A Jazz Concert Analysis

I attended a jazz concert on April 7, 2016. The jazz concert was performed by the Page brothers, Mike Willis, and Justin Butler. Justin Butler accompanied the other instrumentalists in one song. The instruments used during the jazz concert was a guitar, bass, drums, and shakers. The performance was located in the theater at Caldwell Community College and Technical Institute. The jazz concert was informal. The venue was favorable for the jazz concert. The instrumentalist played on a stage while the audience sat in the seats. The theater was small so the jazz music was easy to hear. However, there was a lot of people attending the concert so the theater was crowded. The audience was able to see the performers because of how the theater seats are set up. Also, the room was completely dark except for the stage so I was able to focus primarily on the performers. Overall, I liked the jazz concert performed by the Page Brothers.

The first concert I attended was performed by the Dallas Symphony Orchestra. The orchestra had performed Shostakovich’s “Symphony NO. 7, Leningrad” from the Romantic era. The orchestra was a large ensemble (1) containing various instruments that contributed to the overall sound of the piece. Since the orchestra was a large ensemble, just like the instrumentation common in the Romantic era, the orchestra was able to perform in a lively, vigorous manner, probably vivace (2). The orchestra performed tutti

One musically difference that really struck me in the jazz jam session was the change by Andy Woodson from the bass to the electric bass. It gave all the songs somewhat an extraordinary tune, which to me sounded as it were, a lighter and extremely calm rock and electric feel. The electric guitar changed his solos. With the standard bass his performances have a profound and substantial feel as a result of the notes the bass creates yet with electric bass the notes had a lighter, electric feel. It seemed like he could play a more extensive assortment of notes on the electric guitar, perhaps the notes were in a way fluffier than on a normal

I have never attended an orchestral concert. Although my taste ranges between several different types of music, the only concerts I have attended are of the rock and country variety. I was not sure what to expect in attending The Houston Civic Symphony’s performance on Sunday, October 9, 2016. It was held at the Dunham Theater within the Morris Cultural Arts Center at Houston Baptist University. Once inside I saw the beautiful stage with all of the performers warming up and three stories of seating. Many of the patrons were in the age range of 30 and up. I did see some kids and young adults but not many. The HCS marked its 50th year since the very first performance this season. The first performance happened in 1996 when a group of music lovers in Houston came together to play a concert just because they wanted to play and share their love of music with others. From that day they became known as the Houston Civic Symphony. Some of the players I watched in this performance have been with the Symphony for 25 years or more while others are barely reaching their first year if not their first performance; only two of the players have been there since the very first season. Out of the three pieces performed the one that caught my attention the most was the last, it hold a powerful message of fear and desperation for

On November 17th, 2016, I attended a jazz concert and had quite a time. The experience was captivating, and gave me a warm feeling inside. There were three different bands that play in the hour slot, and all of them sounded magnificent, but “The Santé Fe Jazz Combo” and “Santa Fe Big Band” stood out the most. The only thing these two bands have in common is that some of the musicians play in both bands. Otherwise, these jazz fanatics are polar opposites.

On Friday, July 10th, I chose virtually to attend an online YouTube Symphony Orchestra Concert-2011. Many beautiful pieces were performed by a magnificent orchestra that included more than sixty participants and consisted of instruments such as: flutes, oboes, horn, clarinets, bassoons, trumpets, percussions and strings. Concert’s selections varied in length, temperament, mood and dynamics. Orchestra Symphony gave an overpowering, extraordinary presentation and delivery.

On Friday night, November 13, 2015 at 7:30 p.m. I attended the Manhattan School of Music for the Jazz Orchestra that performed by Jazz vocalists and MSM alumni Jane Monheit and many other musicians. That place is unlikely the ordinary place, people have appropriate dress on and have nicely etiquette toward the performers, unlike me, many of audiences seem like that they come to this concert with certain knowledge of Jazz orchestra. And its musical venue was the ideal spot for the concert, so I sat in a decent spot spot that located at midst of the concert hall where I can view all the performers and hear performers’ music clearly. And the conductor informally began the show was quite nicely and politely which made me feel really comfortable

It is a formless music, but because the performers are quite literally composing in the moment, there were three noticeable sections in the piece. The first part was developing an idea, slowly getting used to each other’s sounds, sometimes gentle and sometime aggressive. Beginning of the improvisation the drumbeat is simple but rather random. There is no set pattern that I could find, but the tom-tom pattern was rather similar so I think that was the main motif. The bass clarinet also started an idea, a 6-note pattern downward without any tonal center. He slowly develops this idea by playing a similar patters, or sequence, to concrete the idea for the audience but slightly mutating the motif little by little each time he plays it. He never plays the same way again. As the bass clarinet gets more active by increasing the amount of notes played and the intensity of the tone, the drum slowly matches the bass clarinet in aggressiveness. The drum plays very sudden loud snare drum occasionally, creating tension in the music with already atonal bass clarinet. Then the drummer starts to put a cymbal and a pad on two different drums to create a very dull thick sound. The bass clarinet and the drum both simultaneously becomes very aggressive, loud, and complex at this point. Bass clarinet sounds very similar to a saxophone at this point. The drummer still

