A Marxist Critisim of Barn Burning

He is even more afraid of losing his father’s trust after Abner hits him “hard but with out heat”(280) not for telling the truth, but for wanting to. Sarty is conscious of the fact that if Abner knew his desire for “truth, justice, he would have hit”(280) him again and that Abner’s recommendation that he “learn to stick to” his “own blood or you ain’t going to have any blood to stick to you”(280) is more of a threat rather than fatherly advice. Sarty learns to stifle any qualms he has and overlook his own developing morals in order to defend his father’s cold-blooded attacks. In the face of Abner’s “outrage and savagery and lust”(286) and the ever-present conflict these emotional outbursts cause, Sarty’s sense of obligation to his father out weighs his desire to “run on and on and never look back”(286). He hopes being forced out of town will transform the side of Abner that possesses an “inherent [ly] voracious prodigality with material not his own”(279) and he will be satisfied once and for all. As father and son walk within sight of an impressive manor “big as a courthouse”(280) owned by Major de Spain, a wealthy landowner with whom Abner has struck a deal to farm corn on his land, Sarty knows at once that “they are safe from him”(280). His father’s “ravening”(281) envy could not possibly touch these “people whose lives are part of this peace and dignity”(281). But, Abner is seething with “jealous rage”(281) at the sight of the de Spain

In “Barn Burning,” the author, William Faulkner, composes a wonderful story about a poor boy who lives in anxiety, despair, and fear. He introduces us to Colonel Satoris Snopes, or Sarty, a boy who is mature beyond his years. Due to the harsh circumstances of life, Sarty must choose between justice and his family. At a tender age of ten, Sarty starts to believe his integrity will help him make the right choices. His loyalty to family doesn’t allow for him to understand why he warns the De Spain family at such a young age. Faulkner describes how the Snopes family is emotionally conflicted due to Abner’s insecurities, how consequences of a father’s actions can change their lives, and how those choices make Sarty begin his coming of age into

Both of these stories feature moral decisions as salient points throughout. In “Barn Burning”, Abner Snopes’s sense of morality has been compromised by his experiences during the Civil War. He now expresses and identifies himself through his violent acts, i.e., burning barns, stealing horses, and living off of other people. His son, Sartoris Snopes, has the moral decision of whether to be

William Faulkner’s “Barn Burning” takes a lot of real life cultural values and ways of southern life in the late 1800s. Many of those values and ways are expressed by sharecropping and tenant farming.

The short story,”Barn Burning”written by William Faulkner is about a 10 year old boy named Sarty, who gets called to the stand of the court; his father, Abner Snopes, is accused of burning a barn down. Sarty knows that his father is guilty of arson and wants justice to be served, but, his father wants him to stay loyal to his family and blood. The conflict of morals vs. family goes on for the entire story,Sarty’s moral beliefs are embedded in justice and peace, while his father wants him to protect his family no matter the circumstances. Literary devices used in the story are symbolism and diction, the symbols of blood and fire being, family and a chain.and being told from the perspective of a timid ten year old boy. One of the major themes present throughout the story is courage, wanting to tell on his father for arson but, being shot down by his intimidating father. William Faulkner illustrates the theme of courage through the use of symbolism and diction

People are born into families without decision. We cannot choose our family and sometimes that is a bad thing. In some situations, people have a bad home life growing up as a child. Until a person is old enough to make their own decisions they will have to do what their parents tell them. When a person becomes old enough to decide for themselves what their morals are they can begin to live freely. In Everyday Use, Barn Burning, and Those Winter Sundays, the authors Alice Walker, William Faulkner, and Robert Hayden all illustrate significant change in the characters Mama, Sarty, and the man at the end of the stories.

Sartoris (Sarty) Snopes is a young boy in William Faulkner’s story Barn Burning whose inner conflict causes him to make a choice between his family and his conscience. He seems to have unspoken intelligence that allows him to think independently of his controlling father. Sarty chooses to obey his own moral code rather than to remain loyal to his family because of how Sarty views his father’s actions throughout the story.

