Essay A. Marcello Oboe Concerto in D Minor

The Concerto Since the Baroque era, the concerto has played a vital role in the music world. According to the Merriam Webster dictionary, a concerto is “a composition for one or more soloists and orchestra with three contrasting movements.” There are two main types: the concerto grosso and the classical concerto; both will be discussed later. While the term concerto is relatively easy to understand in context, when put into use the term becomes more complicated to define. The basic elements that…

the history of music. His Violin Concerto in D Major has been played by nearly every soloist in the past 150 years and, today, it is one of the major works in violin repertoire. Since its premiere by Franz Clement in the winter of 1806, many aspects of the violin, bow, and performance have undergone changes. This paper discusses the modern day knowledge of Beethoven 's Violin Concerto, and how it is influencing the way violinists interpret and perform the concerto. It also points out some of the different…

The Violin Concerto No. 1 in G minor, Opus 26 is one of the most famous violin concertos over the musical history. It is also considered to be the most renowned work by the German composer Max Bruch. I will begin with a short explanation of why I choose to analyse this piece followed by what makes this piece so remarkable. I will then present the musical context – German Romantic period – in which this piece was composed and discuss how it is representative of this period. Also, I will present briefly…

The Yellow River Piano Concerto Xian Xinghai * Xian was born in 1905 in Pungu in China. * He joined the communist party in 1938 where he composed the Yellow River Cantata. * The Yellow River was considered by the Chinese as the cradle of China’s civilisation and its sorrow. * The cantata was an eight movement work for chorus orchestra and soloists with narration in between. Yellow River Cantata * The cantata aimed to express the troubles of the people who lived on the banks…

by individuals on various levels of musical understanding. The Partita no. 2 in d minor is only one of these masterpieces produced by J.S Bach. The partita for solo violin consists of five movements; Allemande, Courante, Sarabande, Gigue, and Chaconne. The Chaconne is the last of the five movements of the partita and is unusually long compared to the other movements. The Chaconne from the Partita no. 2 in d minor is an example of continuous variation form that is built off of the first four measure…

My musical selection was Chaconne from Partita in D Minor by Johann Sebastian Bach, performed by The Eroica Trio. I listened to this piece, lasting fourteen minutes and forty-eight seconds, through the online classical music library. This piece was composed in 1720 during the Baroque Era and exhibits many features characteristic of Baroque music, which will be analyzed later in this paper. This chaconne is considered to be one of the most intense pieces of music Bach ever wrote, according to the…

Wolfgang Amadeus Mozart, 1757 - 1791, was a prolific writer of concertos, composing 27 piano concertos. Throughout his writing he developed the use of the cadenza, highlighting the performer’s talent with a virtuosic passage. Not all Mozart’s cadenzas have survived therefore future composers have attempted to recreate these passages, often reflecting the period in which they were written. Cadenza comes from the Latin ‘Cadere’, ‘to fall’ and broadly means a flourish at the end of a single melodic…

The concerto form was developed significantly from the Classical to the romantic era; producing changes within its instrumentation, form thematic material and rhythmic devices. The societal attitudes towards the composition and consumption of the concerto form also changed during this time. A concerto is an arrangement with solo works performed within the piece, alternating between a larger ensemble and the soloist. The root of its definition was believed to mean to ‘skirmish with one another’…

18th century, the concerto was transformed into a viable instrumental genre to both demonstrate virtuosity as well as a cohesive character that embodied the natural. Though the series of changes from the Baroque concerto grosso to the Classical concerto were gradual and cannot be attributed to a single composer, the Piano Concerto No. 20 in D minor K. 466 by Wolfgang Amadeus Mozart is a skillful representation of the genre in that era. Of particular interest in this concerto is the treatment of…

Formal Analysis on Beethoven's Piano Concerto No.3 in C minor , Op. 37 a)The "Beethoven Concerto"s and Op. 37's Placement in the Genre and as a continuation of Mozart's Style b)Reception of the concerto-specifics of the concerto in a broad view c)Formal and musical analysis with respect to the Concerto Form in the Classical Style (As a precursor of Romantic Age) d)Conclusions a)Beethoven Concertos According to commonly agreed placement of this concerto among others, the way that it still carries…