not only play a key role in the entertainment of an audience but also the influence they leave on them. However, in order to influence the audience, the novel must also be very historically accurate. The combination of influence and historical accuracy can create a new subcategory of “historical fiction”. Two exceptional novels by distinguished authors have managed to start this new concept of “historical fiction”. The Great Gatsby by F. Scott Fitzgerald and Jazz by Toni Morrison are two literary novels that pioneered the movement of historical realism in fiction as well as influenced literary writing styles and United States culture for generations following their creation.

In the novel Dickens introduces many characters to readers, and many of those characters contrast each other greatly, creating character foils. These contrasts highlight the differences of the characters and the part of society they represent. This allows readers

At one point, Industrialization had a very negative impact on society. It had affected many people’s lives in a very gloomy way. While some people might argue that Industrialization had primarily positive effects for society because there was better business and financial opportunities it was actually a negative thing for society. Industrialization’s negative effects were unsafe working conditions, bad employers, and many people were separated from their families.

INTRODUCTION: Charles Dickens is said to be one of the greatest writers that has ever lived. Before we read one of his works in class, I would like you to spend some time getting to know this man and learning what the world was like as he knew it.

One of the most remarkable aspects of Charles Dickens Great Expectations is its structural intricacy and remarkable balance. Dickens plot involves complicated coincidences, extraordinary tangled webs of human relationships, and highly dramatic developments in which setting, atmosphere, event and character are all seamlessly fused. Although, perhaps the most visible sign of Dickens commitment to intricate dramatic symmetry-apart from the knot of character relationships, of course- is the fascinating motif of character doubles or foils that run through the novel. The use of character doubles or foils in the novel effectively let readers understand important aspects and messages of the

Written by Jeffrey Eaton, an Open Letters editor, this source is reliable because the magazine speciality is to critique many works of art and literature. Rather than merely summarizing the main events of the memoir, Eaton actually expresses his dislike about it by providing

Flannery O’Connor’s “The Nature and Aim of Fiction,” and Nabokov’s “Good Readers and Good Writers,” both authors discuss the element of truth in their essays on fiction, however in O’Connor’s blueprint to writing fiction she states that the writer should dive into the truth in their stories with fiction. This is a contrast to Nabokov’s ideology, because he says that “Every great writer is a great deceiver, but so is that arch-cheat Nature. Nature always deceives,” (Nabokov). This contrast in their essays presents a difference in O’Connor’s and Nabokov’s view on the element of truth in fiction.

Stevenson gets close to the incarcerated people he is helping by getting to know them. He gives them hope and strength to fight along with him. He gets to know the person’s whole life. Factors and events that shape the case are worth knowing, but Stevenson realizes

New York: Harper&Row. 1973). A group of intellectually eager journalists intended (and succeeded) to create a new trend that would merge objectivity but, at the same time, gaining authorial, creative freedom. The result of this new journalism, liberated of the rigid constrain of objectivity, would be called “Literary nonfiction”. Didion, for instance, would report facts that actually occurred but in a more literary manner, that is to say, more deliberately created.

As an individual who has does not study the history of literature "Fiction, 1950-1963" by Rob Latham takes the reader through an interesting back story of the rise and fall of science fiction through the span of a little more than a decade. "Fiction, 1950-1963" by Rob Latham largely focuses on the history of science fiction in writing and the path science fiction took to become a mainstream form of literature. It is a path filled with ups and downs, successes and failures, and a multitude of writers that attempt to make their mark on the emerging genre. Throughout the essay Latham agrees with the process of making science fiction more accepted in mainstream culture. Latham takes the position that through science fiction becoming a legitimately viewed genre the field has more freedom to expand and experiment artistically.

This book was written at a time of change in the world of fiction as a

James states that “it is not so much the profundity of the idea which strikes [him] so much as the art of the presentation- the extremely successful form.” James’s praise of Stevenson’s writing is warranted. Though the struggle between good and evil is not so much an original idea, Stevenson’s portrayal of this age-old conflict is what captivates the reader. James goes on to state that in the novel “there is genuine feeling for the perpetual moral question, a fresh sense of the difficulty of being good and the brutishness of being bad, but what there is above all is a singular ability in holding the interest.”

Charles Dickens is one of the most renowned British writers with well-known and widespread work. Dickens was born in England in 1812 and died in 1870. During this time, Victorian England experienced an Industrial Revolution, which impacted his life tremendously. New factories and industrial machinery changed many lives of the lower class citizens. The family grew up impoverished and struggled to maintain a good lifestyle. The family’s financial situation was strained as John Dickens, Charles’s father, spent money that the family didn’t have. These societal factors were influential in Charles Dickens’s life, and the same themes present themselves in his works. When an author creates a work, frequently themes of their life events are incorporated into the theme of the book, consciously or unconsciously. Victorian Age industrial-influenced strife was a common theme in Dickens’s life and presented itself throughout Dickens’s books.

Dickens' View of the World Shown Through the Narration of Pip in Great Expectations Reading the opening chapter of Great Expectations demonstrates something of the extraordinary range and power of Dickens language. After a brief statement about his self-naming, which in itself is important as it instigates the whole debate about identity in the novel, Pip goes on to entertain us with an amusing description of his family graves, their inscriptions, and what he, as a small boy, made of them. The older, more sophisticated narrator explores the imaginative but essentially innocent mind of his younger self with a wit and vocabulary that is anything but childlike.

The correct portrayal of women in literature is highly significant as women have been marginalized throughout history. Although Charles Dickens wrote powerful and dominant female characters in his novel Great Expectations, Dickens’ portrayal of female strength is unsympathetic considering the period when he wrote this novel. During the Victorian Era, women never had dominance in situations and had less rights than men. In this case, Dickens alienated the female characters by writing them with characteristics that imply a negative connotation to the readers. Negative characteristics are still important for the development of a character, of course, but the Dicken’s depiction submits that women victimize Pip. The patriarchy and power in relationships are contrasted by the powerful female characters. Furthermore, the differences between men and women in Great Expectations are connected to social constructs rather than biological development. In addition, each female character have a significant impact on the male protagonist, Pip. Each female character is also shown negatively on how each of them is “redeemed” as the plot advances.