Similarities Between A & P And Where Are You Going Where Have You Been

John Updike is considered one of the greatest writers in modern American history. He is known for the idea that seemingly ordinary aspects of American life are actually quite fascinating. He wanted readers to see the beauty and magic of life, so he tried to describe everyday things using the most clear but beautiful language possible. Many of Updike’s pieces are drawn from his own life such as his marriage and his boyhood, as shown in three of his short stories: “A&P”, “Ace in the Hole”, and “Pigeon Feathers”. Updike’s narrative technique is explored through the analysis of plot structure, thematic patterning, and irony in these three short stories.

In John Updike's J and P, Sammy a hard working young man takes an easy decision that not only makes him lose his job, but change his life forever. Sammy who’s works as a cashier at a local grocery store. Is put in a situation where “three girls in nothing but bathing suits,”(Updike), walk in the store and aren't following the dress code. Unfortunately everyone was staring at them with disrespect; everyone but Sammy, who believes what Queenie and her friends were making a statement that shouldn't be overlooked. He wanted to stand up for the girls, but Sammy began to look at both sides of what

This story could make one wonder, how far would you go to get the person of your dreams. Three young ladies walk into the A&P store wearing nothing but bathing suits. The girls catch the attention of Sammy who is the cashier. Sammy watches the girls walk around the store while making mental notes about each one of the girls. When Mr. Lengel the store manager sees the girls, he lets them know that the store policy is to have your shoulders covered and to dress appropriately when you enter the store. This conversation upsets Sammy, so in the moment Sammy spontaneously quits his job in hopes of being the girl’s hero. After Sammy takes off his apron and walks out the door he looks around, but the girls have already gone. Within John Updike’s short story “A&P” the author uses foreshadowing, a dynamic character, and symbolism to show us how life can be unpredictable at times.

When three young teenage girls enter the store wearing nothing but bathing suits, things begin to change for Sammy. Sammy takes notice of the actions of the girls; how they go against the normal “traffic flow” of the supermarket and break the social rules of society with their attire. It is these attributes that attract Sammy to them, as they represent freedom and escape from the life he finds himself in. When Lengel approaches them and reprimands them for what they are wearing, Sammy quits in the hopes of becoming the girls unsuspected hero.

When Lengel sees the girls at the checkout counter, he says, “Girls, this isn’t the beach.” As the girls leave the in a hurry, Sammy says, “I quit.” Sammy hopes that the girls will hear, but they don’t and just keep on walking out to their car. Lengel reassures Sammy that he doesn’t want to quit, but Sammy wants to be these girls hero. As Sammy gets out to the parking lot, he looks around for the girls. He hoped that they would wait for him. Sammy thinks that he could hook-up with Queenie if he quits his job.

First it all, Sammy decide to quit his job because of his boss, Lengel has insulted the girls inside the store. Sammy feel unsuspected hero when he defend the girls to the manager. For example,

What truly gets the attention of Sammy is Queenie’s pink bathing suit that had straps that were pushed off which exposed her bare shoulders. He describes that with the straps down you can see just “her” and how she was “more than pretty.” Customers of A & P are in shock when they witness the girls’ appearance in the store. Stokesie, another cashier at A & P who is only three years older than Sammy, is married with two kids. He does not resist fantasizing over the girls. He makes commentary along with Sammy, again clearly displaying the mindset of that age group. The store is quiet, Sammy is anxiously awaiting the girls to come into view as there is nothing else to do. He fabricates scenarios in his head such as which check out aisle they will choose when their shopping has concluded.

Adolescence, the part of life we are most willing to forget. The awkward years of being stuck between, not yet an adult but certainly not a child. These years, however awful they maybe, are essential to the character that later develops. During adolescence we make decisions that shape the course of our life, from the personal interactions between friends and family to the academic decisions that impact future career, choices you make as a young adult impact you forever. Partially due to the importance of these short few years, it is not surprising how often children can make poor choices that derail their entire life. Increasing at startling frequency, these stories foretell of a dismal future. Due to this cautionary tales of adolescence have been rising in pop-culture. One of these is “Where are you going? Where have you been? By Carol Joyce Oates. This story tells of Connie, a young adult trying to make the leap to adulthood. Connie in her attempt to breach the gap ends up in drawing attention of Arnold Friend sealing the fate of her poorly executed coming of age. Connies ill fated coming of age in “Where have you been? Where are you going?” by Carol Joyce Oates acts as a cautionary tale about modern perils of adolescence.

Sammy asserts his individuality when he quits. He knows that Lengel has every right, according to the standards of his time, to speak to the girls as he does. But by standing up for the girls, Sammy questions those standards and asserts that there is a higher standard of decency that says one should not embarrass others. In deciding which rules of conduct are more important, he asserts his individuality, unlike the girls who slink away because they know they have violated the rules of conduct.

