A Marxist and Feminist Literary Criticism Being a single woman with a family to support in the 1930’s was not an easy job. Especially when society had so many chips stacked against them. Tillie Olsen’s “I stand Here Ironing” is a short story that addresses feminine social disorders and inequalities as well as economic disadvantages that people of lower circumstances have to overcome to survive. In the short story it is basically an autobiography of Tillie Olsen’s life told by the narrator (Emily’s mother). Throughout the story the narrator is reflecting the way she brought up her daughter during a depression and feminist era. She feels very regretful reflecting 19 years late because of the decisions she was forced to make because of the absence of Emily’s father. This story can be seen in a feminist perspective as well as a Marxist perspective; even though they are very different from one another both perspectives help interpret Tillie Olsen’s short story. The Marxist perspective helps illuminate Tillie Olsen’s “I stand Here Ironing” when the narrator explains how the capital system negatively affected Emily and her Family. In a feminist perspective the narrator describes her different encounters with men that abandoned her; causing her to have to take on a male dominated role. Because of the societal characteristic she had to take on it caused her to turn away from her daughter in order to survive. Tillie Olsen the author of “I stand Here Ironing” was a feminist who
The most prevalent and popular stereotype of the post World war II era in America is one filled with women abandoning their wartimes jobs and retreating into the home to fulfill their womanly duties. In Joanne Meyerowitz’s Beyond the Feminine Mystique: A reassessment of Postwar Mass Culture, she shows how far women departed from this one dimensional image. While Betty Friedan’s The Feminine Mystique is reflexive and focused on the mainstream, Meyerowitz’s analysis is a broader and more inclusive exploration of media, as she draws upon multiple sources. Although Friedan effectively unveiled the thought process and reasoning behind society's belief that the message of media was to make women think that their place was to be the happy housewife, Meyerowitz expanded her media archives and found a differing message in analyzing both female responses to media and exploring their stories.
While James Baldwin’s short story “Sonny’s Blues” depicts the connection between two brothers, Tillie Olsen’s short story “I Stand Here Ironing” represents the bond between a mother and her daughter. Both Baldwin and Olsen focus on family relationships and how emotional support vs neglect have an effect on family members. Also, each author conveys a message of finding self-identity even amidst adversity, while including the symbolism of everyday objects. Furthermore, Baldwin compares light and darkness throughout his story, and Olsen has the mother scrutinize her actions in an interior monologue.
Women working men’s jobs were not as welcomed in society as they were in factories. People held on to the belief that women should be house wives and not have to do much in the way of work. The man should provide for the family, and the women should take care of the family. Many of the women who worked were lower class and had to help provide for their families, or were the only providers for their families. Women who worked men’s jobs were looked down upon and thought to be no better than dirt. Although women working in factories were still women, men did not show them the same respect as they did a woman working as a secretary or teacher.
The literary element of Marxist feminism focuses on the idea in which women are oppressed through capitalism and private property. Starting from the Harlem Renaissance the Hurston’s work focuses on issues presenting on the turmoil of African-Americans from American literature in the nineteenth century on. Zora Neal Hurston’s work entitled “Sweat” is a prime example of how culture is affected by its cultures standards of economic “base”. The story was published in 1926 during a time of trial and error considering the obstacles that faced many female authors at the time. Hurston’s story “Sweat” overlaps with her novel “Their Eyes are Watching God” which also supports the idea that culture
Beginning with Rebecca Harding Davis’s Life in the Iron-Mills, readers can find within the text a clear oppression of lower class peoples that is also an indirect oppression of women as lower-class individuals. Davis tells this story with a man named Hugh Wolfe as her main
Rebecca Harding Davis was a groundbreaking author whose work, Life in the Iron Mills, examined a socioeconomic system that failed some while keeping others empowered. The issues of power and social class that are embedded in the work prompts readers to look closer at the unskilled immigrant laborers, whose living and working conditions were deplorable, and compare them to the capitalists and wealthy mill owners whose financial success rested mainly on the workers who were being marginalized. The narrator’s call to the readers, “Stop a moment…hide your disgust, take no heed to your clean clothes, and come right down with me,” is actualized through the eyes of the middle and upper class gentlemen who visit the mill on what the narrator refers to as “the crisis of [Hugh’s] life” (Davis). Though the narrator’s voice eases the
In the next chapters, the struggles of women and children are outlined. The jobs for women of the early 1800’s consisted of sewing, washing, cleaning, cooking, and reproducing the next generation of laborers. In , a rise in domestic service also ensued within black or white, free and enslaved women. These women were hired as servants, nannies, and maids. Children also began working as well. Orphans were often used as domestic servants and teen apprentices. The Female Association Charity School taught destitute girls who were raised on streets to read, write, cipher, sew. They were also trained to be domestic servants and then hired in the future. Women were paid much less than men, because it was thought that they were dependent of their husbands; it was unheard of to have “female breadwinners”. Factory accidents, crime, abandonment, and abuse from husbands left women desperate to support children. The wages that seamstresses had in early 17th century Baltimore was not a living wage. It was not substantial enough to support themselves or their children. So in 1833, women held strike and refused to work only worked if employers paid them wages equal that of to men. The results of the protest was not what was hoped. Women were actually paid less after the strike, but the
This essay will compare the effectiveness of social division using Karl Marx’s theory of class division and the feminist theory of patriarchy. I will also link this to ethnicity in black feminism and evaluate how relevant these theories are to society today.
