A Midsummer Night’s Dream - The Feminist Subtext Essay

Hermia, originally the Apple of all Athens’ eye, put on an impossible pedestal by both Lysander and Demetrius, seems to trade social standings with the outcast Helena. It seems that Hermia doesn’t fully appreciate the quality of her state. She complains that her father will not allow her to merry her true love Lysander, and pawns her off to the inadequate Demetrius. Never can she accept the flattery of Demetrius’ unrequited love which her best friend would do anything to sincerely receive. Instead she revels in wonderment: “The more I [Hermia] hate, the more he [Demetrius] follows me” (I.i.198). Her unhappiness is far heightened when her two followers are given the love potion, turning them against her and beckoning to Helena. The cruel swap of fates lets the two female characters feel as though in the others’ shoes. It’s Hermia’s karma for being ungrateful at the attention bestowed upon her all these years that leads her to this harsh lesson.

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

Demetrius delivers this line in the forest after Helena has provided him with the information concerning Hermia and Lysander's plans to elope. Since Demetrius has taken what he wants from her and tells her to leave him alone. This shows that love can possess a cruel and abusive nature.

The feminist school has various goals when being used to scrutinize a piece of literature. As Gillespie points out, historically texts were written by males with primarily male protagonists, and thus, the male sentiment is most dominantly expressed in many works of literature. The lessened representation of women in literature is usually confined to typical stereotypes of the historical period. This can be seen in Shakespeare’s play Hamlet, and this will be further explored and discussed. Through the feminist lens, women’s presence and portrayal in the play, as well as the common stereotypes about women in Shakespearean society, can be studied carefully, despite the centuries that have passed between the play’s conception and the present. Additionally, as stated in Literary Theories: A Sampling of Critical Lenses,

When Demetrius becomes more infatuated with Hermia’s beauty and kicks Helena to the curb, her heart and self-confidence become pulverized. She thinks that she is no longer beautiful, compared to Hermia at least. “No, no, I am ugly as a bear,/ For beasts that meet me run away for fear” (2.2.100-101). If Demetrius is no longer enamored by her beauty, then she convinces herself that she has none. Also, since, in her eyes, Demetrius is some righteous, benevolent man, she believes that she is ineligible of anyone so perfect.

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

7. What is Lysander’s comment about Demetrius’s previous love affair with Helena? What does this say about

Helena is madly in love with Demetrius and would give her life for just one kind word from him.

Helena, portrayed as a poor dopey-eyed woman, in love with a man who does not desire her, symbolizes a trampled woman in need of a self-esteem boost. Helena is not so different than most women depicted in this time period. During the 15th and 16th centuries women were considered inferior to men, property of men, not much more than breeding stock expected to deliver heirs. Helena is depicted as a fool, a needy whiny woman who nobody loves. Helena, who is so consumed with her love of Demetrius, chases him into the wood begging him for attention, “I am your spaniel” ( ). Helena is begging Demetrius to love her again, telling him that the more he tells her no, the more he demands she go away, the stronger her emotions become. Helena cannot allow him to leave, even after he threatens her reputation and safety, she still desires to marry Demetrius. Helena is completely submissive in this scene, proclaiming that her desires mean

The first way this can be seen is though her stating “Do not say so, Lysander, say not so. What though he love your Hermia? Lord, what though? Yet Hermia still loves you; then be content.” (Shakespeare 2.2 107-110) to Lysander. Here she starts to believe that she is being lied to, due to Lysander being in love with Hermia. This makes here have to deal with fake love from him being placed on her due to the mix-up by Puck. The second way this can be seen is through “Wherefore was I to this keen mockery born? When at your hands did I deserve this scorn? Is't not enough, is't not enough, young man, That I did never, no, nor never can, Deserve a sweet look from Demetrius' eye, But you must flout my insufficiency?” (Shakespeare 2.2 123-128) Here, she explains how she feels she does not deserve the mockery she believes he is playing on her. And how she feels she is a victim because she cannot get Demetrius to love her, no matter how hard she tries. The final reason she is a victim of love is though her statement “O spite! O hell! I see you all are bent To set against me for your merriment: If you were civil and knew courtesy, You would not do me thus much injury. Can you not hate me, as I know you do, But you must join in souls to mock me too?” (Shakespeare 3.2 145-150) to Demetris. From here she is angry how she feels that everyone is mocking her, due to him having not shown her love before this. And how he is not the only one who is mocking her, but so has Lysander and, in her mind, Hermia though Demetrius loving

