A Midsummer Night’s Dream by William Shakespeare

A Midsummer Night’s Dream by Shakespeare detailed the story between warring characters. From couple conflicts to love quadrilaterals and the interference of outsiders, the story played out as a comedy, with Helena on the receiving end of a running joke. Introduced in Act One as the jealous friend of Hermia, as she was in love with Demetrius, who decided to marry Hermia despite Hermia’s love for Lysander. Hermia appears rather guilty as she confirms her distaste to Demetrius to her friend. However, her father disapproves of her relationship with Lysander. Despite her co-dependent aspirations, Helena exemplifies progressive ideals that counter the societal norms of Midsummer’s era.

One of the aspects of love in the play; unrequited love, is when a person loves someone but that person is not loved back. This type of love is detected in Helena’s pursuit of Demetrius and in Demetrius’ pursuit of Hermia. The character of Helena is my favorite in William

Oberon, riddled with jealousy over his queen’s beloved “changeling”, plots to make a fool out of Titania with his magic potion so he may steal away the child. Oberon's love-potion has the same effect of that of the famed Cupid's arrows, it charms the sight of those it is anointed upon, and gets them to fall in “love” with the first creature they see. Oberon anoints the eyes of Titania and she ends up falling in “love” with the first creature she sees, Bottom, an actor who is rehearsing in the woods, who’s head has been turned into that of an ass by Puck. Oberon plan is successful, he is in fact able to steal away the child while his queen dotes upon Bottom, but then things start to get more complicated in the moonlit woods.

In A Midsummer Night’s Dream, as in many of Shakespeare's plays the main theme is love. Shakespeare presents many different aspects of love in the play. He shows how love can affect your vision of reality and make you behave in irrational ways. He presents many ways in which your behavior is affected by the different types and aspects of love. The main types of love he presents are; true love, unrequited love, sisterly love, jealous love, forced love, and parental love. Shakespeare tries to show what kinds of trouble, problems and confusion, love can get you into.

These words and the entire alliance between Demetrius and Helena have the subtext of a sexually sadistic and masochistic relationship (Greene et al. 151). This correlation leaves little in Helena to be admired by feminist critics. Her only intelligent scene in the play spawns from her discovery of the Athenian lads' infatuation with her as she screams, "Can you not hate me, as I know you do/ But you must join in souls to mock me too?" (III.ii.149-150).

Love is a theme which reoccurs through many of Shakespeare’s Plays. In ‘A Midsummer Night’s Dream’, the theme ‘Love’ is presented from the very beginning in Act 1 Scene 1, through Shakespeare’s use of poetic language, structure and vivid imagery.

Furthermore, the lines earlier shows Oberon’s plan to control and submit Titania to his will. His plan to make her fall in love with animals by using a potion indicates that he wants to embarrass Titania. He wants to use his power to manipulate her feelings. He craves the control that he did not have earlier in the play when Titania did what she wanted to do. Therefore, his desire to gain control results in the changing of Titania’s fate. Titania’s actions are based on Oberon’s power. Likewise, Oberon gains satisfaction by executing his plan which empowers him and gives authority. Further, not only does Oberon make plans to control Titania, but he also becomes the cause of the conflict among Lysander, Demetrius, Hermia, and Helena. Oberon’s decision to meddle in their affairs directly impacts their fate as they become powerless over their situation. Oberon’s overwhelming sense of entitlement for utter control affects the events that transpire in their lives. Specifically, Oberon’s interference changes how two of the main characters, Lysander and Hermia interact with each other. Their mutual attraction to each other is altered as a result of Lysander’s will becoming influenced by Oberon. Thus, Lysander professes his love for Helena. Then, Hermia verbally attacks Helena:

The obstacle that Helena faces occur because of her love for Demetrius. She is in love with him, however the love is not returned. Helena’s love stems from a night she spends with Demetrius. Lysander explains that Demetrius has won Helena’s heart by saying, “Demetrius, I’ll avouch it to his head, Made love to Nedar’s daughter, Helena, And won her soul; and she, sweet lady, dotes,” (Shakespeare 1.1. 108-110). Demetrius does not have any feelings for Helena, he uses her for his own sexual pleasure, However, Helena falls more in love with Demetrius after she experiences the sexual act. This further causes a strain in Helena because of the feelings she has for Demetrius. Helena must figure out whether he shares the same feelings that she does for him. Helena recognizes that her love for Demetrius has a strong influence on her actions. Helena explains that she loves Demetrius’s very basic qualities saying, “So I, admiring of

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

Helena is portrayed as a desperate character, her passion being for the love of Demetrius. Helena spends most of the story pursuing Demetrius in hope of receiving any form of affection in return, only receiving affection due to magic. While chasing Demetrius, Helena says “What worser place can I beg your love, - And yet a place of high respect with me, - Than to be usèd as you use your dog?” (II.i.208-210) Helena, knowing demeaning herself to the position of a dog, believes that she is not worthy enough for such authority, therefore hoping she will be given the honour. Helena compares herself to a dog in the sense that the more Demetrius rejects her, the harder she will try to receive any emotion from her master. Although heartbroken by Demetrius’ hatred for her, Helena showers Demetrius with comments, only to be continuously beaten down. This is explicitly shown when Helena comments on Demetrius’ demeanor and is, again rejected, saying, “You draw me, you hard-hearted adamant; But yet you draw not iron, for my heart Is true as steel: leave you your power

Helena and Hermia quarrel as Helena calls Hermia “something lower than [her]self” (III.ii.303), and Hermia threatening her as her “nails can reach unto thine eyes”. (III.ii.298). Afterwards, the men also pick fights with each other, “try[ing] whose right […] is most in Helena” (III.ii.336-7). In these two situations, the women, who are not under an enchantment, are perceived as foolish as the guys, who are under enchantment. This suggests that women who are in love are just naturally foolish and are willing to pick fights with other women for stealing their lovers in comparison to men who are much more calm and reasonable until they have been cast under a literal spell where they cannot help but act foolish and aggressive. Women are also seen as naturally emotional and hysterical when it comes to love. Helena begs Demetrius to “spurn me, strike me, neglect me” (II.i.205) and that she will still “fawn on you” (II.i.204). Helena is over the top with her love for Demetrius that she does not realize what she is saying which indicates how emotional women naturally are for the ones they love and that men are much more level-headed as Demetrius shuts her down, saying that she “impeach [her] modesty too much” (II.i.214). Lastly, the women in this play, specifically Hermia, are irrational and do not think consciously. For example, when Hermia exclaims to “kill me too” (III.i.49) to Demetrius when she thought he

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil