A Musical Called The Wonderful Wizard Of Oz With An All African American Essay

African American women are stereotyped as the “Jezebel” archetype. African American women’s historical background causes the

In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are

The Merriam Webster dictionary defines “African American,” as an American who has African and especially black African ancestry. Being born in the United States and being American I have always been classified as African American, because my skin was dark, my hair was tightly coiled and because my parents were black. As a black child growing up here believed I was African American because my parent were African. I knew Africa from the Lion King and National Geography. I knew of the music because it played on a loop in our Georgia home, when I was trying to watch Disney or Nickelodeon. I knew of the food, because I was made to eat it instead of McDonalds. So to me, Africa and Africans where distant, it belonged in the world of fairytales.

As Americans, we are privileged with diverse experiences. With this comes a perceived understanding of many cultures and their influences but in fact full cultural literacy is impossible to achieve.

During my early years of school, I remember being taught white accomplishments and wondering if blacks and other people of color had made any significant contributions to today's world. I noticed that television consist of all white people. Throughout my research paper I hope to cover certain aspects of African American heritage. Aspects such as blacks making up the largest minority group in the United States, although Mexican-Americans are rapidly changing that. The contributions blacks have provided to our country are immeasurable. Unfortunately though rather than recognizing these contributions, white America would rather focus on oppressing and degrading these people. As a consequence American

Slavery began in the late 16th century to early 18th century. Africans were brought to American colonies by white masters to come and work on their plantations in the South. They were treated harshly with no payments for all their hard work. In addition, they lived under harsh living conditions, and this led to their resistance against these harsh conditions. The racism towards the African Americans who were slaves was at its extreme as they did not have any rights; no civil nor political rights.

I believe that the short story clearly presents the stereotypes of rural Black women, and the challenges and struggles that African women faced with regard to heritage, personal fulfillment, and family relations as the past collided with the present realities. The concepts of family and Black women within this short story are highlighted by the fact that the three main characters among who the story revolves are all Black women and members of the same family. The clash of the past and future, personal fulfilment, heritage struggles, and the stereotyping of rural Black women is visible in the clear contrast of attitudes and ambitions of Dee and her boyfriend, who represent the future, and mama and her daughter Maggie, who in this case embody the past.

Culture is not a fixed phenomenon, nor is it the same in all places or to all people. It is relative to time, place, and particular people. Learning about other people can help us to understand ourselves and to be better world citizens.

“The Book of Negroes is a master piece, daring and impressive in its geographic, historical and human reach, convincing in its narrative art and detail, necessary for imagining the real beyond the traces left by history.” I completely agree with The Globe and Mail’s interpretation of this story. One could almost see the desolate conditions of the slave boats and feel the pain of every person brought into slavery. Lawrence Hill created a compelling story that depicts the hard ships, emotional turmoil and bravery when he wrote The Book of Negroes.

I firmly believe that the point of visiting a museum is to educate one on how things once were in the past through its display of artifacts, exhibits, art, cultural objects, etc. Its purpose is to let you imagine what it was like during a time you were not apart of or, in some cases, allow you to look back at a time you were apart of when you were very young. The African-American Museum of Long Island did a great job at presenting some of the many African-American contributions to society. In addition to presenting contributions from the African-American community, the museum was able to show us some of the struggle they were required to overcome as well.

The life of African Americans in the 19th and 20th centuries has been a truly storied past. One of the most astonishing aspects of African American life, in this period, is the degree to which it was heterogeneous. The experiences of African Americans differed widely based on geographic location, class, gender, religion, and age. Despite a high degree of variability in the experiences of Blacks in America, if one were to consider the sociopolitical fact that Black people as a group in America were a subordinate caste in dominant society, then it becomes possible to make certain overarching connections. One such connection is the presence of secretive subversive ideologies and actions. The existence of these secretive subversive activities is apparent if one examines the labor tendencies, the folklore, and the outward societal projections of black people. By briefly examining the labor practices of Black women in Atlanta during the latter part of the 19th and early part of the 20th centuries, The Uncle Remus tales, and cultural icon Louis Armstrong, one can deduce that secretive subversive actions and beliefs were an integrated aspect of Black existence during this period.

By the time Michael Jackson, Diana Ross, Nipsey Russell, Lena Horne and Richard Prior took the Wiz to the silver screen in 1977, the show had already been a Tony Award-winning Broadway hit. In fact, the 1975 "Wizard of Oz" adaptation was still running strong on Broadway when the movie was released. It would be moved to the Broadway Theater in May of 1977 where it would spend the next four years providing nearly 2,000 performances. Over the next few decades, the movie would earn the moniker "cult classic".

   Historically, the job of women in society is to care for the husband, the home, and the children. As a homemaker, it has been up to the woman to support the husband and care for the house; as a mother, the role was to care for the children and pass along cultural traditions and values to the children. These roles are no different in the African-American community, except for the fact that they are magnified to even larger proportions. The image of the mother in African-American culture is one of guidance, love, and wisdom; quite often the mother is the shaping and driving force of African-American children. This is reflected in the literature of the

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

Mammie, Jezebel, and the ever ready prostitute and Sapphire. In “Four Women” Nina Simone links the history of black women in America as defined