A Man Called Ove : The Limit Of Injustice

Both Antigone and Juror 8, from Antigone and Twelve Angry Men, use the power of one to get their points across, Antigone believes that she must bury her brother, while Juror 8 believes the suspect is innocent, both characters believe their actions are justified; Haemon stands up for Antigone with courage against the intimidation and force of his father, and juror 8 has the courage to stand up to the intimidation and force of juror 3.

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

The outstanding play “Antigone” written by Sophocles introduces how Antigone can reveal the honor within a family. “Antigone” produces a tragic hero, which is Antigone because of her pride and imitation of action.

In the story of Antigone several characters made major and, definitive decisions based on their subjective morals and emotions. In almost every scenario a specific character was given the ultimatum of life or death. To the reader’s surprise, the characters chose death in order to remain consistent to their personal beliefs. I concluded that Sophocles intended for this element to convey that, people who are dogmatic in their beliefs often act solely on their emotions and are prone to make unintelligent decisions. This analysis will explore the morals of certain characters in Antigone, in an effort to determine whether remaining steadfast in those morals was worth their respective repercussions.

When reading the book A Called Ove, I jumped to conclusions too quick. Judging people without knowing them is a cliché theme, but the story was told beautifully. Ove teaches that Community and family is crucial for being happy, and people can change.

In the novel, A Man Called Ove written by Fredrik Backman, Ove, an old man, is living in Sweden. He lives on a private road in old town homes. His neighbors were old friends, but now they are moving to retirement homes and new more modern people are moving in. Patrick and Parvaneh are one of the new couples that moved in. They have little children and Ove will become very close to them because of traumatic events. ‘White Men” are the authority in the book. They try and come into the neighborhood and take everything away from Ove and his neighbors. Ove lives in a neighborhood with very strict rules that he likes to keep to. For example, motor vehicles are prohibited, so when the new neighbors bring their car in Ove isn’t to happy with them.

In the play Antigone, the author, Sophocles, has incorporated many themes and questions that leaves the reader wondering. One of these questions is, what is the difference between honor and disgrace? Well, in this play, Oedipus and Jocasta’s four children are ideal examples of both. This essay is going to be talking about honor and disgrace between the four Theban siblings. Antigone is the main character, and she has shown significant honorability; probably the most honorable character in this story.

Throughout life you always have your family to share the smiles, the tantrums, the unseen moments, and tears. As we make it through to adulthood, we all secure those special bonds that we have with our family, but obeying the law has been embedded into our minds since a young age so which is more important? The book, Antigone is a greek-mythology tragedy play written by Sophocles about a curse put onto a man named Oedipus where he is destined to kill his father, marry his mother, and bring unfortunates to his city. Antigone, the main character is the result of an incest marriage between Oedipus and his mother Jocasta, the play begins with Antigone attempting to convince her sister to bury her brother, Polyneices’ body, going

When Teiresias asks in Antigone (line 1051), "What prize outweighs the priceless worth of prudence?" he strikes (as usual) to the heart of the matter in Sophocles' Theban Plays. Sophocles dramatizes the struggle between fate and free will, in one sense, but in another sense the drama might be better understood as the struggle between the will of the goods (which it is prudent to follow, according to Teiresias) and man's will (which is often imprudent). Sophocles' characters are moved by their own wills, of course (either in accordance or in conflict with the will of the gods). Oedipus in Oedipus the King is determined to pursue the truth in spite of the objections of Jocasta, the priest, and his own misgivings. In Oedipus at Colonus, Theseus "cannot rest" (line 1773) until he has served both Antigone and the late Oedipus (implying that conscience is his motivator awareness, in other words, of his duty towards them). In Antigone, Antigone acts in accordance to the will of the gods (but in disobedience to the will of Creon) and does so knowing the punishment that awaits her: "Go I, his prisoner, because I honored those things to which honor truly belongs" (lines 178-9). This paper will show how while fate is a powerful force in The Theban Plays, the characters themselves are still left to exercise their own free will (either with respect or disrespect to will of the gods). Thus, the main drama consists not in the

The human struggle to defy what is intrinsically wrong but established as permissible is openly apparent in the initial scenes of the play – strong-willed and brave-hearted Antigone reveals her plan to unlawfully bury her brother, only to be rejected and dismantled by cautious and law-abiding Ismene. Although Ismene is saddened by her brother's fate, nomos renders her helpless; social constructs have influenced her belief that their standings as women and individual citizens are no match for state law. Consequently, she is appalled that Antigone would even think of defying Creon, believing their brother's fate is out of their hands. She even warns her sister, "tis witless to be over busy."1 Her chance to rightfully bury Polyneices, and more importantly, to realize her innate responsibility to her kin, is temporarily barred by human-allotted law and practice.

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king

In Sophocles’ play Antigone a young girl is confronted with a difficult choice of obeying the law of the land or fulfilling her filial duty. Her uncle has forbidden the burial of a traitor; the traitor happens to be Antigone’s brother who has declared war on his city. Antigone must decide: should she be compelled by personal motives and bury her brother- the punishment for which is death penalty- or should she obey the law and leave her brother’s corpse to be feasted upon by vultures? Either of the choices is a risk; both have consequences. And it is around this arithmetic of risks and consequences that Kamila Shamsie’s latest novel ‘Home Fire’, a modern-day retelling of Sophocles’Antigone, is built. In this paper, I will analyze the risks taken by the four main characters, and the consequences they face, and the factors that shape these risks and consequences.