“Barn Burning” first appeared in print in Harper’s Magazine in 1939 (Pinion). It is a short story by William Faulkner which depicts a young boy in crisis as he comes to realize the truth about his father’s pyromania. Faulkner takes the reader inside the boy’s life as he struggles to remain loyal to his unstable father. In the end the boy’s courage and sense of justice wins and he not only walks away from his father’s iron clad control over his life, but he is able to warn his father’s next victim. To understand how this boy could make such a courageous, difficult decision we must review the important events in the story and the effect they have on him.

actions to show that no one will own or control him. He has no regard

Next, we are introduced to the antagonist, Abner Snobes, when he talks for the first time since the trial began. He also establishes the fact that he plans to move himself and his family out of town. We are then introduced to the rest of Sarty’s family.

Every person reaches a point in their lives when they must define themselves in relation to their parents. We all come through this experience differently, depending on our parents and the situation that we are in. For some people the experience comes very early in their lives, and can be a significant life changing experience. In William Faulkner’s “Barn Burning” Colonel Sartoris Snopes must decide either to stand with his father and compromise his integrity, or embrace honesty and morality and condemn his family. This is a difficult decision to make, especially for a ten year old boy that has nothing outside of what his father provides. Sarty’s decision to ultimately betray his father is dependent on his observation of Abner’s character

DeMott introduces the conflict from a much different viewpoint and lets the readers see Snopes as a victim. DeMott believes Snopes likes to pull the victim card because he is poor and believes that everyone is trying to make society fall to economic power. Snopes does not like feeling as if he is subject to any power other than his own. By Snopes not wanting to fall subject to the community’s economic power system, he not only refuses to pay but also burns the barns down (DeMott 494-495). Brucker’s sense of conflict was rather similar to the others. Brucker stated within his article that betrayal was the main sense of conflict throughout the piece. Brucker not only used the major conflict within his article, but he also introduced some symbolism (Brucker).

The saying, “blood is thicker than water” is a term used to imply that family relationships are always more important than friends. However, at times it may be hard to choose between family and friends based on right and wrong. In the short story, Barn Burning, written by “William Faulkner, a Nobel Prize winning novelist of the American South”(“William Faulkner”), choosing between family and doing what is right for honor and justice is highly expressed. The main character, Colonel Sartoris Snopes, nicknamed Sarty, battles his thoughts of doing what is right or wrong throughout the story. After following the orders of his father for ten years, Sarty eventually decides to make his own choice and go against the pull of blood.

There are several ways in which William Faulkner's short story "Barn Burning" is indicative of literary modernism. It depicts a relevant historical period and is part of the frontiersman literary tradition (Gleeson-White, 2009, p. 389). The author utilizes a number of purely literary approaches that were innovative for the time period in which the tale was originally published (in 1932), such as employing a young child as a narrator complete with misspelled words and broken, puerile thoughts. However, the most eminent way in which this story embraces the tradition of literary modernism is in the author's rendition of dynamic social conventions that were in a state of flux at the time of the writing. Specifically, his treatment of race is the inverse of how race is generally portrayed in American literature prior to the early part of the 20th century. An analysis of this integral component of "Barn Burning" reveals that Faulkner's unconventional rendering of African American characters in a desirable social status particularly as compared to that of the Snopes clan is crucial to this tale's inclusion as part of the tradition of literary modernism.

All stories, as all individuals, are embedded in a context or setting: a time, a place, and a culture. In fact, characters and their relationship to others are better understood in a specific context of time, place and atmosphere, as they relate to a proposed theme or central point of a story. Abner is revealed as a sadistic character who confronts his son with the choice of keeping his loyal ties to the family or parting for a life on his own with no familial support. Sarty is Abner's son, a young boy torn by the words of his father and the innate senses of his heart. Sarty is challenged by an internal conflict, he wants to disobey his father, yet he knows that if he leaves he will have nowhere to go and no one to turn to. We will