Life in the Iron Mills is a novella that is hard to classify as a specific genre. The genre that fits the most into this novella is realism, because of the separation of classes, the hard work that a person has to put into their every day life to try and make a difference, and the way society influences the actions of people and their relationships. However, no matter what genre is specifically chosen, there will be other genres present that contradict the genre of choice. While the novella shows romanticism, naturalism, and realism, this essay is specifically centered around realism. The ultimate theme in Rebecca Davis’ Life in the Iron Mills is the separation of classes and gender. It is the separation of classes when the people in the
Jaeline De La Cruz Mrs. Kehrmeyer A.P. English – P.1 5 November 2015 Feminist Analysis Feminism is the belief that women are and should be treated equally in all opportunities and social rights as to men. That discrimination should not be based on gender in which premises are quite diverse with the male and female power. Women’s roles have been controversial, this approaches opposing perspectives on gender roles in society. In his book, Literary and Cultural Theory, American poet and writer, Donald Hall, introduces the idea of feminist analysis that the “Key to all feminist methodologies is the belief that patriarchal oppression of women through history has been profound and multifaceted” (Hall 202). In other words, Hall argues that women have faced inequality under the oppression of men. This feminist analytical perspective has adapted to several generations of literature, since the early 19th century, and continues to explore the social roles of women. One of the many kinds of feminist analysis includes cultural feminism. Cultural feminism focuses on the cultural roles and stereotypical characteristics of women. It also reveals how women are seen more as assets rather than liabilities. Cultural feminism is an ideology of the way women have been denied in power. Feminist literary theory focuses on the differences between men and women and their assigned social roles. Authors like Kate Chopin, who wrote The Awakening and The Story of an Hour, and Charlotte Perkins Gilman,
Socialist feminism which believes in a dual-system, indeed it focuses on both the public and private spheres and claims that woman freedom can only be achieved by working to end economic and cultural foundations of women's domination.
In the stories “The Jewelry” by Guy de Maupassant, “The Story of an Hour” by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female characters are unequal and less important than the men in society. The duties of women during this time period did not consist of much more than seeing to her husband’s needs and caring for the home and children. The authors show the lack of independence women were allowed in the 1800s, especially in marriage. The stories express women’s cry for equality and their feelings of entrapment in their marriage. Each story elaborates on the importance of social class in the 19th century, how women were presented in society, and how society
The philosopher Karl Marx once said, “It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness” (Marx). Marx argues that social circumstances determine one’s value and belief. Therefore, in his short story “Winter Dreams”, F. Scott Fitzgerald supports this Marxist theory by exposing that the proletariat is oppressed by the bourgeoisie’s ideology that the goal of life lies in status and material success, wrongly leading the middle-class to pursue inappropriate goals and ultimately to lose personal identity as developed through vivid imagery, starting with depicting a proletarian’s dream, followed by his success and transformation by a materialist, and ending
In this paper, we will analyze Catharine MacKinnon’s work Feminism, Marxism, Method, and the State: An Agenda for Theory, and the unique way in which she tries to form a metaphorical parallel between Marxist theory and relate this to her stance on feminism. She uses this distinctive technique to develop her feminist theory of law. While most would agree that she is very innovative in her approach, we will try to examine the problems with looking at feminism and feminist theory in this manner. While not completely discrediting MacKinnon, the purpose of this paper will be to shed light on the dangers of trying to hijack Marxist theory, stifle it into a corner, and cover it in feminist theory, much like An Agenda for Theory does. We will then look at ways in which we can liberate Marxist theories form MacKinnon’s tight associations and give ideas to help them guide modern feminism as a helpful resource, instead of making it a clear cut metaphorical dictator to truthfully understanding Feminism and feminist theory.
Feminism, if anything, has appeared majorly in the literature spectrum through all decades and forms. Feminism is the political, cultural, or economic movement aimed at establishing equality and protection for all women. No matter the time period or place feminism has always been a popular literary topic that has made a few works quite notorious, including Jane Eyre by Charlotte Bronte and A Doll’s House by Henrik Ibsen. Both works contain the scenarios in which the main characters are taken advantage of due to the apparent feminist society.