Written during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MND, both men and women were expected to act according to the roles set upon them by their society. Men were dominant and superior in society, politics and intellect (Master’s). They often held high positions of authority in both domestic and social …show more content…
He is referring to the war against her people, the Amazons, and taking her as a trophy in honor of his victory. She is now objectified as his possession and must marry the man that slaughtered her people without questioning or going against his wishes, for his authority in both society and law prohibit her to do so. The domineering relationship between subjugate and submission is a governing factor within the comedic realm of Athens. The theme of “Erotic desire and martial conquest are collapsed into one another in the Duke 's language.”(Rieger 73). However, Shakespeare gives her character sly control over her husband when she reinforces that Theseus await their marriage celebration (even though he has the authority to change the date of the wedding). Female objectification is not only present in their relationships with a partner but with their parents as well. During Elizabethan Era it was customary for a women’s parents to arrange her marriage with an adequate suitor in order to uphold the family’s riches and social status. As seen in Hermia’s case, her father, Ageus, promises her to Demetrious. However, upon her refusal Egeus brings her before Theseus, duke of Athens, and demands that she comply to his wishes or answer to Athenian law stating that “…she is mine, [and] I may dispose of her,”(I.i.42), she is his possession for he created her and therefore owns her. Although she rejects his commands, Egeus has no regards for his daughter’s decisions because he “…cannot
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are
In the opening scene, Hermia refuses to follow her father’s orders to marry Demetrius and instead, demands to stay with Lysander. To act on the situation, Egeus appeals to the duke, Theseus, to force his daughter to marry Demetrius. Turning to Hermia, Theseus then tells her:
The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus
In a patriarchal society, women are expected to conform to social restrictions by demonstrating reverence and obedience to the males in their lives. Shakespeare's tragic play, Romeo and Juliet, explores the effects of patriarchal authority exerted over women and how the patriarchal structure left no escape from it, save death. Through Juliet, Lady Capulet, and the Nurse, Shakespeare establishes a common understanding of this type of society, but illuminates three different reactions to the social oppression by portraying the responses of a passionate lover, an idyllic housewife, and an attendant.
Although Shakespeare created a strong female character she was still conquered by a man, Theseus. In the beginning of the play he says, “Hippolyta, I wooed thee with my sword, /And won thy love doing thee injuries. But I will wed thee in another key-With pomp, with triumph, and with reveling.” (Shakespeare 1.1.17-20). In this line Theseus is referring to the fact that he conquered Hippolyta in his military conquest. The play eventually evolves back into patriarchal normalcy after Theseus won in combat and conquered Hippolyta and her Amazonian people. Hermia’s father, Egeus, wants Hermia to marry Demetrius although she does not want to because she is in love with Lysander. Egeus says, “As she is mine, I may dispose of her,/ Which shall be either to this gentleman/ Or to her death, according to our law” (Shakespeare 1.1.42-44). Egeus is willing to put his own child to death if she disobeys him. He also talks about her as if she is his property and has no rights of her own. Theseus backs up Egeus in forcing Hermia to marry Demetrius, but he proposed her going into
He needs her too, so he wins the boy for himself to make her feel inferior. In other words, Titania gave up something that she loved to make her husband happy. This is seen in everyday life, women give up their wants to make their men happy. Titania's sacrifice for Oberon cost her to lose both her Indian boy and his mother, her women lover. When men don't make women happy, they turn to their friends for what they need, whatever it may be. (Scott 370-373) Male domination not only exists between husband and wife, but also between father and daughter. Theseus will not allow Hermia to marry Lysander. Theseus wants her to marry Demetrius. Egeus, a ruler, will force Hermia to become a nun unless she marries Demetrius. In retaliation to his demands, Lysander and Hermia run away together. Hermia is scolded by Egeus for being in love with the man she chooses. This suggests that men cause women to feel forced and obligated to do as they say. (Scott 373) Another example of male domination is the marriage of Theseus and Hippolyta. Theseus' first wife was frail and yielding, and he divorced her. Hippolyta has been a warrior, and Theseus' victory over her makes her unable to resist. By conquering the female warrior and marrying her, he fulfills his need for the exclusive love of a woman while satisfying his homoerotic desires. Close bonding fulfills this homoerotic desire with a male companion, such as Demetrius and
When observing gender in our society, women and men are stereotyped with specific roles. Men have always been seen as the family’s main source of income whereas the women take care of their home and children. However, Shakespeare challenges these gender roles in his play with the three female characters Goneril, Regan, and Cordelia. While all three are independent, powerful women and even lead their armies into battle, the men seem to be foolish and weak such as King Lear and Albany. Furthermore, Mira cel Batran makes a point in her essay, “Feminist Reading of William Shakespeare’s King Lear”, that although women are regarded as dependent on men, Shakespeare explains that it can be the exact opposite. The men seem to depend on the women such as King Lear depending on Cordelia and Albany depending on Goneril. Shakespeare, in his play, King Lear, portrays women who are strong and intelligent and men who are weak or overpowered by female characters, challenging the societal belief that women are inherently less than or dependent on men.