John Updike presents significant items to represent certain points in the story like the girls bathing suits, the herring snacks, and the sheep. When the girls walk into the A&P, they caused a disruption mainly because of what they were wearing, bathing suits. During that time, women were expected to be fully clothed when entering a store or else they drew attention to their sexuality, which Sammy noticed quickly. As everyone reacted to their bathing suits it later represented a kind of freedom to Sammy. After Lengal body shames them saying, “Girls, I don't want to argue with you. After this come in here with your shoulders covered. It's our policy” (Updike 20), it crushed Sammy’s freedom feeling, so he reacted. Sammy also feels the contrast between the girls and the sheep as they try to purchase

The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.

Infrequency rather than frequency triggers the events that occur in the A&P grocery store. The sexually appealing nature of the girls provokes Sammy’s carnal appetite and engenders rebellious feelings towards conformity as well. This allows him to realize that his life has been tailored to that of the mundane lives of the other A&P employees and customers. However, this epiphany leads Sammy to act impulsively when the girls are being admonished for their revealing attire by Lengel. Lengel, the conventional and austere store manager, further embodies the conformity that surrounds Sammy as Lengel reprimands the girls for wearing bathing suits in a grocery store. As Sammy sees his manager embarrassing the girls, Sammy has the choice of being a “sheep” or breaking out of the conformed structure of the A&P store, such as the girls has done. Sammy is refreshed by the uniqueness the girls bring, and he also wants to be part of that. This shows that he wants to protect what the girls and what they represent, which is contrast to conformity. Sammy ultimately decides to defend the girls’ honor by quitting his job, and thus makes the statement of not being a “sheep” that is mindlessly led by society. Although this decision was driven partly by carnal feelings, it was primarily out of impulse and curiosity of what lies beyond the restricted borders of normalcy in the A&P grocery store. Even though Sammy quit his job for the girls,

In a continuing attempt to reveal this societal conflict, Updike introduces the character of Lengel, the manager. He accosts the girls and starts to make a scene accusing them of being indecent: “‘Girls, I don’t want to argue with you. After this come in here with your shoulders covered. It’s our policy.’ He turns his back. That’s policy for you. Policy is what the kingpins want. What others want is juvenile delinquency” (Updike, 600). When the store manager confronts three girls in swimsuits because of their indecency (lack of proper clothes), they are forced to leave humiliated. At this moment Sammy makes the choice to quit his job in protest of the manager’s handling of the situation. In his mind, and arguably in John Updike’s mind, the standards of walking into a grocery store in a bathing suit and humiliating someone in front of other people are both unacceptable. This part of the story is pivotal for one main reason: a voice in the business community is speaking. As a manager at A & P, Lengel is the voice of The Establishment and guards the community ethics (Porter, 321). Queenie’s (the ringleader of the girls) blush is what moves Sammy to action. Here are three girls who came in from the beach to purchase only one thing, and this kingpin is embarrassing them in order to maintain an aura of morality, decency,

In the story A&P by John Updike a young cashier by the name of Sammy learns about the power of desire and the mystery of others minds when working at an A&P supermarket in a small town north of Boston in the 1960’s, where there was a lot of social norms and many people didn’t step out of them. The young nineteen-year-old Sammy wasn’t expecting his Thursday shift at A&P to go the way it did when income three young girls but, these are not your socially normal teenagers who come walking in the door. The moment these girls walk into the A&P they attract every male eye in the store towards them, which clearly shows the kind of power their sexuality grants them over their opposite sex. In turn, Sammy imagination and interpretation of these

As the girls continue their journey throughout the store, Sammy can’t help but to notice anything and everything that they did. As they proceed, they grab fancy herring snacks and walk into Sammy’s checkout isle. Because they decided to go into Sammy’s lane might not have had anything to do with Sammy at all, however he took it as if he was chosen specifically because Queenie had some sort of attraction to him. Sammy instantly becomes emotionally attached to Queenie as he rings her up, even going so far that he fantasizes about the life he could have with her, and how much better his life would be with her in it. In the midst of Sammy’s daze, his boss, Lengel, emerges from his office to reprimand the group of girls for their attire. Lengel makes a scene, and publicly embarrasses the girls. As the girls scurry away to Queenie’s mother’s car, Sammy makes a desperate final attempt to impress Queenie by quitting his job and standing up for them. Lengel seemingly realizes what Sammy is trying to do, and offers him an out. Because of Lengel’s good relationship with Sammy’s parents, Lengel says, “Sammy, you don't want to do this to your Mom and Dad.” Although Sammy is given the opportunity to take back his foolish act, Sammy tells us, “But it seems to me that once you begin a gesture, it’s fatal not to go through with it.” This points to Sammy’s immaturity, his only