A Moveable Feast

Wyche also shows that writers like Hemingway may be influenced by what is going on in their personal life. Wyche also aims to relate Hemingway’s life and that of the author. Towards the end of the text, Wyche provides a comparison of Hemingway’s real life and the author and notes that he always had a way of feeding his artistic side from his personal experiences. Hemingway’s work was a mirror of reality and much of his reality. Wyche as an author therefore aimed at showing the relationship between and an artist’s

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Ernest Hemingway’s writing reflects the historical landscape and artistic movements of his time. As the world changed, the flourishing age of Victorian writing transformed into the era of Modernism. One can see this noticeable change through the structure of Hemingway’s signature writing style, as well as his focus on the great internal and external struggles presented at the turn of the century. Hemingway’s In Our Time fits cohesively within the expression of visual art, poetry, and prose--including the artist’s willingness to break out of the typical structure and traditional form of storytelling.

Benson, Jackson, J. The Short Stories of Ernest Hemingway Critical Essays. Durham: Duke University Press, 1975. Print.

The words and works of an author are like a fingerprint. They are unique, distinct and enable you to identify the owner. Some writers choose to remodel techniques, while others choose to create their own. This is the case with Ernest Hemingway. I chose this author because he not only respects his audience but, trusts them to discover the true meanings of his works. Between each line and word is an emotion and purpose that transcends the dialogue. The former reporters roots have caused him to create his own style of writing now coined as “The Iceberg Theory”. This direct, minimalistic style leaves and enduring impression on the reader and has made his writing instantly recognizable. In Hemingway’s works, the dialogue brilliantly executed technique subtly exposes the reader to his theme that revel dark parts of the human psyche when it comes to war, love and humanity.

In both Mark Twain’s “Two Ways of Seeing a River” and Charles Yale Harrison “In the Trenches,” the authors use elaborate imagery to enhance the reader’s perception of their autobiographical narratives. The descriptive language allows Twain to illustrate an image of the once lustrous river in the reader’s mind while it allows Harrison to immerse the reader in the gruesome reality of the trenches. Both authors effectively use sensory imagery to describe their surroundings; however, they use different approaches. Twain creates visual images in the reader’s mind whereas Harrison uses all the senses to augment the reader’s imagination.

“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also

First, Hughes uses the element of repetition to support the theme of memory and the past. In Hughes short poem, the line “I’ve known rivers” is repeated in the first and eleventh line (Hughes 1). When Hughes says, “I’ve known rivers”, he starts off the poem and instantly talks about the past. He talks about the past by saying he has known rivers, and not that he knows rivers. Since the line starts off the poem, it leads into the memory of the entire list of rivers he has known. The Euphrates, Congo, Nile, and the Mississippi are all rivers that he remembers and has previously “looked upon” or “bathed in” (Hughes 5,7). Hughes choice to repeat this line makes it stick in the reader’s head that he remembers the rivers and has past experiences around the rivers. Hughes wants the reader to know that he knows about the rivers he mentions in his

take on Hemingway’s work. The main literary analysis that will be explained is the significance

The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.

The art capital of the world began in Paris, France where artists were given free reign and creative development to indulge their psyches without fear of odious disparagement that would damage their careers. Paris as a city, as well as an art center, experienced prolific transformations and developments in the nineteenth century that allowed these innovative ideas to prosper. These alterations can be expounded in depth via the economic, technological, and sociological aspects of each. Through the persona and exploration of the well-known writer, artist, and critic, Charles Baudelaire, these innovations can be expatiated and exemplified.

Claude was one of the art innovators in this sense. It was unaccepted that “peasant life,” industrial subjects like smoke stacks, and working life could be seen as aesthetically

Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to

“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.

As well as Matisse’s Bonheur de Vivre, Pablo Picasso’s Les Demoiselles d’Avignon was inspired by and deviated from Cezanne’s great achievement. Cezanne’s landscape is a broad open field with the abstract females surround a pond as they bath with abstract surroundings, very much different from Picasso’s