In A Midsummer Night’s Dream, the audience is never truly privy to any of the characters’ dreams; however, Shakespeare portrays reality as a sort of dream. The forest symbolizes a realm where anything can happen, with no regard for time or logic, much like in a dream. Therefore, when the lovers come out of the forest, without explanation for their actions, they believe it to be a dream, even though it had real-life consequences. By having the characters talk about their dreams and believe their realities to be dreams, the play explores the idea that dreams demonstrate reality, in that they show fears and desires, but it also explores the idea that reality can be affected by dreams. While Hoffman’s movie adaptation recognizes this in some aspects, it does not explore it in entirely the same manner.
He leads with great compassion towards others, an important trait any leader should possess. The duke gives Hermia three choices after she refuses to marry Demetrius, "Either to die the death or to abjure/ Forever the society of men" and four days to make her decision, unknowingly giving her time to run away with Lysander (I.i.65-66). As well as being a compassionate leader, Theseus sticks to the rules. He applies the law to Hermia after Egeus storms in "Full of vexation...with complaint/ against [his] child, [his] daughter, Hermia," something that all leaders must do in order to set an example to their followers
Although Hermia and Lysander are in love, Egeus attempts to exert control over them by arranging Hermia to marry Demetrius. He declares, “As she is mine, I may dispose of her;/Which shall be either to this gentleman/Or to her death, according to our law” (1.1.42-44). At his side, Theseus furthermore exerts control with an additional option, “To death, or to a vow of single life” (1.1.121). This also affects Helena’s love for Demetrius, since the marriage is arranged by Egeus rather than between Hermia and Demtrius. However, Demetrius himself attempts to exert his control her as well as Lysander by declaring “Thy crazed title to my certain right” (1.1.92).
One of the most notorious topics of interest in the works of Shakespeare is the role women receive in his plays. The way Shakespeare wrote his plays, women were very submissive to men and had no will and choice of their own. Women were extremely reliant upon the men in their lives, believing that they were inferior and thus following their desire for the women’s lives. This included that marriages were usually arranged by a powerful male, instead of giving the woman the opportunity of choosing marriage for love. It is not surprising that Shakespeare portrayed women in a way that was familiar to him and the time era in which he lived. In A Midsummer Night’s Dream and The Taming of the Shrew, both focus on the development of love and not, with
Theseus rules by trying to make everyone happy while abiding by the old Athenian law. Theseus says, “Look you arm yourself to fit the fancies your father’s will.” (1.1.117-118) In this scene, Theseus is telling Hermia to marry Demetrius or to get ready to die. Egeus says that she is his property by the Athenian law. This causes Hermia to run away with her love, Lysander. At the end of the play, Theseus says, “Egeus, I will overbear your will.” (4.1.182) He is telling Hermia’s father that the law will be void for this marriage. This tells that Theseus will override it for the happiness of the four lovers. Oberon rules in a way where he is happy even if it sacrifices someone else's happiness. He will do mischievous things and blackmail others, including Titania, for his own satisfaction or gain. Oberon says, “Give me that boy, and I will go with thee.” (2.1.143) Here, he is telling Titania that if she doesn’t give him the boy, he will not dance with he at Theseus’s and Hippolyta’s wedding. They are supposed to dance at the wedding to tell them that they bless their marriage. Oberon is blackmailing her so that if she doesn’t give him the boy, they won’t dance, thus giving the couples the impression that they don’t bless them. Also, right after he squeezes the love flowers juice on Titania’s eyelid, Oberon says, “Wake when some vile
In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her
In Shakespeare?s play, numerous examples were given as to how the women are treated like second class citizens. Those examples are concurrent with the Elizabethan time period pertaining to the rules of dating and marriage, respect for elders, and obedience to figures of authority. Children were the property of their parents, and gave them the respect that a servant might give to his master. This was a time when male domination was the norm. In this patriarchal society, women had very little, if any, choice in whom their husbands were to be. In order for families to benefit, marriages were arranged. Shakespeare demonstrates this in the relationships between the dominant Theseus, Egeus, and Oberon and the characters they attempt to control. Egeus demands that his daughter, Hermia, must either marry Demetrius or answer to Athenian law. Theseus orders that if Hermia does not marry his son, she will face death or be sent to a nunnery. Oberon, the king of fairies, after arguing with his Titania over an Indian boy, decides that he will disregard her wants and attempt to control her without
Hermia is recognized as an inferior character due to her fathers commands-Egeus. Hermia endeavours to get Egeus to give permission for Lysander and herself to get married. However, he responds with a rational answer, giving her two choices: “Consent to marry with Demetrius…” “…or to her death, according to our laws…” (Shakespeare 1:1 40,44). This passage stats how Hermia is given the option to marry Demetrius or to be killed by her fathers request. Also, it describes that this act is legal and right in the laws of the Athenians as Egeus mentions. This means that women throughout the town are forced to do what their fathers say. Which proves that woman are powerless and males are given the role of superiority, this makes the society unjust. Hermia is shown as powerless towards what