A Narrative Of Me And You Written By Niccolo Ammaniti 's And Directed By Bernardo Bertolucci

Throughout the novel, I’m Not Scared the hero, Michele, realises that the adult world is not as innocent and caring as he originally thought. Niccolo Ammaniti’s novel takes the reader on a journey through an innocent and too trusting world seen through the eyes of a nine year old boy, Michele. It is set in Southern Italy in the hot summer of 1978. Michele finds a dirty, incoherent boy, Fillipo, chained in a hole hidden outside his village, but is too scared to speak of it. He begins to connect the boy, his own impecunious parents, and an unexplained visitor, with a headline kidnapping that has the whole country on edge. Michele discovers that people around him, particularly his father, are capable of cruel actions.

The first episode takes place south of Sicily as an American soldier, Joe, and an Italian teenager, Carmela, try to communicate after Carmela safely led a group of American soldiers. At one point, Joe and Carmela are alone and struggling to converse because of the language barrier. They do not understand each other’s ways and dialect. Joe and Carmela end up bonding as Joe speaks of loneliness and homesickness, demonstrating a connection aspect between varying cultures. This feature of communication is broken when violence interferes and Joe is killed. Carmela shows obvious sorrow over the loss, displaying realism and progressing the relationship between Italians and Americans. This episode introduces a multitude of themes that present themselves again later in Paisan. Joe and Carmela’s language barrier is an effort at a mutual understanding and interaction between Italians and Americans. As an opening episode, this scene shows a level of vivid reality and brings awareness to humanity.

**Remember the types of point of view (1st person , 3rd person). Which point of view is the story told in? Consider that the narrator is telling a personal story and uses “I” or “Me” to do so.

Two films, both alike in content, set in fair Verona, where the directors laid out their scene, one created by Franco Zeffirelli in 1968 and the other by Baz Luhbrmann in 1996. Both cinematic, both staying true to the plot and dialogue, each one radically different than the other, Zeffirelli sets his film within historical actuality, while Luhbrmann presents his with a modern twist. A story of love, revenge and death, revolving around a pair of star-crossed lovers, interpreted differently, but presented in the same form.

Ammaniti’s novel I’m Not Scared set in Acqua Traverse, Italy 1978 is a powerful text, which explores relevant social themes and issues. Besides being a tale of adult cruelty and lost innocence we cannot ignore the role in which loyalty and betrayal play in the novel. These central themes make this novel a compelling text.

Dante Alighieri wrote the Divine Comedy from 1308-1320. The story narrates Dante’s pilgrimage through hell, purgatory, and heaven while guided by Virgil and Beatrice. Throughout this journey Dante conforms himself to virtue, properly orders his passions, and conforms his conscience, “Dante 's psychopoiesis operates through the mimetic deformation, reformation, and transformation of conscience” (Macready, 2). This essay will examine what a true conscience is according to the Catechism of the Catholic Church and explore the nature of the conscience in Dante’s Divina Commedia. Additionally, this essay will examine the errors of Dante’s conscience regarding divine justice, love, and courage; and who contributes to this formation.

Have you ever thought that three completely different stories might have something in common? It might seem unlikely, but now you can change what you previously thought! The short stories Contents of a Dead Man’s Pockets by Jack Finney, The Leap by Louise Erdrich, and The Trip by Laila Lalami, all have their similarities and differences on several aspects. This can be demonstrated through the topics of setting, conflict, characters, and theme. These topics help make up the plot of each story. No story is the same, but they can have similar messages or themes meant for the audience. Some can argue that these three short stories are completely different, but other individuals differ. These main elements from each story can be both, depending on one’s point of view.

Authors use literary elements dramatically in short stories to influence a certain feeling on the reader or to send out a certain message to the audience. Throughout the stories, “The Interlopers” and “Lamb to the Slaughter”, both authors use elements to make their story appealing to the reader. Saki, the author of “The Interlopers” uses his examples of literary elements precisely and tremendously, which makes his story better than Dahl’s “Lamb to the Slaughter”.

The narrator is the protagonist's brother, Biagio, who is telling the story from his perspective and from what he has heard from his brother. The protagonist, Cosimo, and Biagio are the sons of the Baron, the Duke of Ombrosa. Their mother, the Generalessa, is the daughter of a famous general. Their sister, Battista, likes cooking gruesome food with varieties of animals inside and feeding it to the family. Therefore, to protest, Cosimo and Biagio releases the snails that Battista was planning to use. Their father punishes them and locks them up for 3 days. After they are let out, Battista prepares them a meal with snail, which the father threatens them to eat. Cosimo refuses and climbs up a tree, where he proclaims that he will ”never come down again” (13). As the family ignores Cosimo, believing that he will eventually come back down, Cosimo climbs into his neighbor's villa and befriends the daughter, Viola. Later, Cosimo makes

Michele and Filippo, even though they are the same age are very different. Their upbringings are contrasting. Filippo is obviously from a rich background. He speaks of his electric train set (pg. 86). His mother, after appealing to his kidnappers on TV, appears to be in ‘a big leather armchair in a room full of books' (pg. 86). Michele's upbringing is the complete opposite. His bike, The Crock, is old and previously belonged to Pino (pg. 6), and he longs for a new one, however understands his family cannot afford it. He shares a corridor-turned room with his sister and his house is small. Despite all the differences in their lifestyle, Michele and Filippo share many of the same personal attributes, like honesty. Their actions and thoughts also depict a very same innocence, and childlike imagination.

This clever story is crafted down to the smallest detail - every word and expression implies something, often has a second meaning and so manipulates the reader's opinion. The factor that makes this story even more

The story is told from the narrator’s point of view and it contains a changing

In the novel Me And You by Niccolò Ammaniti, Lorenzo, the fourteen years old boy is unable to care for people except his parents. From Lorenzo 's point of view, he camouflages among his peers to get through his life. Even though he claims that he is superior and unique than the others, deep down it is a lie that he tells himself to protect his self-esteem from the fact that he can not make friends as an outcast. After spending time with the unexpected visitor, who is his half-sister Olivia, Lorenzo experiences sympathy and love for the others for the first time. Lorenzo transformed from a boy who runs away from his problems to a teenager who is able to take care for the others and brave enough to step out for his own life all due to his time together with Olivia. On the whole, Lorenzo is trapped by his narcissistic personality disorder that he can not understand his needs for friends and community until his half sister taught him how to love and be loved outside of his circle over an accidental encounter in the basement.

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family

Mario Puzo’s "The Godfather" was the first and most influential gangster movie that paved the way for gangster movies of the future. The movie was directed by Frances Ford Copolla, who made many different ingenious ways to portray this gangster classic. The movie was a very subversive movie, and one of the first of all time.The Godfather has a many different uses of light settings through the whole movie, in which the movie can be interpreted on.