At one time, Demetrius loved Helena, and then he fell in love with someone else. Initially, Demetrius had given his love to Helena: “He hailed down oaths that he was only mine, / And when this hail some heat from Hermia felt, / So he dissolved, and showers of oaths did melt” (MND 1.1.243-245). Helena loved Demetrius, and he promised to be with her forever. However once he met her friend, Hermia, Demetrius left Helena to chase after her friend. Helena’s jealousy of Demetrius’ love drives her to think about what he really wants. Helena believes that Hermia’s beauty is why Demetrius desires her. She tells Hermia, “Demetrius loves your fair”, and she goes further to say, “Were the world mine, Demetrius being bated, / The rest I’d give to be to you translated” (MND 1.1.182, 190-191). Her jealousy of Demetrius’ love has turned into jealousy of Hermia’s beauty. Helena obsesses over having Demetrius back to the point that she continuously follows him around. Demetrius is tired of Helena chasing him: “Do I entice you? Do I speak you fair?” (MND 2.1.199). Demetrius does not understand why she tries so hard to be with him when he does not even compliment her. Demetrius threatens Helena to leave him alone: “I’ll run from thee, and hide me in the brakes, / And leave thee to the mercy of wild beasts” (MND 2.1.227-228). At this point, he is beyond exhausted with Helena, and he will do anything to get away from her.

Women in today’s society feel as if they are given less power than a man and are fighting back for their rights. In his comedic romance novel, A Midsummer Night’s Dream, William Shakespeare portrays women as the weakest of the sexes. Throughout the tale, Shakespeare makes it a societal normal to treat women in this manner, which in old times, was accepted. Women in the story even see themselves as weaker than men and accept they are below them. Shakespeare’s conflict, imagery, and symbolism sets the stage for how the sexes are portrayed in this novel full of comedic irony.

The role of woman in the society has always been really controversial, whether it was 400 years ago or now. Shakespeare's two very famous comedy plays, The Taming of the Shrew and The Merchant of Venice challenge a very serious social issue, the role and importance of woman in society. We all know the stereotypical image of woman in the society but Shakespeare questions the society on these thoughts through his plays. While Shakespeare expresses his ideas in a very unique way in each of his plays, this issue is common in both plays and is portrayed very similarly. Whether it is the way woman are treated, portrayed or judged, Shakespeare repeats the same idea through difference acts and events between the two comedies. There are some

Helena is a very desperate and aroused woman who loves Demetrius with her life. Even though she shows a great passion of love for him, Demetrius rejects this and therefore piles another burden of sorrow onto Helena’s shoulders. She is fed up with Demetrius rejecting her, but Helena is not tempted to give up yet.

Shakespeare may be the most known playwright of all time, however, you may be surprised at how many unfair stereotypes this very famous writer incorporated into his plays. A Midsummer Night’s Dream is a comedy play written by William Shakespeare in the late 1500s that portrays events surrounding the marriage of Theseus, the Duke of Athens, to the extravagant Hippolyta, the former queen of the Amazons. Such events included Demetrius jilting Helena at the altar and falling in love with Helena’s rival instead, Hermia. However, Hermia is in love with Lysander, not a disdainful youth known as Demetrius. According to feminist theory, the theory that focuses on gender inequality. A Midsummer Night’s Dream would not be considered a feminist empowerment play because throughout the play Shakespeare portrays women as timid/easily frightened. He shows men having more power than women, and perpetuates the unfair stereotype that all women must act a certain way.