If you did not make it out to see The Jazz Ensemble on Tuesday, Apr. 19th, then you really missed out on a great evening of music. Family, friends, and jazz lovers nearly filled the Anne R. Belk Theater to watch and listen to the performance directed by Dr. Will Campbell, with special guest Derrick Gardner. Gardner is a highly accomplished jazz trumpet player, who has traveled the world playing jazz music.The Ensemble member are; Bryce Harris, Jonathan Carroll, Cody Belton, Garrett Brown and Bryan Patterson on the saxophone, Richard Hall, Casey Blackwelder, Wesley Taylor, Liam McMahon and Cameron Francis on the trumpet, Nathan Ricer, Patrick Foray, Virginia Crooks and Kyle Barnhardt on the trombone, Dallas Holder on the piano, Brian Gilbert on the guitar, and Colin Ray and Eric Chang on the drums. The Ensemble played seven songs, and four of those were played with Gardner. The songs were performed in this order “A Pair of Aces,” “You Must Believe in Spring,” “Count Me In,” “Big Dipper,” “Footprints,” “Just a Touch” and “Lil’ Fawdy.” All of the songs were performed exceptionally well, out of the seven these two were my favorite.

This concert took place on Thursday March 16, 2017 in the Atkinson Recital Hall located at New Mexico State University in the Music Center at 7:30 in the evening. The concert consisted of four jazz bands, NMSU jazz one and two as well Las Cruces High school jazz band one and two. The first the stage the NMSU jazz II, director by Pancho Romero. The first song they had played was “Primera Vista composed by Wayne Wallace”. Along with the jazz band they also have a few percussionists as well, on bongos, xylophone, and a drum set. The band also played two more songs called “Undecided arranged by Mike Tomaro/Shavers” and “Afro Blue arranged by Michael Mossman/Santamaria”. My favorite was the Afro blue song, there was a lot of solos which I loved

On November 14th, the Lawrence University Jazz Workshop, under the direction of José Encarnación, played a concert of five tunes in Harper Hall. This ensemble consisted of a full rhythm section, six saxophones, a trombone and a cello making up the trombone section, and four trumpets. The purpose of this concert was to demonstrate what the Jazz Workshop had been working on throughout fall term as well as function as a final exam. Over the course of about 40 minutes, they played five pieces of different styles that featured and challenged different parts of the ensemble.

“Observant parents and teachers can hardly fail to be concerned about a youngster’s growing sensitives as well as the fact he leaves the house at times that he used to spend with his family,” (Zakharov 29). In Sonny’s case, Isabel, her parents, and school have become concerned with Sonny’s behavior. He no longer attends school; instead, when he is supposed to be at school he is at Greenwich Village with musicians and other characters, in a white girl’s apartment. “In the second major wave of American opiate addiction, heroin was integrated into the new cultural identity of the ‘hipster’ first through the Harlem jazz scene,” (A Social History of American’s Most Popular Drugs). Instead of finishing out his last year of high school while staying at Isabel’s, Sonny spent his school days playing music and getting high in Greenwich Village. This was very alarming to Isabel. She became very upset with Sonny and although she tried her best to stay calm, she lost control and began crying. She could tell by watching him what was happening. Isabel and her parents had broken Sonny. The wall that he had managed to build, the cloud that he was living in was no longer there, and reality finally managed to break through to Sonny. They brought out his grief and sadness that he was able to numb by using heroin. Most addicts use the drugs to control the underlying feelings that they do not want to acknowledge. For Sonny it was most likely the grief of losing his mother, his

On Sunday, May10 2015, a concert was held in The Broad Stage. The concert was played by Santa Monica College Symphony Orchestra, whose conductor is Dr. James Martin. For this concert, I would identify myself as a referential listener at this concert. I say this because I am not an expert in music, therefore it would be hard for me to be a critical listener. I wouldn’t be able to tell what went wrong with a performance even if some incorrect notes were played. I was more of a referential listener because the music was soothing and brought my mind to peaceful thoughts. This essay will tells my experience of the concert in order to persuade my friend to  attend a classical music concert with you in the future.

In the creation of literature and fictional stories, elements from the “outside” or “real” world are often incorporated in order to deepen the meaning of the events that occur throughout the story, as well as to more effectively enlighten the audience in regard to the message that is being relayed or the intent behind the author’s choices. These elements often include the inclusion of “real-life” individuals as characters within the text, the placement of fictionalized aspects of the story within true historical events, or even the use of non-literary elements such as music (and its characteristics) to enhance the storytelling abilities of the author and to interest the audiences more thoroughly into the story, the characters, the setting,

This afternoon, I went to the music concert hall where is located in the music building for the listening hour, a small noon-time concert which is performed by the staff and students from the music majors. Since it is a free noon-time concert, most of the audiences just wear the t-shirts and jeans to the concert. Dresses are not required for the concert. The performance today is given by the Ananda Jazz Ensemble. They have played “Running Away”, composed by Bob Marley; “Madalena”, composed by Ivan Linz; “Conejitos y Ananda”, composed by Abi Romero; “La Bikina”, composed by Ruben Fuentes; and “Chukaro”, also composed by Abi Romero. Because this is a Latin Americdan Journey, all of the music performed is jazz music. All pieces played in the concert are an ensemble of piano, bass, and drums. During the concert, I was trying to be a perceptive listener; I enjoyed the music with concentration and paid attention to the music’s unity and variety, such as the dynamics and tempos. I also tried to associate the music with a picture when I listened to it and understand the emotion in the music.